Leonard Elschenbroich & Alexei Grynyuk - Beethoven: Sonatas for Cello and Piano (2019) [Hi-Res]
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BAND/ARTIST: Leonard Elschenbroich & Alexei Grynyuk
- Title: Beethoven: Sonatas for Cello and Piano
- Year Of Release: 2019
- Label: Onyx Classics
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
- Total Time: 02:05:45
- Total Size: 430 MB / 1.11 GB
- WebSite: Album Preview
Tracklist:
1. Cello Sonata No. 1 in F Major, Op. 51 I. Adagio sostenuto
2. Cello Sonata No. 1 in F Major, Op. 51 II. Allegro
3. Cello Sonata No. 1 in F Major, Op. 51 III. Rondo. Allegro vivace
4. Cello Sonata No. 2 in G Minor, Op. 52 I. Adagio sostenuto ed espressivo
5. Cello Sonata No. 2 in G Minor, Op. 52 II. Allegro molto, più tosto presto
6. Cello Sonata No. 2 in G Minor, Op. 52 III. Rondo. Allegro
7. Cello Sonata in F Major, Op. 17 I. Allegro moderato (Arr. From Horn Sonata)
8. Cello Sonata in F Major, Op. 17 II. Poco Adagio, quasi Andante (Arr. From Horn Sonata)
9. Cello Sonata in F Major, Op. 17 III. Rondo. Allegro moderato (Arr. From Horn Sonata).f
10. Sonata No. 3 in A Major, Op. 69 I. Allegro ma non tanto
11. Sonata No. 3 in A Major, Op. 69 II. Scherzo. Allegro molto
12. Sonata No. 3 in A Major, Op. 69 III. Adagio cantabile – Allegro vivace
13. Cello Sonata No. 4 in C Major, Op. 1021 I. Andante
14. Cello Sonata No. 4 in C Major, Op. 1021 II. Allegro vivace
15. Cello Sonata No. 4 in C Major, Op. 1021 II. Adagio – Tempo d'andante
16. Cello Sonata No. 4 in C Major, Op. 1021 IV. Allegro vivace
17. Cello Sonata No. 5 in D Major, Op. 1022 I. Allegro con brio
18. Cello Sonata No. 5 in D Major, Op. 1022 II. Adagio con molto sentiment d'affetto
19. Cello Sonata No. 5 in D Major, Op. 1022 III. Allegro fugato
1. Cello Sonata No. 1 in F Major, Op. 51 I. Adagio sostenuto
2. Cello Sonata No. 1 in F Major, Op. 51 II. Allegro
3. Cello Sonata No. 1 in F Major, Op. 51 III. Rondo. Allegro vivace
4. Cello Sonata No. 2 in G Minor, Op. 52 I. Adagio sostenuto ed espressivo
5. Cello Sonata No. 2 in G Minor, Op. 52 II. Allegro molto, più tosto presto
6. Cello Sonata No. 2 in G Minor, Op. 52 III. Rondo. Allegro
7. Cello Sonata in F Major, Op. 17 I. Allegro moderato (Arr. From Horn Sonata)
8. Cello Sonata in F Major, Op. 17 II. Poco Adagio, quasi Andante (Arr. From Horn Sonata)
9. Cello Sonata in F Major, Op. 17 III. Rondo. Allegro moderato (Arr. From Horn Sonata).f
10. Sonata No. 3 in A Major, Op. 69 I. Allegro ma non tanto
11. Sonata No. 3 in A Major, Op. 69 II. Scherzo. Allegro molto
12. Sonata No. 3 in A Major, Op. 69 III. Adagio cantabile – Allegro vivace
13. Cello Sonata No. 4 in C Major, Op. 1021 I. Andante
14. Cello Sonata No. 4 in C Major, Op. 1021 II. Allegro vivace
15. Cello Sonata No. 4 in C Major, Op. 1021 II. Adagio – Tempo d'andante
16. Cello Sonata No. 4 in C Major, Op. 1021 IV. Allegro vivace
17. Cello Sonata No. 5 in D Major, Op. 1022 I. Allegro con brio
18. Cello Sonata No. 5 in D Major, Op. 1022 II. Adagio con molto sentiment d'affetto
19. Cello Sonata No. 5 in D Major, Op. 1022 III. Allegro fugato
The five cello sonatas span Beethoven’s three creative periods, with the audacious op.5 sonatas dating from the early years on his time in Vienna as a piano virtuoso and aspiring composer (1792-9), the great op.69 sonata is from the period that saw the composition of symphonies 4-8, the violin concerto, Mass in C and the String Quartets op59. The two op102 sonatas are from the cusp of the ‘late’ period, this is the time of the 9th Symphony, the Missa Solemnis, the great string quartets op127 – 135 and the last five piano sonatas.
The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello placing great demands on the player. The op.17 sonatas from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
Leonard Elschenbroich (cello)
Alexei Grynyuk (piano)
The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello placing great demands on the player. The op.17 sonatas from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
Leonard Elschenbroich (cello)
Alexei Grynyuk (piano)
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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