Bo Ties - Gabriel Dupont: Complete Piano Music (2019)
BAND/ARTIST: Bo Ties
- Title: Gabriel Dupont: Complete Piano Music
- Year Of Release: 2018/2019
- Label: MSR Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:40:05
- Total Size: 279 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Les heures dolentes: I. Épigraphe
02. Les heures dolentes: II. Le soir tombe dans le chamber
03. Les heures dolentes: III. Du soleil au jardin
04. Les heures dolentes: IV. Chanson de la pluie
05. Les heures dolentes: V. Après-midi de dimanche
06. Les heures dolentes: VI. Le médecin
07. Les heures dolentes: VII. Une amie est venue avec des fleurs
08. Les heures dolentes: VIII. La chanson du vent
09. Les heures dolentes: IX. Au coin du feu
10. Les heures dolentes: X. Coquetteries
11. Les heures dolentes: XI. La mort rôde
12. Les heures dolentes: XII. Des enfants jouent dans le jardin
13. Les heures dolentes: XIII. Nuit blanche – Hallucinations
14. Les heures dolentes: XIV: Calme
CD2
01. La Maison dans les dunes: I. Dans les dunes, par un clair matin
02. La Maison dans les dunes: II. Voiles sur l’eau
03. La Maison dans les dunes: III. La maison du souvenir
04. La Maison dans les dunes: IV. Mon frère le Vent et ma sœur la Pluie
05. La Maison dans les dunes: V. Mélancolie du bonheur
06. La Maison dans les dunes: VI. Le soleil se joue dans les vagues
07. La Maison dans les dunes: VII. Le soir dans les pins
08. La Maison dans les dunes: VIII. La bruissement de la mer, la nuit
09. La Maison dans les dunes: IX. Clair d’étoiles
10. La Maison dans les dunes: X. Houles
11. Deux airs de ballet: I. Pavane
12. Deux airs de ballet: II. Aria
13. Feuillets d’album: I. Valse
14. Feuillets d’album: II. Fughette
15. Feuillets d’album: III. Berceuse
16. Feuillets d’album: IV. Air à danser
Upon hearing the music of Gabriel Dupont for the first time, many have asked, “How is it possible this music is not well known?” The answer is unclear, but hopefully, that question itself becomes irrelevant as Dupont is restored in our memories as one of the great composers. To be sure, Dupont was seen as a rising star during his lifetime. His works were performed regularly and were largely enjoyed by the public. His opera, La Glu, was hailed to be the next Carmen. Yet he was a victim of tragic circumstance that nearly led to him being relegated as a historical footnote: he was stricken by a relentless illness that led to an early death at age 36, the very day France mobilized for World War I. Were it not for the work of a few scholars and musicians in recent years, Dupont would likely not be known at all.
The music of Gabriel Dupont is finally beginning to receive the recognition it deserves, thanks in no small part to the efforts of scholars like Phillipe Simon and Emmanuel Sauvlet, and musicians like Daniel Blumenthal (the first pianist to record Les Heures dolentes, in 1987) and Marie-Catherine Girod (the first pianist to record La Maison dans les dunes, in 1997). Interest in Dupont’s life and music has been slowly but steadily growing, and I humbly offer this recording as my contribution to the discovery of his work. Those interested in hearing more of Dupont’s output should explore his wonderful Poème for piano quintet, his intimate mélodies, and his operas. To date, there are no recordings of his orchestral pieces.
Although fate might have conspired that Dupont’s music should be forgotten in the 20th century, each person who has come to know Dupont’s music understands its supreme quality: it is profoundly human. The highest hopes, the deepest fears and the greatest joys and pains of life are fully expressed in his work. For Dupont, pain can be beautiful and beauty can be sad – yet each moment is a gift. We would be wise to follow Dupont’s example, that no matter the circumstances of life, we strive to do our best in the time we have been given.
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CD1
01. Les heures dolentes: I. Épigraphe
02. Les heures dolentes: II. Le soir tombe dans le chamber
03. Les heures dolentes: III. Du soleil au jardin
04. Les heures dolentes: IV. Chanson de la pluie
05. Les heures dolentes: V. Après-midi de dimanche
06. Les heures dolentes: VI. Le médecin
07. Les heures dolentes: VII. Une amie est venue avec des fleurs
08. Les heures dolentes: VIII. La chanson du vent
09. Les heures dolentes: IX. Au coin du feu
10. Les heures dolentes: X. Coquetteries
11. Les heures dolentes: XI. La mort rôde
12. Les heures dolentes: XII. Des enfants jouent dans le jardin
13. Les heures dolentes: XIII. Nuit blanche – Hallucinations
14. Les heures dolentes: XIV: Calme
CD2
01. La Maison dans les dunes: I. Dans les dunes, par un clair matin
02. La Maison dans les dunes: II. Voiles sur l’eau
03. La Maison dans les dunes: III. La maison du souvenir
04. La Maison dans les dunes: IV. Mon frère le Vent et ma sœur la Pluie
05. La Maison dans les dunes: V. Mélancolie du bonheur
06. La Maison dans les dunes: VI. Le soleil se joue dans les vagues
07. La Maison dans les dunes: VII. Le soir dans les pins
08. La Maison dans les dunes: VIII. La bruissement de la mer, la nuit
09. La Maison dans les dunes: IX. Clair d’étoiles
10. La Maison dans les dunes: X. Houles
11. Deux airs de ballet: I. Pavane
12. Deux airs de ballet: II. Aria
13. Feuillets d’album: I. Valse
14. Feuillets d’album: II. Fughette
15. Feuillets d’album: III. Berceuse
16. Feuillets d’album: IV. Air à danser
Upon hearing the music of Gabriel Dupont for the first time, many have asked, “How is it possible this music is not well known?” The answer is unclear, but hopefully, that question itself becomes irrelevant as Dupont is restored in our memories as one of the great composers. To be sure, Dupont was seen as a rising star during his lifetime. His works were performed regularly and were largely enjoyed by the public. His opera, La Glu, was hailed to be the next Carmen. Yet he was a victim of tragic circumstance that nearly led to him being relegated as a historical footnote: he was stricken by a relentless illness that led to an early death at age 36, the very day France mobilized for World War I. Were it not for the work of a few scholars and musicians in recent years, Dupont would likely not be known at all.
The music of Gabriel Dupont is finally beginning to receive the recognition it deserves, thanks in no small part to the efforts of scholars like Phillipe Simon and Emmanuel Sauvlet, and musicians like Daniel Blumenthal (the first pianist to record Les Heures dolentes, in 1987) and Marie-Catherine Girod (the first pianist to record La Maison dans les dunes, in 1997). Interest in Dupont’s life and music has been slowly but steadily growing, and I humbly offer this recording as my contribution to the discovery of his work. Those interested in hearing more of Dupont’s output should explore his wonderful Poème for piano quintet, his intimate mélodies, and his operas. To date, there are no recordings of his orchestral pieces.
Although fate might have conspired that Dupont’s music should be forgotten in the 20th century, each person who has come to know Dupont’s music understands its supreme quality: it is profoundly human. The highest hopes, the deepest fears and the greatest joys and pains of life are fully expressed in his work. For Dupont, pain can be beautiful and beauty can be sad – yet each moment is a gift. We would be wise to follow Dupont’s example, that no matter the circumstances of life, we strive to do our best in the time we have been given.
Year 2019 | Classical | Instrumental | FLAC / APE
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