Maria Callas - The New Sound of Maria Callas (2016) [Hi-Res]
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BAND/ARTIST: Maria Callas
- Title: The New Sound of Maria Callas
- Year Of Release: 2016
- Label: Warner Classics
- Genre: Classical/Opera
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 03:34:10
- Total Size: 867 mb / 3.1 gb
- WebSite: Album Preview
Tracklist
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01. Norma, Act 1: "Casta diva" (Norma, Chorus)
02. La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi)
03. La bohème, Act 3: "Donde lieta uscì" (Mimì)
04. Suor Angelica, 'Sister Angelica': "Senza mamma, O bimbo" (Sister Angelica)
05. Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)
06. La traviata, Act 1: "E strano! E strano!" (Violetta)
07. La traviata, Act 1: "Ah fors'e lui" (Violetta)
08. La traviata, Act 1: "Sempre libera" (Violetta, Alfredo)
09. La traviata, Act 3: "Addio, del passato" (Violetta)
10. Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora)
11. Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) [Habanera]
12. Werther, Act 3: "Werther! Qui m'aurait dit la place... Des cris joyeux (Air des lettres)" [Charlotte]
13. Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)
14. Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa)
15. La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)
16. Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina)
17. Tosca, Act 2: "Vissi d'arte" (Tosca)
18. Tosca, Act 3: "Com'è lunga l'attesa!" (Tosca)
19. La bohème, Act 1: "O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì)
20. Turandot, Act 1: "Signore, ascolta!" (Turandot)
21. Turandot, Act 2: "In questa Reggia" (Turandot)
22. Turandot, Act 3: "Tu, che di gel sei cinta" (Turandot)
23. Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)
24. La sonnambula, Act 1: "Compagne, temiri amici ....Come per me sereno" (Amina)
25. Dinorah, 'Le pardon de Ploërmel', Act 2: "Ombre légère" (Dinorah)
26. I vespri Siciliani, Act 5: "Mercè, dilette amiche" (Elena)
27. Aida, Act 1: "Ritorna vincitor" (Aida)
28. Lakmé, Act 2: "Où va la jeune indoue" (Lakmé)
29. Louise, Act 3: "Depuis le jour où je me suis donnée" ( Louise)
30. Faust, Act 3: "Il était un Roi de Thulé... O Dieu! que de bijoux... Ah! je ris" (Jewel Song) [Marguerite]
31. La Wally, Act 1: "Ebben?... Ne andrò lontana" (Wally)
32. Rigoletto, Act 1: "Gualtier Maldè ...Caro nome" (Gilda, Borsa, Ceprano, Marullo)
33. La forza del destino, Act 2: "Sono giunta! Grazie o Dio!" (Leonora, Chorus)
34. La forza del destino, Act 2: "Madre, pietosa Vergine" (Leonora, Chorus)
35. Macbeth, Act 2: "La luce langue" (Lady Macbeth)
36. Adriana Lecouvreur, Act 1: "Ecco - respiro appena...Io son l'umile ancella" (Adriana Lecouvreur)
37. Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur)
38. Andrea Chénier, Act 3: "La mamma morta" (Maddalena)
39. Alceste, Act 1: "Divinités du Styx" (Alceste)
40. Orphée et Eurydice, Act 4: "J'ai perdu mon Eurydice" (Orfeo)
41. Carmen, Act 1: "Près des remparts de Séville" (Carmen, José)
42. Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)
43. Manon, Act 2: "Je ne suis que faiblesse.... Adieu, notre petite table" (Manon)
44. Samson et Dalila, Act 1: "Printemps qui commence" (Dalila)
45. Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila)
46. Roméo et Juliette, Act 1: "Je veux vivre" (Waltz) [Juliet]
Maria Callas was born to Greek parents in the USA and moved to Greece with her mother at the age of 13. There she attended the Athens Conservatory, studying with soprano Elvira de Hidalgo. She made her debut as Tosca at the Athens Opera in 1941. After being heard by Zenatello in New York, she was engaged for La Gioconda at the Arena in Verona, Italy, and her career was launched. She became a very popular star of the Italian opera and performed many heavy roles such as Aida, Isolde and Brünnhilde. She later went on to star at La Scala, Chicago and New York. She had a reputation for being a temperamental and difficult colleague. This was refuted by those closest to her and may have resulted from her self-critical temperament and frequent vocal troubles which often forced her to abstain from singing or to perform below her best form. These vocal troubles stemmed from an inequality between registers, a harsh middle range and a tremolo on high sustained notes. It is not known whether these flaws were due to a lack of training or some physical problem. In spite of this, Maria Callas has been compared to the work of Pasta and Schroeder-Derient. Her genius in her authoritative performances and her richly colored voice by far outweigh any imperfections in her voice.
---------
01. Norma, Act 1: "Casta diva" (Norma, Chorus)
02. La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi)
03. La bohème, Act 3: "Donde lieta uscì" (Mimì)
04. Suor Angelica, 'Sister Angelica': "Senza mamma, O bimbo" (Sister Angelica)
05. Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)
06. La traviata, Act 1: "E strano! E strano!" (Violetta)
07. La traviata, Act 1: "Ah fors'e lui" (Violetta)
08. La traviata, Act 1: "Sempre libera" (Violetta, Alfredo)
09. La traviata, Act 3: "Addio, del passato" (Violetta)
10. Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora)
11. Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) [Habanera]
12. Werther, Act 3: "Werther! Qui m'aurait dit la place... Des cris joyeux (Air des lettres)" [Charlotte]
13. Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)
14. Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa)
15. La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)
16. Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina)
17. Tosca, Act 2: "Vissi d'arte" (Tosca)
18. Tosca, Act 3: "Com'è lunga l'attesa!" (Tosca)
19. La bohème, Act 1: "O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì)
20. Turandot, Act 1: "Signore, ascolta!" (Turandot)
21. Turandot, Act 2: "In questa Reggia" (Turandot)
22. Turandot, Act 3: "Tu, che di gel sei cinta" (Turandot)
23. Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)
24. La sonnambula, Act 1: "Compagne, temiri amici ....Come per me sereno" (Amina)
25. Dinorah, 'Le pardon de Ploërmel', Act 2: "Ombre légère" (Dinorah)
26. I vespri Siciliani, Act 5: "Mercè, dilette amiche" (Elena)
27. Aida, Act 1: "Ritorna vincitor" (Aida)
28. Lakmé, Act 2: "Où va la jeune indoue" (Lakmé)
29. Louise, Act 3: "Depuis le jour où je me suis donnée" ( Louise)
30. Faust, Act 3: "Il était un Roi de Thulé... O Dieu! que de bijoux... Ah! je ris" (Jewel Song) [Marguerite]
31. La Wally, Act 1: "Ebben?... Ne andrò lontana" (Wally)
32. Rigoletto, Act 1: "Gualtier Maldè ...Caro nome" (Gilda, Borsa, Ceprano, Marullo)
33. La forza del destino, Act 2: "Sono giunta! Grazie o Dio!" (Leonora, Chorus)
34. La forza del destino, Act 2: "Madre, pietosa Vergine" (Leonora, Chorus)
35. Macbeth, Act 2: "La luce langue" (Lady Macbeth)
36. Adriana Lecouvreur, Act 1: "Ecco - respiro appena...Io son l'umile ancella" (Adriana Lecouvreur)
37. Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur)
38. Andrea Chénier, Act 3: "La mamma morta" (Maddalena)
39. Alceste, Act 1: "Divinités du Styx" (Alceste)
40. Orphée et Eurydice, Act 4: "J'ai perdu mon Eurydice" (Orfeo)
41. Carmen, Act 1: "Près des remparts de Séville" (Carmen, José)
42. Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)
43. Manon, Act 2: "Je ne suis que faiblesse.... Adieu, notre petite table" (Manon)
44. Samson et Dalila, Act 1: "Printemps qui commence" (Dalila)
45. Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila)
46. Roméo et Juliette, Act 1: "Je veux vivre" (Waltz) [Juliet]
Maria Callas was born to Greek parents in the USA and moved to Greece with her mother at the age of 13. There she attended the Athens Conservatory, studying with soprano Elvira de Hidalgo. She made her debut as Tosca at the Athens Opera in 1941. After being heard by Zenatello in New York, she was engaged for La Gioconda at the Arena in Verona, Italy, and her career was launched. She became a very popular star of the Italian opera and performed many heavy roles such as Aida, Isolde and Brünnhilde. She later went on to star at La Scala, Chicago and New York. She had a reputation for being a temperamental and difficult colleague. This was refuted by those closest to her and may have resulted from her self-critical temperament and frequent vocal troubles which often forced her to abstain from singing or to perform below her best form. These vocal troubles stemmed from an inequality between registers, a harsh middle range and a tremolo on high sustained notes. It is not known whether these flaws were due to a lack of training or some physical problem. In spite of this, Maria Callas has been compared to the work of Pasta and Schroeder-Derient. Her genius in her authoritative performances and her richly colored voice by far outweigh any imperfections in her voice.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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