I Sonatori, Knut Schoch - Sacra Partitura (2019)
BAND/ARTIST: I Sonatori, Knut Schoch
- Title: Sacra Partitura
- Year Of Release: 2019
- Label: Christophorus
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:06:49
- Total Size: 337 mb
- WebSite: Album Preview
Tracklist
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01. Sacra Partitura: No. 12, Magnificat
02. Daß Vater unser: Var. 4
03. Daß Vater unser: Var. 19
04. Daß Vater unser: Var. 28
05. Sacra Partitura: No. 1, O Vatter aller Frommen
06. Daß Vater unser: Var. 40
07. Sacra Partitura: No. 2, Haec Est Dies
08. Sacra Partitura: No. 3, Veni Salvator
09. Violin Sonata in E Minor
10. Sacra Partitura: No. 3, Natus Est Jesus
11. Sacra Partitura: No. 14, Sonata sopra "La Monica"
12. Sacra Partitura: No. 5, Deus, Deus Meus
13. Sacra Partitura: No. 6, Christ lag in Todesbanden
14. Sacra Partitura: No. 13, Violin Sonata in D Minor
15. Sacra Partitura: No. 11, Laudate Dominum
At the Collegiate Church in Stuttgart, the largest regional church in Württemberg (South Germany), and burial site of the Dukes of Württemberg, who lived in the neighbouring castle, a new organist was appointed in 1652: Philipp Friedrich Böddecker (1607-1683). His Sacra Partitura, a collection of eight motets and two sonatas, was printed in Strasbourg in 1651, when his negotiation with the church council had already begun. These compositions might have been decisive for Böddecker’s appointment, particularly as the composer dedicated the collection to the Duke’s musical sister, Duchess Sibylla.
The music is composed in typical concertante style, but influenced by Italian monody and Monteverdi’s seconda pratica. In his preface, Böddecker informs us that he would have “preferred to publish a work with more voices than just a voce sola,” but was forced to comply with the specifications of the ‘coffers’ and the publisher in the troubled times after the Thirty Years’ War. The compositional technique is not, however, a makeshift solution. On the contrary, Böddecker’s fine works fit into a style of music which had increasingly been flourishing in German-speaking regions since the first half of the century: the sacred concerto for small ensemble, placing a virtuous melody with great emphasis on the text above a richly scored basso continuo group.
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01. Sacra Partitura: No. 12, Magnificat
02. Daß Vater unser: Var. 4
03. Daß Vater unser: Var. 19
04. Daß Vater unser: Var. 28
05. Sacra Partitura: No. 1, O Vatter aller Frommen
06. Daß Vater unser: Var. 40
07. Sacra Partitura: No. 2, Haec Est Dies
08. Sacra Partitura: No. 3, Veni Salvator
09. Violin Sonata in E Minor
10. Sacra Partitura: No. 3, Natus Est Jesus
11. Sacra Partitura: No. 14, Sonata sopra "La Monica"
12. Sacra Partitura: No. 5, Deus, Deus Meus
13. Sacra Partitura: No. 6, Christ lag in Todesbanden
14. Sacra Partitura: No. 13, Violin Sonata in D Minor
15. Sacra Partitura: No. 11, Laudate Dominum
At the Collegiate Church in Stuttgart, the largest regional church in Württemberg (South Germany), and burial site of the Dukes of Württemberg, who lived in the neighbouring castle, a new organist was appointed in 1652: Philipp Friedrich Böddecker (1607-1683). His Sacra Partitura, a collection of eight motets and two sonatas, was printed in Strasbourg in 1651, when his negotiation with the church council had already begun. These compositions might have been decisive for Böddecker’s appointment, particularly as the composer dedicated the collection to the Duke’s musical sister, Duchess Sibylla.
The music is composed in typical concertante style, but influenced by Italian monody and Monteverdi’s seconda pratica. In his preface, Böddecker informs us that he would have “preferred to publish a work with more voices than just a voce sola,” but was forced to comply with the specifications of the ‘coffers’ and the publisher in the troubled times after the Thirty Years’ War. The compositional technique is not, however, a makeshift solution. On the contrary, Böddecker’s fine works fit into a style of music which had increasingly been flourishing in German-speaking regions since the first half of the century: the sacred concerto for small ensemble, placing a virtuous melody with great emphasis on the text above a richly scored basso continuo group.
Year 2019 | Classical | FLAC / APE
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