Thomas Dolié & Olivier Godin - Schubert: Schwanengesang - Le Chant Du Cygne (2019) [Hi-Res]
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BAND/ARTIST: Thomas Dolié & Olivier Godin
- Title: Schubert: Schwanengesang - Le Chant Du Cygne
- Year Of Release: 2019
- Label: Klarthe
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:13:09
- Total Size: 296 mb / 1.3 gb
- WebSite: Album Preview
Tracklist
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01. Fischerweise, D. 181
02. Ganymed, D. 544
03. Erkölnig, D. 328
04. Rastlose Liebe, D. 138
05. Der Einsame, D. 800
06. Schwanengesang, D. 957: I. Liebesbotschaft
07. Schwanengesang, D. 957: II. Kriegers Ahnung
08. Schwanengesang, D. 957: III. Frühlingssehnsucht
09. Schwanengesang, D. 957: IV. Ständchen
10. Schwanengesang, D. 957: V. Aufenthalt
11. Schwanengesang, D. 957: VI. In der Ferne
12. Schwanengesang, D. 957: VII. Abschied
13. Schwanengesang, D. 957: VIII. Der Atlas
14. Schwanengesang, D. 957: IX. Ihr Bild
15. Schwanengesang, D. 957: X. Das Fischermädchen
17. Schwanengesang, D. 957: XII. Am Meer
18. Schwanengesang, D. 957: XIII. Der Doppelgänger
19. Schwanengesang, D. 957: XIV. Die Taubenpost
The encounter between French baritone Thomas Dolié and Quebec pianist Olivier Godin gave rise to a magnificent collaboration around Franz Schubert's Schwanengesang cycle. First given in recital at the Bourgie Hall in Montreal in 2016 and then recorded in the same hall a year later.
This recording will be released on Friday, 10 May 2019 under the label Klarthe Records and is co-produced by RSB artists with the support of Adami, the Bourgie Hall and Pro Arti contributors.
To the two collections of songs found after Schubert's death, the publisher Haslinger added a fourteenth song and gave the ensemble the title The Song of the Sign. A false cycle, but a true immersion in the intimacy of the composer's last moments, nostalgic, heartbreaking, desperate and finally peaceful, it is this journey that the performers retrace here, on a miraculously preserved Erard piano from 1859, bringing a unique perspective to this masterpiece.
After a season marked by his debut at the Opéra de Paris as Ramiro (Ravel's L'Heure espagnole), or his role as Golaud (Pelléas et Mélisande) in Bremen (Germany) with the Deutsche Kammerphilharmonie, Thomas Dolié plays on 2018/2019 the role of Fritz (Korngold's Die Tote Stadt) at the Théâtre du Capitole in Toulouse, the roles of Hermann and Schlemil (Les Contes d'Hoffmann) at the Musikfest Bremen with Marc Minkowski's Musiciens du Louvre, the role of Hylas (Issé by Destouches) with the ensemble Les Surprises at the Festival de Musique Baroque de Pontoise and the Opéra royal de Versailles; he also returns to the role of Ramiro (L'Heure espagnole) alongside conductor François-Xavier Roth in Les Siècles in Aix-en-Provence, Evian-les-bains, Grenoble and Soissons, as well as at the Barbican Center in London with the London Symphony Orchestra, singing Bach's Johannes Passion with the Accentus choir and Insula Orchestra at the Seine Musicale, Mahler's Lieder eines farhenden Gesellen at the Limoges Opera, takes over the role of Theseus (Lemoyne's Phèdre) at the Metz Arsenal and the Limoges Opera and continues his collaboration with conductor György Vashegyi, the Orfeo Orchestra and the Centre de Musique baroque de Versailles, singing, still in Budapest, the roles of Danaüs (Gervais' Hypermnestre) and Phinée (Montéclair's Jephté).
---------
01. Fischerweise, D. 181
02. Ganymed, D. 544
03. Erkölnig, D. 328
04. Rastlose Liebe, D. 138
05. Der Einsame, D. 800
06. Schwanengesang, D. 957: I. Liebesbotschaft
07. Schwanengesang, D. 957: II. Kriegers Ahnung
08. Schwanengesang, D. 957: III. Frühlingssehnsucht
09. Schwanengesang, D. 957: IV. Ständchen
10. Schwanengesang, D. 957: V. Aufenthalt
11. Schwanengesang, D. 957: VI. In der Ferne
12. Schwanengesang, D. 957: VII. Abschied
13. Schwanengesang, D. 957: VIII. Der Atlas
14. Schwanengesang, D. 957: IX. Ihr Bild
15. Schwanengesang, D. 957: X. Das Fischermädchen
17. Schwanengesang, D. 957: XII. Am Meer
18. Schwanengesang, D. 957: XIII. Der Doppelgänger
19. Schwanengesang, D. 957: XIV. Die Taubenpost
The encounter between French baritone Thomas Dolié and Quebec pianist Olivier Godin gave rise to a magnificent collaboration around Franz Schubert's Schwanengesang cycle. First given in recital at the Bourgie Hall in Montreal in 2016 and then recorded in the same hall a year later.
This recording will be released on Friday, 10 May 2019 under the label Klarthe Records and is co-produced by RSB artists with the support of Adami, the Bourgie Hall and Pro Arti contributors.
To the two collections of songs found after Schubert's death, the publisher Haslinger added a fourteenth song and gave the ensemble the title The Song of the Sign. A false cycle, but a true immersion in the intimacy of the composer's last moments, nostalgic, heartbreaking, desperate and finally peaceful, it is this journey that the performers retrace here, on a miraculously preserved Erard piano from 1859, bringing a unique perspective to this masterpiece.
After a season marked by his debut at the Opéra de Paris as Ramiro (Ravel's L'Heure espagnole), or his role as Golaud (Pelléas et Mélisande) in Bremen (Germany) with the Deutsche Kammerphilharmonie, Thomas Dolié plays on 2018/2019 the role of Fritz (Korngold's Die Tote Stadt) at the Théâtre du Capitole in Toulouse, the roles of Hermann and Schlemil (Les Contes d'Hoffmann) at the Musikfest Bremen with Marc Minkowski's Musiciens du Louvre, the role of Hylas (Issé by Destouches) with the ensemble Les Surprises at the Festival de Musique Baroque de Pontoise and the Opéra royal de Versailles; he also returns to the role of Ramiro (L'Heure espagnole) alongside conductor François-Xavier Roth in Les Siècles in Aix-en-Provence, Evian-les-bains, Grenoble and Soissons, as well as at the Barbican Center in London with the London Symphony Orchestra, singing Bach's Johannes Passion with the Accentus choir and Insula Orchestra at the Seine Musicale, Mahler's Lieder eines farhenden Gesellen at the Limoges Opera, takes over the role of Theseus (Lemoyne's Phèdre) at the Metz Arsenal and the Limoges Opera and continues his collaboration with conductor György Vashegyi, the Orfeo Orchestra and the Centre de Musique baroque de Versailles, singing, still in Budapest, the roles of Danaüs (Gervais' Hypermnestre) and Phinée (Montéclair's Jephté).
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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