Midori - Bach: Partitas & Sonatas for Violin Solo (2015)
BAND/ARTIST: Midori
- Title: Bach: Partitas & Sonatas for Violin Solo
- Year Of Release: 2015
- Label: Onyx Classics
- Genre: Classical
- Quality: mp3 320 kbps / flac lossless +Booklet
- Total Time: 02:15:54
- Total Size: 318 / 670 mb
- WebSite: Album Preview
Tracklist
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01. Violin Sonata No.1 in G Minor, BWV 1001: I. Adagio
02. Violin Sonata No.1 in G Minor, BWV 1001: II. Fuga - Allegro
03. Violin Sonata No.1 in G Minor, BWV 1001: III. Siciliana
04. Violin Sonata No.1 in G Minor, BWV 1001: IV. Presto
05. Violin Partita No.1 in B Minor, BWV 1002: I. Allemanda
06. Violin Partita No.1 in B Minor, BWV 1002: II. Double
07. Violin Partita No.1 in B Minor, BWV 1002: III. Courante
08. Violin Partita No.1 in B Minor, BWV 1002: IV. Double - Presto
09. Violin Partita No.1 in B Minor, BWV 1002: V. Sarabande
10. Violin Partita No.1 in B Minor, BWV 1002: VI. Double
11. Violin Partita No.1 in B Minor, BWV 1002: VII. Tempo di Bouree
12. Violin Partita No.1 In B Minor, Bwv 1002: VIII. Double
13. Violin Sonata No. 2 in A Minor, BWV 1003: I. Grave
14. Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga
15. Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante
16. Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
01. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemanda
02. Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
03. Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
04. Violin Partita No. 2 in D Minor, BWV 1004: IV. Gigue
05. Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne
06. Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio
07. Violin Sonata No. 3 in C Major, BWV 1005: II. Fuga
08. Violin Sonata No. 3 in C Major, BWV 1005: III. Largo
09. Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro Assai
10. Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
11. Violin Partita No. 3 in E Major, BWV 1006: II. Loure
12. Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
13. Violin Partita No. 3 in E Major, BWV 1006: IV. Menuett l/ll
14. Violin Partita No. 3 in E Major, BWV 1006: V. Bourree
15. Violin Partita No. 3 in E Major, BWV 1006: VI. Gigue
“The story goes that, when I was about two years old, my mother found me humming a Bach melody that she had been practicing a few days earlier. My own memories of Bach begin from the time when I started to practice my first solo Sonata in G minor, when I was about seven years old. The piece had been assigned to me, as all repertoire was at that age, and I had no idea what to do with it. Over the years, I have come to realize that, in studying Bach, one’s learning never stops. To my thinking – and I’m sure most other violinists would agree – these sonatas and partitas for solo violin are monuments of the literature, for many reasons. Their study opens up and trains the ear for more precise and ever-deeper listening. One learns to understand the relationship between the various notes, in addition to just hearing the notes themselves. Indeed, I find that I have learned more from studying these Bach compositions than from any other music. It is an almost miraculous feeling that envelops me when I am fully engaged with these musical masterworks.
These works are larger than life – they stretch the artistic and technical responses that one can have toward a piece of music. Bach’s music is always “right” for any circumstance. I have been able to present these pieces anywhere: to play for refugees in an outdoor setting, in the intensive care units at hospitals, in great concert halls, in places of worship, for celebratory occasions or remembrances and in any corner of any country in which I have ever performed. Bach travels well. The music does not require any special equipment or conditions. It must simply be played and heard, and invariably, with every committed performance, listeners young or old manage to be as transported as is any beguiled performer.” Taken from Midori’s booklet notes
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01. Violin Sonata No.1 in G Minor, BWV 1001: I. Adagio
02. Violin Sonata No.1 in G Minor, BWV 1001: II. Fuga - Allegro
03. Violin Sonata No.1 in G Minor, BWV 1001: III. Siciliana
04. Violin Sonata No.1 in G Minor, BWV 1001: IV. Presto
05. Violin Partita No.1 in B Minor, BWV 1002: I. Allemanda
06. Violin Partita No.1 in B Minor, BWV 1002: II. Double
07. Violin Partita No.1 in B Minor, BWV 1002: III. Courante
08. Violin Partita No.1 in B Minor, BWV 1002: IV. Double - Presto
09. Violin Partita No.1 in B Minor, BWV 1002: V. Sarabande
10. Violin Partita No.1 in B Minor, BWV 1002: VI. Double
11. Violin Partita No.1 in B Minor, BWV 1002: VII. Tempo di Bouree
12. Violin Partita No.1 In B Minor, Bwv 1002: VIII. Double
13. Violin Sonata No. 2 in A Minor, BWV 1003: I. Grave
14. Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga
15. Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante
16. Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
01. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemanda
02. Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
03. Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
04. Violin Partita No. 2 in D Minor, BWV 1004: IV. Gigue
05. Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne
06. Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio
07. Violin Sonata No. 3 in C Major, BWV 1005: II. Fuga
08. Violin Sonata No. 3 in C Major, BWV 1005: III. Largo
09. Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro Assai
10. Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
11. Violin Partita No. 3 in E Major, BWV 1006: II. Loure
12. Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
13. Violin Partita No. 3 in E Major, BWV 1006: IV. Menuett l/ll
14. Violin Partita No. 3 in E Major, BWV 1006: V. Bourree
15. Violin Partita No. 3 in E Major, BWV 1006: VI. Gigue
“The story goes that, when I was about two years old, my mother found me humming a Bach melody that she had been practicing a few days earlier. My own memories of Bach begin from the time when I started to practice my first solo Sonata in G minor, when I was about seven years old. The piece had been assigned to me, as all repertoire was at that age, and I had no idea what to do with it. Over the years, I have come to realize that, in studying Bach, one’s learning never stops. To my thinking – and I’m sure most other violinists would agree – these sonatas and partitas for solo violin are monuments of the literature, for many reasons. Their study opens up and trains the ear for more precise and ever-deeper listening. One learns to understand the relationship between the various notes, in addition to just hearing the notes themselves. Indeed, I find that I have learned more from studying these Bach compositions than from any other music. It is an almost miraculous feeling that envelops me when I am fully engaged with these musical masterworks.
These works are larger than life – they stretch the artistic and technical responses that one can have toward a piece of music. Bach’s music is always “right” for any circumstance. I have been able to present these pieces anywhere: to play for refugees in an outdoor setting, in the intensive care units at hospitals, in great concert halls, in places of worship, for celebratory occasions or remembrances and in any corner of any country in which I have ever performed. Bach travels well. The music does not require any special equipment or conditions. It must simply be played and heard, and invariably, with every committed performance, listeners young or old manage to be as transported as is any beguiled performer.” Taken from Midori’s booklet notes
Classical | FLAC / APE | Mp3
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