Stefano Montanari, Paolo Grazzi, Accademia Bizantina, Ottavio Dantone - Vivaldi: Il Cimento dell'Armonia e dell'Inventione op. VIII (2001)
BAND/ARTIST: Stefano Montanari, Paolo Grazzi, Accademia Bizantina, Ottavio Dantone
- Title: Vivaldi: Il Cimento dell'Armonia e dell'Inventione op. VIII
- Year Of Release: 2001
- Label: Amadeus
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:52:40
- Total Size: 573 Mb
- WebSite: Album Preview
Tracklist:
CD1
Concerto in Mi maggiore op. 8 No. 1 - RV 269 - La Primavera
1. Allegro
2. Allegro e pianissimo sempre
3. Danza pastorale. Allegro
Concerto in sol minore op. 8 No. 2 - RV 315 - L'Estate
4. Allegro non molto
5. Adagio-Presto
6. Presto
Concerto in Fa maggiore op. 8 No. 3 - RV 293 - L'Autunno
7. Allegro
8. Adagio
9. Allegro
Concerto in fa minore op. 8 No. 4 - RV 297 - L'Inverno
10. Allegro non molto
11. Largo
12. Allegro
Concerto in Mi bemolle maggiore op.8 No. 5 - RV 253 - La Tempesta di Mare
13. Presto
14. Largo
15. Presto
Concerto in Do maggiore op.8 No. 6 - RV 180 - Il Piacere
16. Allegro
17. Largo e cantabile
18. III. Allegro
CD2
Concerto in re minore op. 8 No. 7 - RV 242
1. Allegro
2. Largo
3. Allegro
Concerto in sol minore op. 8 No. 8 - RV 332
4. Allegro
5. Largo
6. Allegro molto vivace
Concerto in re minore op. 8 No. 9 - RV 454
7. Allegro moderato
8. Largo
9. Allegro
Concerto in Si bemolle maggiore op. 8 No. 10 - RV 362 - La Caccia
10. Allegro
11. Largo
12. Allegro
Concerto in Re maggiore op. 8 No. 11 - RV 210
13. Allegro
14. Largo
15. Allegro
Concerto in Do maggiore op. 8 No. 12 - RV 449
16. Allegro
17. Largo
18. Allegro
Performers:
Stefano Montanari (violin)
Paolo Grazzi (oboe)
Accademia Bizantina
Ottavio Dantone (clavicembalo e direzione)
CD1
Concerto in Mi maggiore op. 8 No. 1 - RV 269 - La Primavera
1. Allegro
2. Allegro e pianissimo sempre
3. Danza pastorale. Allegro
Concerto in sol minore op. 8 No. 2 - RV 315 - L'Estate
4. Allegro non molto
5. Adagio-Presto
6. Presto
Concerto in Fa maggiore op. 8 No. 3 - RV 293 - L'Autunno
7. Allegro
8. Adagio
9. Allegro
Concerto in fa minore op. 8 No. 4 - RV 297 - L'Inverno
10. Allegro non molto
11. Largo
12. Allegro
Concerto in Mi bemolle maggiore op.8 No. 5 - RV 253 - La Tempesta di Mare
13. Presto
14. Largo
15. Presto
Concerto in Do maggiore op.8 No. 6 - RV 180 - Il Piacere
16. Allegro
17. Largo e cantabile
18. III. Allegro
CD2
Concerto in re minore op. 8 No. 7 - RV 242
1. Allegro
2. Largo
3. Allegro
Concerto in sol minore op. 8 No. 8 - RV 332
4. Allegro
5. Largo
6. Allegro molto vivace
Concerto in re minore op. 8 No. 9 - RV 454
7. Allegro moderato
8. Largo
9. Allegro
Concerto in Si bemolle maggiore op. 8 No. 10 - RV 362 - La Caccia
10. Allegro
11. Largo
12. Allegro
Concerto in Re maggiore op. 8 No. 11 - RV 210
13. Allegro
14. Largo
15. Allegro
Concerto in Do maggiore op. 8 No. 12 - RV 449
16. Allegro
17. Largo
18. Allegro
Performers:
Stefano Montanari (violin)
Paolo Grazzi (oboe)
Accademia Bizantina
Ottavio Dantone (clavicembalo e direzione)
This set conveniently boxes up excellent performances of Vivaldi's two most popular works. Il Cimento dell'Armonia e dell'Inventione contains not just The Four Seasons, but also such popular concertos as La Caccia, Il Piacere, and La Tempesta di Mare. L'Estro Armonico, on the other hand, is less well known in terms of its individual numbers, but is just as highly regarded (if not more so) as a whole. It's particularly noteworthy for the concertos featuring more than a single soloist--anywhere up to four--and in its prodigal invention and melodic charm it stands with Vivaldi's finest work. Bach admired these pieces, as his Vivaldi transcriptions and arrangements clearly demonstrate.
These performances strike a fine compromise between rough-edged "authenticity" (offered by some of the more radical period-instrument groups) and sensible musical values such as attractive tone, good intonation, and judicious balances between the string orchestra and continuo. Each of the "four seasons" concertos is well-characterized, with plenty of energy in the outer movements and a welcome sweetness and grace in between. The concertos for four violins in Op. 3 (Nos. 1, 4, 7, and 10) are particularly happy in their collaboration between the various soloists, and overall the sound is very good. If you're looking for Vivaldi's best collections of concertos in one convenient package, I can recommend these performances without hesitation. -- David Hurwitz
These performances strike a fine compromise between rough-edged "authenticity" (offered by some of the more radical period-instrument groups) and sensible musical values such as attractive tone, good intonation, and judicious balances between the string orchestra and continuo. Each of the "four seasons" concertos is well-characterized, with plenty of energy in the outer movements and a welcome sweetness and grace in between. The concertos for four violins in Op. 3 (Nos. 1, 4, 7, and 10) are particularly happy in their collaboration between the various soloists, and overall the sound is very good. If you're looking for Vivaldi's best collections of concertos in one convenient package, I can recommend these performances without hesitation. -- David Hurwitz
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads