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36 - Beneath the Lower Lights (2019)

36 - Beneath the Lower Lights (2019)

BAND/ARTIST: 36

  • Title: Beneath the Lower Lights
  • Year Of Release: 2019
  • Label: Past Inside The Present/PITP-C006
  • Genre: Ambient, Downtempo
  • Quality: lossless (tracks)
  • Total Time: 41:01
  • Total Size: 186 mb
  • WebSite:
Tracklist
1. Ametsa (05:01)
2. Dead Satellites (04:29)
3. Find You (04:27)
4. Eternal Blue (04:03)
5. Origin Beach (03:18)
6. Tokyo Loop Line (04:39)
7. A Gentle Dystopia (04:21)
8. Astral Rejection (06:08)
9. Signing Off (04:35)


'Beneath The Lower Lights' is a compilation that features an alternative selection of tracks, taken from the 'Audio Diary' archive:

"During the months of April 2018 to April 2019, I worked on a new project, which I called an "Audio Diary" documenting all the music I made over a single year. I have always wanted to do something like this, but time constraints and outside commitments always prevented it. Since 2017, I have been fortunate enough to be able to work on music full-time as my sole career, so I figured the time was right to finally crack my knuckles and do it.

My early albums were more like compilations of random tracks I made, but in recent years, I have shifted towards conceptual albums, that have a more focused, curated feeling. This is great for creating a consistent sound from start to end. But as a listener, I have a soft spot for dynamic albums, that shift and swerve in sound, constantly surprising the listener. This is why the idea of an Audio Diary felt appealing to me, because I could just make music without any pretense or grand goal; It was just making music for the sheer joy of it, without any regard for the tracks that come before or after it. It felt like returning to my old method of working, albeit with 10 years of experience on my back!

I was expecting to create around one track a month, but during the first 6 months, I was averaging about 1 track a week. When inspiration strikes, I have learned not to fight it! I think a key part of this prolific output is because I created a consistent pattern for how and when I worked. All tunes were made after 8:00pm every evening, when it was quiet and there were no distractions. Most of the tunes were brand new and made on the spot. But I also took the time to browse through my archive of unfinished tracks and see if any of them showed potential. The luxury of time gives birth to many new ideas! This is why I never delete any track I work on, because they can often be the catalyst for future ideas. Everything finds it place eventually."



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