Divino Sospiro - Fajer: 7 Palabras de Cristo en la cruz - Santos: Stabat mater (2019)
BAND/ARTIST: Divino Sospiro
- Title: Fajer: 7 Palabras de Cristo en la cruz - Santos: Stabat mater
- Year Of Release: 2019
- Label: Pan Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 64:55 min
- Total Size: 300 MB
- WebSite: Album Preview
Tracklist:
01. 7 Palabras de Cristo en la cruz: Introducción. Al calvário almas llegad
02. 7 Palabras de Cristo en la cruz: No. 1, Pues que fui vuestro enemigo
03. 7 Palabras de Cristo en la cruz: No. 2, Reverente el buen ladrón
04. 7 Palabras de Cristo en la cruz: No. 3, Jesús en su testamento
05. 7 Palabras de Cristo en la cruz: No. 4, Desamparado se ve
06. 7 Palabras de Cristo en la cruz: No. 5, Se dice Cristo que tiene
07. 7 Palabras de Cristo en la cruz: No. 6, Con voz quebrada mi Dios
08. 7 Palabras de Cristo en la cruz: No. 7, A su Eterno Padre ya aria
09. Stabat mater: I. Stabat mater dolorosa
10. Stabat mater: II. Cuius animam gementem
11. Stabat mater: III. O quam tristis et afflicta
12. Stabat mater: IV. Quis est homo qui non fleret
13. Stabat mater: V. Vidit suum dulcem natum
14. Stabat mater: VI. Fac ut ardeat cor meum
15. Stabat mater: VII. Sancta mater, istud agas
16. Stabat mater: VIII. Juxta crucem tecum stare
17. Stabat mater: IX. Fac ut portem Christi mortem
18. Stabat mater: X. Fac me plagis vulnerari
19. Stabat mater: XI. Quando corpus morietur
20. Stabat mater: XII. Amen
01. 7 Palabras de Cristo en la cruz: Introducción. Al calvário almas llegad
02. 7 Palabras de Cristo en la cruz: No. 1, Pues que fui vuestro enemigo
03. 7 Palabras de Cristo en la cruz: No. 2, Reverente el buen ladrón
04. 7 Palabras de Cristo en la cruz: No. 3, Jesús en su testamento
05. 7 Palabras de Cristo en la cruz: No. 4, Desamparado se ve
06. 7 Palabras de Cristo en la cruz: No. 5, Se dice Cristo que tiene
07. 7 Palabras de Cristo en la cruz: No. 6, Con voz quebrada mi Dios
08. 7 Palabras de Cristo en la cruz: No. 7, A su Eterno Padre ya aria
09. Stabat mater: I. Stabat mater dolorosa
10. Stabat mater: II. Cuius animam gementem
11. Stabat mater: III. O quam tristis et afflicta
12. Stabat mater: IV. Quis est homo qui non fleret
13. Stabat mater: V. Vidit suum dulcem natum
14. Stabat mater: VI. Fac ut ardeat cor meum
15. Stabat mater: VII. Sancta mater, istud agas
16. Stabat mater: VIII. Juxta crucem tecum stare
17. Stabat mater: IX. Fac ut portem Christi mortem
18. Stabat mater: X. Fac me plagis vulnerari
19. Stabat mater: XI. Quando corpus morietur
20. Stabat mater: XII. Amen
Over the centuries, the religious traditions of the Holy Week have given rise to some of the most extraordinary works in the his tory of music, dedicated both to the liturgy and to devotional practices of specific geographical and cultural contexts. Despite increasing secularization at the end of the 18th Century, the Holy Week ceremonies, with a strong musical component, remained an important event in the spiritual, social and cultural life of Southern Europe.
‘Passio Iberica’ is an invitation to spirituality and reflection as a counterpoint to the fevered contemporary world. Two rare masterpieces are offered here, with two composers, both of Iberian origin, each with a fierce national (Spanish and Portuguese) identity, dedicated with deep devotion to Christ’s Calvary and to Mary’s sorrow at the feet of the cross.
Siete palabras de Cristo en la cruz, by Francisco Javier García Fajer (1730-1809) and the Stabat mater, by José Joaquim dos Santos (1747-1801) evince the personal mark of these composers as well as their knowledge of the tradition and compositional models in vogue at the time, both in the Iberian Peninsula and in Europe.
‘Passio Iberica’ is an invitation to spirituality and reflection as a counterpoint to the fevered contemporary world. Two rare masterpieces are offered here, with two composers, both of Iberian origin, each with a fierce national (Spanish and Portuguese) identity, dedicated with deep devotion to Christ’s Calvary and to Mary’s sorrow at the feet of the cross.
Siete palabras de Cristo en la cruz, by Francisco Javier García Fajer (1730-1809) and the Stabat mater, by José Joaquim dos Santos (1747-1801) evince the personal mark of these composers as well as their knowledge of the tradition and compositional models in vogue at the time, both in the Iberian Peninsula and in Europe.
Year 2019 | Classical | FLAC / APE
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