Dmitry Badiarov - Bach: Cello Suites (2010)
BAND/ARTIST: Dmitry Badiarov
- Title: Bach: Cello Suites
- Year Of Release: 2010
- Label: Ramée
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:18:15
- Total Size: 579 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Suite I in G Major, BWV 1007: I. Prelude
02. Suite I in G Major, BWV 1007: II. Allemande
03. Suite I in G Major, BWV 1007: III. Courante
04. Suite I in G Major, BWV 1007: IV. Sarabande
05. Suite I in G Major, BWV 1007: V. Menuet I & II
06. Suite I in G Major, BWV 1007: VI. Gigue
07. Suite II in D Minor, BWV 1008: I. Prelude
08. Suite II in D Minor, BWV 1008: II. Allemande
09. Suite II in D Minor, BWV 1008: III. Courante
10. Suite II in D Minor, BWV 1008: IV. Sarabande
11. Suite II in D Minor, BWV 1008: V. Menuet I & II
12. Suite II in D Minor, BWV 1008: VI. Gigue
13. Suite III in C Major, BWV 1009: I. Prelude
14. Suite III in C Major, BWV 1009: II. Allemande
15. Suite III in C Major, BWV 1009: III. Courante
16. Suite III in C Major, BWV 1009: IV. Sarabande
17. Suite III in C Major, BWV 1009: V. Bourée I & II
18. Suite III in C Major, BWV 1009: VI. Gigue
CD2
01. Suite IV in E-Flat Major, BWV 1010: I. Prelude
02. Suite IV in E-Flat Major, BWV 1010: II. Allemande
03. Suite IV in E-Flat Major, BWV 1010: III. Courante
04. Suite IV in E-Flat Major, BWV 1010: IV. Sarabande
05. Suite IV in E-Flat Major, BWV 1010: V. Bourrée I & II
06. Suite IV in E-Flat Major, BWV 1010: VI. Gigue
07. Suite V in C Minor, BWV 1011: I. Prelude
08. Suite V in C Minor, BWV 1011: II. Allemande
09. Suite V in C Minor, BWV 1011: III. Courante
10. Suite V in C Minor, BWV 1011: IV. Sarabande
11. Suite V in C Minor, BWV 1011: V. Gavotte I & II
12. Suite V in C Minor, BWV 1011: VI. Gigue
13. Suite VI in D Major, BWV 1012: I. Prelude
14. Suite VI in D Major, BWV 1012: II. Allemande
15. Suite VI in D Major, BWV 1012: III. Courante
16. Suite VI in D Major, BWV 1012: IV. Sarabande
17. Suite VI in D Major, BWV 1012: V. Gavotte I & II
18. Suite VI in D Major, BWV 1012: VI. Gigue
For which instrument did Bach actually write his six suites for unaccompanied violoncello? Ramée propose that Bach himself may have been the first player of these two great cycles of solo compositions.
Whilst no single source mentions that Bach played the violone or viola da gamba, he is known to have been a capable violinist and viola-player. Bach possessed several violoncello piccolos, with both four and five strings, made by Johann Christian Hoffmann, a contemporary in Leipzig. This suggests that the appropriate type of violoncello for Bach’s suites is that made by Hoffmann, and that, when played on the arm ("da spalla") like a violin, the number of unavoidable shifts is no more than average for baroque music. A violin or viola player can rapidly become accustomed to the fingering, which is almost identical to that of the violin.
The present recording suggests a fascinating and convincing interpretation of the Six Cello Suites on violoncello da spalla by Dmitry Badiarov, one of the leading figures in the reconstruction of this instrument, and one of its most promising players.
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CD1
01. Suite I in G Major, BWV 1007: I. Prelude
02. Suite I in G Major, BWV 1007: II. Allemande
03. Suite I in G Major, BWV 1007: III. Courante
04. Suite I in G Major, BWV 1007: IV. Sarabande
05. Suite I in G Major, BWV 1007: V. Menuet I & II
06. Suite I in G Major, BWV 1007: VI. Gigue
07. Suite II in D Minor, BWV 1008: I. Prelude
08. Suite II in D Minor, BWV 1008: II. Allemande
09. Suite II in D Minor, BWV 1008: III. Courante
10. Suite II in D Minor, BWV 1008: IV. Sarabande
11. Suite II in D Minor, BWV 1008: V. Menuet I & II
12. Suite II in D Minor, BWV 1008: VI. Gigue
13. Suite III in C Major, BWV 1009: I. Prelude
14. Suite III in C Major, BWV 1009: II. Allemande
15. Suite III in C Major, BWV 1009: III. Courante
16. Suite III in C Major, BWV 1009: IV. Sarabande
17. Suite III in C Major, BWV 1009: V. Bourée I & II
18. Suite III in C Major, BWV 1009: VI. Gigue
CD2
01. Suite IV in E-Flat Major, BWV 1010: I. Prelude
02. Suite IV in E-Flat Major, BWV 1010: II. Allemande
03. Suite IV in E-Flat Major, BWV 1010: III. Courante
04. Suite IV in E-Flat Major, BWV 1010: IV. Sarabande
05. Suite IV in E-Flat Major, BWV 1010: V. Bourrée I & II
06. Suite IV in E-Flat Major, BWV 1010: VI. Gigue
07. Suite V in C Minor, BWV 1011: I. Prelude
08. Suite V in C Minor, BWV 1011: II. Allemande
09. Suite V in C Minor, BWV 1011: III. Courante
10. Suite V in C Minor, BWV 1011: IV. Sarabande
11. Suite V in C Minor, BWV 1011: V. Gavotte I & II
12. Suite V in C Minor, BWV 1011: VI. Gigue
13. Suite VI in D Major, BWV 1012: I. Prelude
14. Suite VI in D Major, BWV 1012: II. Allemande
15. Suite VI in D Major, BWV 1012: III. Courante
16. Suite VI in D Major, BWV 1012: IV. Sarabande
17. Suite VI in D Major, BWV 1012: V. Gavotte I & II
18. Suite VI in D Major, BWV 1012: VI. Gigue
For which instrument did Bach actually write his six suites for unaccompanied violoncello? Ramée propose that Bach himself may have been the first player of these two great cycles of solo compositions.
Whilst no single source mentions that Bach played the violone or viola da gamba, he is known to have been a capable violinist and viola-player. Bach possessed several violoncello piccolos, with both four and five strings, made by Johann Christian Hoffmann, a contemporary in Leipzig. This suggests that the appropriate type of violoncello for Bach’s suites is that made by Hoffmann, and that, when played on the arm ("da spalla") like a violin, the number of unavoidable shifts is no more than average for baroque music. A violin or viola player can rapidly become accustomed to the fingering, which is almost identical to that of the violin.
The present recording suggests a fascinating and convincing interpretation of the Six Cello Suites on violoncello da spalla by Dmitry Badiarov, one of the leading figures in the reconstruction of this instrument, and one of its most promising players.
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