Th' Losin Streaks – This Band Will Self-Destruct In T-Minus (2018) Vinyl
BAND/ARTIST: Th' Losin Streaks
- Title: This Band Will Self-Destruct In T-Minus
- Year Of Release: 2018
- Label: Slovenly Recordings
- Genre: Garage Rock, Punk, Psychedelic Rock
- Quality: Flac (tracks, 16/44,1) / Flac (tracks, 24/96)
- Total Time: 38:13
- Total Size: 295/953 Mb
- WebSite: Album Preview
Tracklist:
01. (This Man Will Self-Destruct In) T-Minus
02. Trouble You Find
03. To Die For
04. You Can't Keep A Good Man Down
05. Time Has Come
06. Order Of The Day
07. You'll Never Know
08. Room And Board
09. I Don't Care What You Do
10. Genevieve
11. My Disease
12. Falling Rain
13. Too Late
14. Untitled
Line-up::
Bass Guitar – Stan Tindall
Drums – Matt K. Shrugg
Lead Guitar – Mike Farrell (4)
Rhythm Guitar – Tim Foster (2)
01. (This Man Will Self-Destruct In) T-Minus
02. Trouble You Find
03. To Die For
04. You Can't Keep A Good Man Down
05. Time Has Come
06. Order Of The Day
07. You'll Never Know
08. Room And Board
09. I Don't Care What You Do
10. Genevieve
11. My Disease
12. Falling Rain
13. Too Late
14. Untitled
Line-up::
Bass Guitar – Stan Tindall
Drums – Matt K. Shrugg
Lead Guitar – Mike Farrell (4)
Rhythm Guitar – Tim Foster (2)
It’s been 14 years between albums for Th’ Losin Streaks, but when a band so fully inhabits a bygone era—in this case, the punk-anticipating “freakbeat” sound of late-’60s England—a decade and a half is chump change.
And considering that the Sacramento quartet actually broke up in 2010, any new material at all is something of a bonus. The group’s uncertain lease on life informs the title of their new LP, This Band Will Self-Destruct In T-Minus, which mirrors the spot-on garage revelry of 2004’s Sounds of Violence. These are bash-and-thrash anthems delivered with enough burning urgency to sound genuinely threatening.
While there is an obscure cover in The Jagged Edge’s “You Can’t Keep a Good Man Down”—one of two tracks sung with surprising melodic appeal by wild-card drummer Matt K. Shrugg—you don’t need to be a ’60s completist to appreciate this record. Anyone with a passing familiarity of early Kinks, Troggs, and Beatles rave-ups should be right on board from the opening title track, which announces the band’s blurted punch amid bruising drum fills. It’s the longest song here, at just over three-and-a-half minutes, with a chorus that’s among the album’s more restrained moments.
From there, Shrugg, lead guitarist Mike Farrell, bassist Stan Tindall, and singer/guitarist Tim Foster ratchet up their tug-of-war between fine-tuned precision and all-out chaos. Witness the squalling guitar solo that fuzzes its way out of “To Die For,” or the surf-damaged start and surprise bass solo of the Who-ish “Time Has Come.” Reportedly the only album that producer Chris Woodhouse (Oh Sees, Ty Segall) agreed to record this year, T-Minus peaks with frantic closer “Too Late,” connecting every thrilling dot between mod rock and hardcore punk.
And considering that the Sacramento quartet actually broke up in 2010, any new material at all is something of a bonus. The group’s uncertain lease on life informs the title of their new LP, This Band Will Self-Destruct In T-Minus, which mirrors the spot-on garage revelry of 2004’s Sounds of Violence. These are bash-and-thrash anthems delivered with enough burning urgency to sound genuinely threatening.
While there is an obscure cover in The Jagged Edge’s “You Can’t Keep a Good Man Down”—one of two tracks sung with surprising melodic appeal by wild-card drummer Matt K. Shrugg—you don’t need to be a ’60s completist to appreciate this record. Anyone with a passing familiarity of early Kinks, Troggs, and Beatles rave-ups should be right on board from the opening title track, which announces the band’s blurted punch amid bruising drum fills. It’s the longest song here, at just over three-and-a-half minutes, with a chorus that’s among the album’s more restrained moments.
From there, Shrugg, lead guitarist Mike Farrell, bassist Stan Tindall, and singer/guitarist Tim Foster ratchet up their tug-of-war between fine-tuned precision and all-out chaos. Witness the squalling guitar solo that fuzzes its way out of “To Die For,” or the surf-damaged start and surprise bass solo of the Who-ish “Time Has Come.” Reportedly the only album that producer Chris Woodhouse (Oh Sees, Ty Segall) agreed to record this year, T-Minus peaks with frantic closer “Too Late,” connecting every thrilling dot between mod rock and hardcore punk.
Year 2018 | Rock | Punk | FLAC / APE | HD & Vinyl
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