Leonard Elschenbroich and Alexei Grynyuk - Beethoven: The Cello Sonatas (2019)
BAND/ARTIST: Leonard Elschenbroich, Alexei Grynyuk
- Title: Beethoven: The Cello Sonatas
- Year Of Release: 2019
- Label: PM Classics Ltd.
- Genre: Classical
- Quality: mp3 320 kbps / flac lossless
- Total Time: 02:05:56
- Total Size: 288 / 435 mb
- WebSite: Album Preview
Tracklist
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01. Cello Sonata No. 1 in F Major, Op. 5: I. Adagio sostenuto
02. Cello Sonata No. 1 in F Major, Op. 5: II. Allegro
03. Cello Sonata No. 1 in F Major, Op. 5: III. Rondo-Allegro vivace
04. Cello Sonata No. 2 in G Minor, Op. 5: I. Adagio sostenuto ed espressivo
05. Cello Sonata No. 2 in G Minor, Op. 5: II. Allegro molto, piu tosto presto
06. Cello Sonata No. 2 in G Minor, Op. 5: III. Rondo-Allegro
07. Cello Sonata in F Major, Op. 17: I. Allegro moderato (arr. composer from Horn Sonata)
08. Cello Sonata in F Major, Op. 17: II. Poco adagio, quasi Andante
09. Cello Sonata in F Major, Op. 17 III. Rondo-Allegro moderato
10. Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
11. Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo-Allegro molto
12. Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile-Allegro vivace
13. Cello Sonata No. 4 in C Major, Op. 102: I. Andante
14. Cello Sonta No. 4 in C Major, Op. 102: Allegro vivace
15. Cello Sonata No. 4 in C Major, Op. 102: II. Adagio-Tempo d'andante
16. Cello Sonata No. 4 in C Major, Op. 102: Allegro vivace
17. Cello Sonata No. 5 in D Major, Op. 102: I. Allegro con brio
18. Cello Sonata No. 5 in D Major, Op. 102: Adagio con molto-sentimento d affetto
19. Cello Sonata No. 5 in D Major, Op. 102: III. Allegro fugato
The five cello sonatas span Beethoven’s three creative periods, with the audacious op.5 sonatas dating from the early years on his time in Vienna as a piano virtuoso and aspiring composer (1792-9), the great op.69 sonata is from the period that saw the composition of symphonies 4-8, the violin concerto, Mass in C and the String Quartets op59. The two op102 sonatas are from the cusp of the ‘late’ period, this is the time of the 9th Symphony, the Missa Solemnis, the great string quartets op127 – 135 and the last five piano sonatas.
The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello placing great demands on the player. The op.17 sonatas from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
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01. Cello Sonata No. 1 in F Major, Op. 5: I. Adagio sostenuto
02. Cello Sonata No. 1 in F Major, Op. 5: II. Allegro
03. Cello Sonata No. 1 in F Major, Op. 5: III. Rondo-Allegro vivace
04. Cello Sonata No. 2 in G Minor, Op. 5: I. Adagio sostenuto ed espressivo
05. Cello Sonata No. 2 in G Minor, Op. 5: II. Allegro molto, piu tosto presto
06. Cello Sonata No. 2 in G Minor, Op. 5: III. Rondo-Allegro
07. Cello Sonata in F Major, Op. 17: I. Allegro moderato (arr. composer from Horn Sonata)
08. Cello Sonata in F Major, Op. 17: II. Poco adagio, quasi Andante
09. Cello Sonata in F Major, Op. 17 III. Rondo-Allegro moderato
10. Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
11. Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo-Allegro molto
12. Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile-Allegro vivace
13. Cello Sonata No. 4 in C Major, Op. 102: I. Andante
14. Cello Sonta No. 4 in C Major, Op. 102: Allegro vivace
15. Cello Sonata No. 4 in C Major, Op. 102: II. Adagio-Tempo d'andante
16. Cello Sonata No. 4 in C Major, Op. 102: Allegro vivace
17. Cello Sonata No. 5 in D Major, Op. 102: I. Allegro con brio
18. Cello Sonata No. 5 in D Major, Op. 102: Adagio con molto-sentimento d affetto
19. Cello Sonata No. 5 in D Major, Op. 102: III. Allegro fugato
The five cello sonatas span Beethoven’s three creative periods, with the audacious op.5 sonatas dating from the early years on his time in Vienna as a piano virtuoso and aspiring composer (1792-9), the great op.69 sonata is from the period that saw the composition of symphonies 4-8, the violin concerto, Mass in C and the String Quartets op59. The two op102 sonatas are from the cusp of the ‘late’ period, this is the time of the 9th Symphony, the Missa Solemnis, the great string quartets op127 – 135 and the last five piano sonatas.
The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello placing great demands on the player. The op.17 sonatas from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
Year 2019 | Classical | FLAC / APE | Mp3
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