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Jessica Pratt, Orchestra Donizetti Opera & Coro Donizetti Opera, Riccardo Frizza - Donizetti: Il castello di Kenilworth (Live) (2019) [Hi-Res]

Jessica Pratt, Orchestra Donizetti Opera & Coro Donizetti Opera, Riccardo Frizza - Donizetti: Il castello di Kenilworth (Live) (2019) [Hi-Res]
  • Title: Donizetti: Il castello di Kenilworth (Live)
  • Year Of Release: 2019
  • Label: Dynamic
  • Genre: Classical, Opera
  • Quality: flac lossless / flac 24bits - 96.0kHz
  • Total Time: 02:10:35
  • Total Size: 588 mb / 2.2 gb
  • WebSite:
Tracklist
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CD1
01. Il castello di Kenilworth: Prelude (Live)
02. Il castello di Kenilworth, Act 1: Amici a che solleciti? (Live)
03. Il castello di Kenilworth, Act 1: Veggo ahimè (Live)
04. Il castello di Kenilworth, Act 1: Oh affetti tiranni (Live)
05. Il castello di Kenilworth, Act 1: Ah de’ miei voti al colmo (Live)
06. Il castello di Kenilworth, Act 1: M’odi Lambourne? (Live)
07. Il castello di Kenilworth, Act 1: Vieni-Dove mi traggi (Live)
08. Il castello di Kenilworth, Act 1: Non mentir su quella fronte (Live)
09. Il castello di Kenilworth, Act 1: Amami, o cara (Live)
10. Il castello di Kenilworth, Act 1: Immaginar chi mai potea (Live)
11. Il castello di Kenilworth, Act 1: Eccola... Ah vedi... (Live)
12. Il castello di Kenilworth, Act 1: Sì, miei figli (Live)
13. Il castello di Kenilworth, Act 1: In estasi soave è l’alma (Live)
14. Il castello di Kenilworth, Act 2: Warney, m’arresti invan (Live)
15. Il castello di Kenilworth, Act 2: Ah Leicester, tu qui? (Live)
16. Il castello di Kenilworth, Act 2: Del genitor che fea (Live)
17. Il castello di Kenilworth, Act 2: Conoscer mi basti, ingrata (Live)
18. Il castello di Kenilworth, Act 2: Cauti, guardinghi e taciti (Live)
19. Il castello di Kenilworth, Act 2: Eccomi a voi (Live)
20. Il castello di Kenilworth, Act 2: Taci, amor! (Live)
21. Il castello di Kenilworth, Act 2: Amici m’udite (Live)

CD2
01. Il castello di Kenilworth, Act 2: Dal suo rapace artiglio (Live)
02. Il castello di Kenilworth, Act 2: Son sola, oh miei sospiri (Live)
03. Il castello di Kenilworth, Act 2: Perché t’affanni e piangi (Live)
04. Il castello di Kenilworth, Act 2: Della caccia il lieto segno (Live)
05. Il castello di Kenilworth, Act 2: Che da te la sua sorte dipenda (Live)
06. Il castello di Kenilworth, Act 3: E Amelia?-Ivi è rinchiusa (Live)
07. Il castello di Kenilworth, Act 3: Tutto è svanito (Live)
08. Il castello di Kenilworth, Act 3: Ti riveggo, Fanny (Live)
09. Il castello di Kenilworth, Act 3: Par che mi dica ancora (Live)
10. Il castello di Kenilworth, Act 3: Fuggì l’immagine tanto gradita (Live)
11. Il castello di Kenilworth, Act 3: Ti calma: Il ciel saprà (Live)
12. Il castello di Kenilworth, Act 3: Tu potesti un solo istante (Live)
13. Il castello di Kenilworth, Act 3: È paga alfin quest’alma (Live)

Recorded during the 2018 Donizetti Festival, Il Castello di Kenilworth was first staged at Naples’ San Carlo in 1829. Drawn from a novel by Sir Walter Scott and adapted by librettist Leone Tottola, this rare opera was unjustly long neglected. This recording features the original version, with the role of Warney entrusted to a tenor (which the composer changed into a baritone in the 1836 revision of the score).Il Castello di Kenilworth is the first of the several successful works to follow that Donizetti based on British history, introducing the character of Queen Elizabeth I, torn by the inner struggle between a monarch’s duty and a woman’s feelings. The fundamental pivot of the drama is the antagonism between the two female characters who both dwell and suffer in their loneliness, in a male-dominated world. The performance received excellent reviews, praising the richness of the costumes, the sobriety of the stage setting, and, mostly, the vocal and acting skills of the whole cast, which features first-rate singers like opera stars Jessica Pratt and Carmela Remigio, who share the stage with talented tenors Stefan Pop and emerging talent Xabier Anduaga “A first-class cast, with an imaginative production team, under the musical direction of Riccardo Frizza, have been assembled, and it is not an exaggeration to say that together they have produced a compelling case for “Il Castello di Kenilworth” to be given further consideration. […] It was musically engaging, full of bel canto charm, with some wonderful melodies, and notwithstanding its formulaic format, was dramatically convincingly. (Alan Neilson – Operawire)




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  • olga1001
  •  wrote in 12:29
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