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Rhythm & Sound - See Mi Yah (2005)

Rhythm & Sound - See Mi Yah (2005)

BAND/ARTIST: Rhythm & Sound

  • Title: See Mi Yah
  • Year Of Release: 2005
  • Label: Burial Mix Germany
  • Genre: Reggae, Dub
  • Quality: 320 / FLAC (tracks)
  • Total Time: 46:51
  • Total Size: 109 / 316 Mb
  • WebSite:
Tracklist:

1. See Mi Yah (3:56)
2. Dem Never Know (3:56)
3. Rise and Praise (3:49)
4. Truly (4:11)
5. Lightning Storm (5:50)
6. Let Jah Love Come (5:12)
7. Boss Man (3:33)
8. Poor People Must Work (3:30)
9. Let We Go (4:27)
10. Free for All (4:27)
11. See Mi (4:00)

Basic Channel heads Mark Ernestus and Moritz von Oswald keep the burial mix series going with its most ambitious release to date - a collection of one-rhythm tracks featuring vocal contributions from Basic Channel collaborators old and new.

"See Mi Yah" is a classic collection of one-rhythm tracks, typical format and production approach in Reggae, featuring ten vocal versions and one instrumental of the See Mi Yah rhythm (an additional 3 are only available on the 7" collection), strictly roots!

After Paul St. Hilaire (formerly known as Tikiman) had lent his voice to quite a few Rhythm & Sound releases over the years, the starting point for this project was to work with him once again and also with his brother Ras Perez, their fellow Berlin based Dominicans Koki and Ras Donovan (also known from his collaboration with Mapstation), the Berlin based Jamaicans Freddy Mellow, Walda Gabriel, Bobbo Shanti, Lance Clarke as Rod Of Iron and Joseph Cotton aka Jah Walton.

With a toasting style heavily influenced by the legendary U-Roy, Cotton was a central figure in the jamaican DJ scene of the 70s and 80s. To cap it all off, on a visit to Berlin, the great Sugar Minott and Willi Williams (famous for Studio 1 classic Armagideon Time) did their versions in the Rhythm & Sound studio!

For each tune the rhythm is arranged and mixed differently. The legacy and genius of Basic Channel and all its myriad offshoots seems more relevant and important now than ever before, they have a knack of creating music that lives on in the listener's head long after voices, rhythm and sound have long gone.



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