Guy Verlinde - All Is Forgiven (2019)
BAND/ARTIST: Guy Verlinde
- Title: All Is Forgiven
- Year Of Release: 2019
- Label: R&S Music
- Genre: Acoustic Blues Folk, Blues Country
- Quality: FLAC (tracks) | MP3 320 kbps
- Total Time: 39:05
- Total Size: 213 MB | 93 MB
- WebSite: Album Preview
Tracklist:
1. All Is Forgiven (3:53)
2. Dance Through The Night (4:02)
3. Play Your Blues (3:06)
4. Gotta Let Go (4:34)
5. Everything Means Nothing (3:57)
6. I Shall Be Free (3:20)
7. Tiny's Parlor Rag (2:22)
8. Solitude & Grace (3:22)
9. Won't Be Fooled Again (4:16)
10. Ain't Nobody Gonna Hold Me Down (2:40)
11. Distant Lullaby (3:26)
1. All Is Forgiven (3:53)
2. Dance Through The Night (4:02)
3. Play Your Blues (3:06)
4. Gotta Let Go (4:34)
5. Everything Means Nothing (3:57)
6. I Shall Be Free (3:20)
7. Tiny's Parlor Rag (2:22)
8. Solitude & Grace (3:22)
9. Won't Be Fooled Again (4:16)
10. Ain't Nobody Gonna Hold Me Down (2:40)
11. Distant Lullaby (3:26)
Personnel:
Guy Verlinde: vocals, acoustic & resonator guitar
Nils De Caster: violin, mandolin & lap steel guitar
Richard van Bergen: electric guitar & backing vocals
Olivier Vander Bauwede: harmonica
René Stock: double bass
Tom Eylenbosch: piano
Kathleen Vandenhoudt: backing vocals
Guy Verlinde is a Belgian blues man from Ghent. Together with Tiny Legs Tim one of the exponents of the wonderful music that produces the Flemish clay. The third album from our Zuiderburen in a short time that makes me fall back in surprise. The aforementioned Tiny Legs Tim, the Erickson Dellcroix couple and now this man.
Who is specifically asked for forgiveness and what is being done to that person is not addressed. The feeling of guilt and sadness is the theme of the entire album. Sorrowful sorrow from the bottom of his soul. The somewhat murmuring vocals are reminiscent of Thomas Dybdahl. The spherical guitar strums supplemented with a modest piano are comparable to the musical world that the well-known Norwegian brings to his albums. Even the songs in which a harmonica is used are not robust blues stampers but up tempo melancholy.
Closer Distant Lullaby is startling. The song seems to be sung by the wrong man, the way the singing waves seem cut out for the baritone of Nick Cave. The voice straight from the Old Testament, meaningfully giving the song its meaning. The high singing voice of Verlinde contrasts very well. Which makes you realize that a fringing edge is missing in both voice and music. The lack of venom or slight madness detracts from the whole light.
Nevertheless, with his request for forgiveness, Verlinde delivers a good album that listens nicely. The enthusiast who wants to hear raging guitars, sturdy drums and pounding basses in his blues should just skip this. Especially fans of Thomas Dybdahl and James Taylor will enjoy this enough.
Guy Verlinde: vocals, acoustic & resonator guitar
Nils De Caster: violin, mandolin & lap steel guitar
Richard van Bergen: electric guitar & backing vocals
Olivier Vander Bauwede: harmonica
René Stock: double bass
Tom Eylenbosch: piano
Kathleen Vandenhoudt: backing vocals
Guy Verlinde is a Belgian blues man from Ghent. Together with Tiny Legs Tim one of the exponents of the wonderful music that produces the Flemish clay. The third album from our Zuiderburen in a short time that makes me fall back in surprise. The aforementioned Tiny Legs Tim, the Erickson Dellcroix couple and now this man.
Who is specifically asked for forgiveness and what is being done to that person is not addressed. The feeling of guilt and sadness is the theme of the entire album. Sorrowful sorrow from the bottom of his soul. The somewhat murmuring vocals are reminiscent of Thomas Dybdahl. The spherical guitar strums supplemented with a modest piano are comparable to the musical world that the well-known Norwegian brings to his albums. Even the songs in which a harmonica is used are not robust blues stampers but up tempo melancholy.
Closer Distant Lullaby is startling. The song seems to be sung by the wrong man, the way the singing waves seem cut out for the baritone of Nick Cave. The voice straight from the Old Testament, meaningfully giving the song its meaning. The high singing voice of Verlinde contrasts very well. Which makes you realize that a fringing edge is missing in both voice and music. The lack of venom or slight madness detracts from the whole light.
Nevertheless, with his request for forgiveness, Verlinde delivers a good album that listens nicely. The enthusiast who wants to hear raging guitars, sturdy drums and pounding basses in his blues should just skip this. Especially fans of Thomas Dybdahl and James Taylor will enjoy this enough.
Year 2019 | Blues | Country | Folk | FLAC / APE | Mp3
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