Música Temprana, Adrian Rodriquez van der Spoel - Bailes, Tonadas & Cachuas (2013) [Hi-Res]
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BAND/ARTIST: Música Temprana, Adrian Rodriquez van der Spoel
- Title: Bailes, Tonadas & Cachuas
- Year Of Release: 2013
- Label: COBRA RECORDS
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
- Total Time: 01:06:21
- Total Size: 341 mb / 1.3 gb
- WebSite: Album Preview
Tracklist
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01. Tonada La Brugita
02. Cachua al Nacimiento “Niño il Mijor”
03. Tonada La Donosa
04. Lanchas para Baylar
05. Tonada La Lata
06. Tonada El Congo
07. Cachua La Despedida
08. Tonada El Conejo
09. Bayle del Chimo
10. Tonada El Diamante /Tonada el Tuppamaro
11. Tonada El Tupamaro
12. Tonada del Chimo
13. Bayle de danzantes
14. Tonada El Huicho
15. Tonada La Selosa
16. Cachua Serranita El Huicho Nuebo
17. Tonadilla El Palomo
18. Cachuyta de la Montaña El Vuen querer
19. Cachua al Nacimiento “Dennos lecencia”
The nine volumes of the Codex Trujillo of Peru are a true treasure, illustrating the final years of vice-regal society through more than 1,400 water colours, tables and some twenty music scores interpreted in this collection. Compiled by the Bishop Baltasar Martínez Compañón, their thematic sections describe flora, fauna, archaeological objects, mummies, textiles and ceramics. To browse one’s way through the second volume is, as it were, to watch a documentary film about colonial society: the colour prints recount an innocent, natural history – but with no words. It starts with a portrait of Queen María Luisa; a map of Trujillo; a detailed, ethnically-based, census of each settlement and a table of Spanish words translated into eight Indian languages – thus providing a key reference work for several extinct tongues.
Continuing with body-length paintings, it illustrates prevailing social differences through the intricacy of clothing, followed by some general scenes of daily toil, with Indians and negroes performing all the everyday chores, while Spaniards slumber in hammocks, enjoy a day out in the country or are transported around in carriages. Before we reach the musical scores, there are water colours of dancers and musicians with all their costumes, chains and symbols and masks. The volume closes with an index–and explanation—of all plates. The musical scores indicate the desired tempo and instruments for each work, conveying the fine points of its origin and giving guidance for its interpretation.
The Codex was intended to inform the Spanish Court about the true state of affairs in the diocese. Today it lies in the Library of the Royal Palace in Madrid. It was compiled some twenty years prior to the first of the anti-monarchist uprisings which led to the wave of independence in South America. Imports dried up instantly and, at the same time, the influence of Spain
---------
01. Tonada La Brugita
02. Cachua al Nacimiento “Niño il Mijor”
03. Tonada La Donosa
04. Lanchas para Baylar
05. Tonada La Lata
06. Tonada El Congo
07. Cachua La Despedida
08. Tonada El Conejo
09. Bayle del Chimo
10. Tonada El Diamante /Tonada el Tuppamaro
11. Tonada El Tupamaro
12. Tonada del Chimo
13. Bayle de danzantes
14. Tonada El Huicho
15. Tonada La Selosa
16. Cachua Serranita El Huicho Nuebo
17. Tonadilla El Palomo
18. Cachuyta de la Montaña El Vuen querer
19. Cachua al Nacimiento “Dennos lecencia”
The nine volumes of the Codex Trujillo of Peru are a true treasure, illustrating the final years of vice-regal society through more than 1,400 water colours, tables and some twenty music scores interpreted in this collection. Compiled by the Bishop Baltasar Martínez Compañón, their thematic sections describe flora, fauna, archaeological objects, mummies, textiles and ceramics. To browse one’s way through the second volume is, as it were, to watch a documentary film about colonial society: the colour prints recount an innocent, natural history – but with no words. It starts with a portrait of Queen María Luisa; a map of Trujillo; a detailed, ethnically-based, census of each settlement and a table of Spanish words translated into eight Indian languages – thus providing a key reference work for several extinct tongues.
Continuing with body-length paintings, it illustrates prevailing social differences through the intricacy of clothing, followed by some general scenes of daily toil, with Indians and negroes performing all the everyday chores, while Spaniards slumber in hammocks, enjoy a day out in the country or are transported around in carriages. Before we reach the musical scores, there are water colours of dancers and musicians with all their costumes, chains and symbols and masks. The volume closes with an index–and explanation—of all plates. The musical scores indicate the desired tempo and instruments for each work, conveying the fine points of its origin and giving guidance for its interpretation.
The Codex was intended to inform the Spanish Court about the true state of affairs in the diocese. Today it lies in the Library of the Royal Palace in Madrid. It was compiled some twenty years prior to the first of the anti-monarchist uprisings which led to the wave of independence in South America. Imports dried up instantly and, at the same time, the influence of Spain
Classical | FLAC / APE | HD & Vinyl
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