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Count Basie and Ella Fitzgerald and Joe Williams - One O'Clock Jump (Expanded Edition) (1957/1999)

Count Basie and Ella Fitzgerald and Joe Williams - One O'Clock Jump (Expanded Edition) (1957/1999)
  • Title: One O'Clock Jump (Expanded Edition)
  • Year Of Release: 1957/1999
  • Label: Decca (UMO)
  • Genre: Jazz, Vocal Jazz
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 00:49:19
  • Total Size: 118 mb | 329 mb
  • WebSite:
Tracklist:

01. Ella Fitzgerald - Too Close For Comfort
02. Count Basie - Smack Dab In The Middle (feat. Ella Fitzgerald & Joe Williams)
03. Ella Fitzgerald, Count Basie & Joe Williams - Amazing Love
04. Ella Fitzgerald, Count Basie & Joe Williams - Only Forever
05. Ella Fitzgerald - Don't Worry 'Bout Me (feat. Joe Williams & Count Basie)
06. Ella Fitzgerald - Stop, Pretty Baby, Stop (feat. Joe Williams & Count Basie)
07. Ella Fitzgerald - One O'Clock Jump (feat. Joe Williams & Count Basie)
08. Ella Fitzgerald, Count Basie & Joe Williams - Jamboree
9. Count Basie - I Don't Like You No More (feat. Ella Fitzgerald & Joe Williams)
10. Ella Fitzgerald, Count Basie & Joe Williams - From Coast To Coast
11. Ella Fitzgerald - Too Close For Comfort
12. Ella Fitzgerald - One O'Clock Jump (feat. Joe Williams & Count Basie)
13. Ella Fitzgerald - One O'Clock Jump (feat. Joe Williams & Count Basie)

This recording could be considered a near-sibling to April in Paris, since several of its tracks date from sessions recorded the same month. Others overlap with material cut for The Greatest!! Count Basie Plays, Joe Williams Sings Standards, and aren't as compelling, either as Joe Williams vehicles or Basie showcases. As either of those, though, it does have its moments, most notably the original finale, arranger Ernie Wilkins' "From Coast to Coast," an eight-and-a-half-minute blow-out, the Ella Fitzgerald-Joe Williams duet on "Too Close for Comfort," and the title track, rearranged by Wilkins but close to the classic rendering, which features lively solos by Frank Wess, Benny Powell, Frank Foster, and (especially) Joe Newman and Henry Coker. Williams is the dominant presence on the album, singing on seven of the original ten tracks, and his presence is a bit of a drag on some of the proceedings, especially "Only Forever." His work with Basie from this era is better represented on Count Basie Swings, Joe Williams Sings, although he and the band acquit themselves very well here on "Stop, Pretty Baby, Stop," where all hands are firing on all cylinders at once.


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