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Concerto De' Cavalieri & Marcello Di Lisa - Alessandro Scarlatti: Opera Overtures and Concertos (2016) [CD Rip]

Concerto De' Cavalieri & Marcello Di Lisa - Alessandro Scarlatti: Opera Overtures and Concertos (2016) [CD Rip]
  • Title: Alessandro Scarlatti: Opera Overtures and Concertos
  • Year Of Release: 2016
  • Label: Deutsche Harmonia Mundi ‎– 88985370012
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 54:02
  • Total Size: 317 MB
  • WebSite:
Tracklist:

Alessandro Scarlatti (1660-1725)

Il prigioniero fortunato: Sinfonia:
01. I. Allegro
02. II. Adagio
03. III. Allegro

Sei Concerti in sette parti: No. 3 in F Major:
04. I. Allegro
05. II. Largo
06. III. Allegro
07. IV. Largo
08. V. Allegro

La caduta de' Decemviri: Sinfonia:
09. I. Allegro
10. II. Largo
11. III. Allegro

Sei Concerti in sette parti: No. 1 in F Minor:
12. I. Grave
13. II. Allegro
14. III. Largo
15. IV. Allemanda. Allegro

Sei Concerti in sette parti: No. 6 in E Major:
16. I. Allegro
17. II. Allegro
18. III. Largo
19. IV. Affettuoso

Scipione nelle Spagne: Sinfonia:
20. I. Allegro
21. II. Largo
22. III. Allegro

Sei Concerti in sette parti: No. 5 in D Minor:
23. I. Allegro
24. II. Grave
25. III. Allegro
26. IV. Minuetto

Sei Concerti in sette parti: No. 4 in G Minor:
27. I. Allegro ma non troppo
28. II. Grave
29. III. Vivace

La donna ancora è fedele: Sinfonia:
30. I. Presto
31. II. Largo
32. III. Allegro

Sei Concerti in sette parti: No. 2 in C Minor:
33. I. Allegro
34. II. Grave
35. III. Minuetto

L'amazzone corsara:
36. Act I Scene XII: Allegro
37. Act III Scene XXV: Allegro

Well aware of the historical need to document as comprehensively as possible all the genres in which Alessandro Scarlatti shone, Marcello Di Lisa and Concerto de’ Cavalieri dedicate the fifth stage in the Baroque Project to exploring the opera overtures of the Palermitan composer. These constitute distinct a stylistic ambience which does not represent Scarlatti as an inventor of forms, but clearly as a consummate arranger with a command of structure, opening the way to the worldwide success of the Neapolitan School. It is hardly surprising to find here no fewer than four world premiere recordings, nor ndeed to be struck by the superb musical quality of these hitherto hidden gems, as was only to be expected of one of the most sensitively inventive composers of all times.


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  • platico
  •  wrote in 02:32
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gracias....