Ars Antiqua Austria, Gunar Letzbor - Muffat: Armonico tributo (2019)
BAND/ARTIST: Ars Antiqua Austria, Gunar Letzbor
- Title: Muffat: Armonico tributo
- Year Of Release: 2019
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:06:19
- Total Size: 355 mb
- WebSite: Album Preview
Tracklist
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01. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: I. Grave
02. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: II. Allegro e presto
03. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: III. Allemande-Grave e forte
04. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: IV. Grave
05. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: V. Gavotte-Allegro e forte
06. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: VI. Grave
07. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: VII. Menuet-Allegro e forte
08. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: I. Grave
09. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: II. Allegro
10. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: III. Grave
11. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: IV. Forte e allegro
12. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: V. Aria
13. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VI. Grave
14. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VII. Sarabande-Grave
15. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VIII. Grave
16. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: IX. Borea-Alla breve
17. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: I. Grave
18. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: II. Allegro
19. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: III. Corrente
20. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: IV. Adagio
21. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: V. Gavotta
22. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: VI. Rondeau
23. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: I. Grave
24. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: II. Balletto
25. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: III. Adagio
26. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: IV. Menuet
27. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: V. Adagio
28. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: VI. Aria-Presto
29. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: I. Allemande-Grave
30. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: II. Adagio
31. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: III. Fuga
32. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: IV. Adagio
33. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: V. Passcaglia-Grave
Georg Muffat (1653-1704), after studying as a youngster with Lully in Paris, was involved most of his life with the Catholic Church. He worked as cathedral organist in Alsace, moved to Bavaria as a law student and then settled for a time in Vienna. Following employment as organist to the Archbishop of Salzburg, interrupted by a period of study in Rome with the renowned keyboard player Bernardo Pasquini, he took a final position as organist to the Bishop of Passau.
Among his compositions is the Armonico Tributo of 1682, five multi-movement, five-voice sonatas which Muffat left open as to various instrumental possibilities, even including performance as concerti grossi. One easily hears the influence of Corelli, whom Muffat met while in Rome but there are also moments when one surmises that Handel knew these scores well.
The music, perfectly gorgeous in this smaller instrumental version, mixes the French and Italian styles, as well as chamber-sonata and sonata da chiesa movements. “Of the seven-member Ars Antiqua Austria, one can only bestow the greatest praise for such wonderfully stylish performances, superb ensemble, a welcome lack of mannerisms, and faultless recorded sound.” - Goldberg
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01. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: I. Grave
02. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: II. Allegro e presto
03. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: III. Allemande-Grave e forte
04. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: IV. Grave
05. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: V. Gavotte-Allegro e forte
06. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: VI. Grave
07. Armonico tributo, RISM A/I: M 8126, Sonata No. 1 in D Major: VII. Menuet-Allegro e forte
08. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: I. Grave
09. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: II. Allegro
10. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: III. Grave
11. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: IV. Forte e allegro
12. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: V. Aria
13. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VI. Grave
14. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VII. Sarabande-Grave
15. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: VIII. Grave
16. Armonico tributo, RISM A/I: M 8126, Sonata No. 2 in G Minor: IX. Borea-Alla breve
17. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: I. Grave
18. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: II. Allegro
19. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: III. Corrente
20. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: IV. Adagio
21. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: V. Gavotta
22. Armonico tributo, RISM A/I: M 8126, Sonata No. 3 in A Major: VI. Rondeau
23. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: I. Grave
24. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: II. Balletto
25. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: III. Adagio
26. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: IV. Menuet
27. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: V. Adagio
28. Armonico tributo, RISM A/I: M 8126, Sonata No. 4 in E Minor: VI. Aria-Presto
29. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: I. Allemande-Grave
30. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: II. Adagio
31. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: III. Fuga
32. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: IV. Adagio
33. Armonico tributo, RISM A/I: M 8126, Sonata No. 5 in G Major: V. Passcaglia-Grave
Georg Muffat (1653-1704), after studying as a youngster with Lully in Paris, was involved most of his life with the Catholic Church. He worked as cathedral organist in Alsace, moved to Bavaria as a law student and then settled for a time in Vienna. Following employment as organist to the Archbishop of Salzburg, interrupted by a period of study in Rome with the renowned keyboard player Bernardo Pasquini, he took a final position as organist to the Bishop of Passau.
Among his compositions is the Armonico Tributo of 1682, five multi-movement, five-voice sonatas which Muffat left open as to various instrumental possibilities, even including performance as concerti grossi. One easily hears the influence of Corelli, whom Muffat met while in Rome but there are also moments when one surmises that Handel knew these scores well.
The music, perfectly gorgeous in this smaller instrumental version, mixes the French and Italian styles, as well as chamber-sonata and sonata da chiesa movements. “Of the seven-member Ars Antiqua Austria, one can only bestow the greatest praise for such wonderfully stylish performances, superb ensemble, a welcome lack of mannerisms, and faultless recorded sound.” - Goldberg
Year 2019 | Classical | FLAC / APE
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