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Grup Ses & Ethnique Punch - Deli Divan (2019)

Grup Ses & Ethnique Punch - Deli Divan (2019)
Tracklist
1. Peşrev 00:24
2. Külüstür 02:41
3. Katastrof 00:49
4. Düzkontak 01:27
5. Delidivane 01:55
6. Ara (Interlude) 00:38
7. Delidivan 00:58
8. Hayda 02:06
9. Kontrol (Interlude) 00:33
10. Delibaş 01:42
11. Beng-ü Bade 00:42
12. Vesaireler 01:33
13. İnkar 01:05
14. Miskinatlar 01:44
15. Peşrev (Instrumental) 00:24
16. Külüstür (Instrumental) 02:40
17. Katastrof (Instrumental) 00:49
18. Düzkontak (Instrumental) 01:27
19. Delidivane (Instrumental) 01:55
20. Ara (Interlude) (Instrumental) 00:38
21. Delidivan (Instrumental) 00:58
22. Hayda (Instrumental) 02:06
23. Kontrol (Interlude) (Instrumental) 00:33
24. Delibaş (Instrumental) 01:42
25. Beng-ü Bade (Instrumental) 00:42
26. Vesaireler (Instrumental) 01:33
27. İnkar (Instrumental) 01:05
28. Miskinatlar (Instrumental) 01:44


Last year we welcomed Grup Ses to our sister label Sucata Tapes with “Program #01”, a mystically mixed soundtrack of far-out new age and film soundtracks from Turkey circa 1986. A new set of Turkish delights were prepared for this year’s release. “Deli Divan” it’s a two-part record with incredibly crafted beats that tell a different story depending on the version you chose to listen.
A side captivates by its voracity. Hi-tech and fierce beats drop with the sharp voice and flow of Ethnique Punch, delivering 14 – yes, f-o-u-r-t-e-e-n – short and punchy tracks. The diggin’ liveliness of Grup Ses is well present in the samples used, manufacturing beats that serve well the fast paced and nocturnal voice of Ethnique Punch. The first part of “Deli Divan” is pretty much a straight story. A good one.
But then comes the surprise. The other side. The same fourteen tracks without voice, just the beats. And here “Deli Divan” tells a completely different story. It loses the emergency, darkness and robustness of the A side, specially because the beats float on a limbo without a voice. But that limbo reveals the straightforwardness of the beats created by Grup Ses for this record. There’s a hidden narrative here, without the voice the short tracks connect like an outer world radio broadcast. But there’s no narrator. Just time-travelling beats that interlink past, present and future, synthesising complex ideas in short bursts of 1 or 2 minutes. Delight it is.



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