Ketil Bjornstad - La Notte (2013/2017) Hi Res
BAND/ARTIST: Ketil Bjørnstad
- Title: La Notte
- Year Of Release: 2013/2017
- Label: ECM Records
- Genre: Jazz
- Quality: 24Bit/48 kHz FLAC (tracks+digital booklet)
- Total Time: 00:54:39
- Total Size: 591 mb
- WebSite: Album Preview
Tracklist:
01. La Notte, Pt. 1
02. La Notte, Pt. 2
03. La Notte, Pt. 3
04. La Notte, Pt. 4
05. La Notte, Pt. 5
06. La Notte, Pt. 6
07. La Notte, Pt. 7
08. La Notte, Pt. 8
Personnel:
Ketil Bjørnstad, piano
Andy Sheppard, tenor, soprano saxophones
Anja Lechner, violoncello
Eivind Aarset, guitars, electronics
Arild Andersen, double bass
Marilyn Mazur, percussion, drums
01. La Notte, Pt. 1
02. La Notte, Pt. 2
03. La Notte, Pt. 3
04. La Notte, Pt. 4
05. La Notte, Pt. 5
06. La Notte, Pt. 6
07. La Notte, Pt. 7
08. La Notte, Pt. 8
Personnel:
Ketil Bjørnstad, piano
Andy Sheppard, tenor, soprano saxophones
Anja Lechner, violoncello
Eivind Aarset, guitars, electronics
Arild Andersen, double bass
Marilyn Mazur, percussion, drums
Commissioned by the Molde International Jazz Festival and recorded live at the Norwegian festival in 2010, La notte is a salute to Italian filmmaker Michelangelo Antonioni, whom Ketil Bjørnstad counts amongst his formative influences. Playing alongside the pianist in this special band are prominent musicians from ECM's roster: fellow Norwegians Arild Andersen and Eivind Aarset on double bass and guitars/electronics respectively, British saxophonist Andy Sheppard, German cellist Anja Lechner, and Denmark's 'Queen of Percussion' Marilyn Mazur.
Bjørnstad says: 'At the same time that I discovered what jazz could be, after listening to Miles Davis' In A Silent Way, I also saw the films by Godard, Bresson and Antonioni. Perhaps it was the slow, rhythmic authority in the films by Michelangelo Antonioni that made me think of music... As long as visual art creates music in our minds, and music creates pictures and visual expressions with the same intensity, the two are deeply and profoundly interdependent'.
This album, then, can be considered 'the soundtrack to an inner film', in which Antonioni's images and atmospheres are translated and transformed through personal moods and memories. For the Molde concert, Bjørnstad convened an extraordinary group of musicians, old and new friends closely associated with ECM. The concert was rapturously received by the media, and described as an 'absolutely stunning performance'.
Bjørnstad says: 'At the same time that I discovered what jazz could be, after listening to Miles Davis' In A Silent Way, I also saw the films by Godard, Bresson and Antonioni. Perhaps it was the slow, rhythmic authority in the films by Michelangelo Antonioni that made me think of music... As long as visual art creates music in our minds, and music creates pictures and visual expressions with the same intensity, the two are deeply and profoundly interdependent'.
This album, then, can be considered 'the soundtrack to an inner film', in which Antonioni's images and atmospheres are translated and transformed through personal moods and memories. For the Molde concert, Bjørnstad convened an extraordinary group of musicians, old and new friends closely associated with ECM. The concert was rapturously received by the media, and described as an 'absolutely stunning performance'.
Year 2017 | Jazz | HD & Vinyl
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