Ariadne Daskalakis, Ensemble Vintage Köln - Biber: The Rosary Sonatas (2015) [Hi-Res]
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BAND/ARTIST: Ariadne Daskalakis, Ensemble Vintage Köln
- Title: Biber: The Rosary Sonatas
- Year Of Release: 2015
- Label: BIS
- Genre: Classical
- Quality: flac 24bits - 48.0kHz +Booklet
- Total Time: 02:12:35
- Total Size: 1.5 gb
- WebSite: Album Preview
Tracklist
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CD1
01. Rosary Sonatas, No. 1 in D Minor "The Annunciation": I. Praeludium
02. Rosary Sonatas, No. 1 in D Minor "The Annunciation": II. Aria allegro & Variations
03. Rosary Sonatas, No. 1 in D Minor "The Annunciation": III. Finale
04. Rosary Sonatas, No. 2 in A Major "The Visitation": I. —
05. Rosary Sonatas, No. 2 in A Major "The Visitation": II. Allaman
06. Rosary Sonatas, No. 2 in A Major "The Visitation": III. Presto
07. Rosary Sonatas, No. 3 in B Minor "The Nativity": I. Sonata
08. Rosary Sonatas, No. 3 in B Minor "The Nativity": II. Courante-Double
09. Rosary Sonatas, No. 3 in B Minor "The Nativity": III. Adagio
10. Rosary Sonatas, No. 4 in D Minor "The Presentation of Jesus in the Temple"
11. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": I. Praeludium
12. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": II. Allaman
13. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": III. Gigue
14. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": IV. Sarabande-Double
15. Rosary Sonatas, No. 6 in C Minor "The Agony in the Garden"
16. Rosary Sonatas, No. 7 in F Major "The Scourging at the Pillar": I. Allamanda & Variations
17. Rosary Sonatas, No. 7 in F Major "The Scourging at the Pillar": II. Sarabanda & Variations
18. Rosary Sonatas, No. 8 in B-Flat Major "The Crowning with Thorns": I. Adagio
19. Rosary Sonatas, No. 8 in B-Flat Major "The Crowning with Thorns": II. Gigue & Doubles
20. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": I. Sonata
21. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": II. Courante-Double
22. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": III. Finale
23. Rosary Sonatas, No. 10 in G Minor "The Crucifixion": I. Praeludium
24. Rosary Sonatas, No. 10 in G Minor "The Crucifixion": II. Aria & Variations
CD2
01. Rosary Sonatas, No. 11 in G Major "The Resurrection": I. Sonata
02. Rosary Sonatas, No. 11 in G Major "The Resurrection": II. Surrexit Christus hodie
03. Rosary Sonatas, No. 11 in G Major "The Resurrection": III. Adagio
04. Rosary Sonatas, No. 12 in C Major "The Ascension": I. Intrada
05. Rosary Sonatas, No. 12 in C Major "The Ascension": II. Aria tubicinum
06. Rosary Sonatas, No. 12 in C Major "The Ascension": III. Allemande
07. Rosary Sonatas, No. 12 in C Major "The Ascension": IV. Courante-Double
08. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": I. Sonata
09. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": II. Gavotte
10. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": III. Gigue
11. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": IV. Sarabande
12. Rosary Sonatas, No. 14 in D Major "The Assumption of the Virgin": I. —
13. Rosary Sonatas, No. 14 in D Major "The Assumption of the Virgin": II. Aria-Gigue
14. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": I. —
15. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": II. Aria
16. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": III. Canzon
17. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": IV. Sarabanda
18. Rosary Sonatas, No. 16: Passacaglia in G Minor "The Guardian Angel"
19. Violin Sonata in D Major
Biber’s ‘Rosary Sonatas’ for violin and basso continuo stand alone in the violin literature and in music history, offering a unique combination of programmatic material and the use of scordatura. The cycle consists of fifteen sonatas for violin and basso continuo, and a closing Passacaglia for solo violin, composed c.1687. Through the copper engravings inserted at the head of each sonata in the manuscript depicting key moments in the lives of Christ and the Virgin Mary, the music has become associated with the Catholic Mysteries of the Rosary. Through the use of fifteen different tunings of the violin – one for each of the fifteen sonatas before the return to standard tuning in the closing Passacaglia – Biber achieves a variety of timbres that, when combined with his highly imaginative treatment of the violin, makes for absorbing listening. Appearing for the first time on BIS, the Greek-American violinist Ariadne Daskalakis has made a number of previous recordings, on baroque as well as modern violin. She is here supported by her fellow members in Ensemble Vintage Köln, a Cologne-based group of musicians specialized in baroque music. As a coupling to Biber's Rosary Sonatas – with a duration of almost 120 minutes – the ensemble has chosen to include the only extant violin sonata by George Muffat, Biber's colleague in the service of the Prince-Archbishop of Salzburg.
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CD1
01. Rosary Sonatas, No. 1 in D Minor "The Annunciation": I. Praeludium
02. Rosary Sonatas, No. 1 in D Minor "The Annunciation": II. Aria allegro & Variations
03. Rosary Sonatas, No. 1 in D Minor "The Annunciation": III. Finale
04. Rosary Sonatas, No. 2 in A Major "The Visitation": I. —
05. Rosary Sonatas, No. 2 in A Major "The Visitation": II. Allaman
06. Rosary Sonatas, No. 2 in A Major "The Visitation": III. Presto
07. Rosary Sonatas, No. 3 in B Minor "The Nativity": I. Sonata
08. Rosary Sonatas, No. 3 in B Minor "The Nativity": II. Courante-Double
09. Rosary Sonatas, No. 3 in B Minor "The Nativity": III. Adagio
10. Rosary Sonatas, No. 4 in D Minor "The Presentation of Jesus in the Temple"
11. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": I. Praeludium
12. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": II. Allaman
13. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": III. Gigue
14. Rosary Sonatas, No. 5 in A Major "The Finding of Jesus in the Temple": IV. Sarabande-Double
15. Rosary Sonatas, No. 6 in C Minor "The Agony in the Garden"
16. Rosary Sonatas, No. 7 in F Major "The Scourging at the Pillar": I. Allamanda & Variations
17. Rosary Sonatas, No. 7 in F Major "The Scourging at the Pillar": II. Sarabanda & Variations
18. Rosary Sonatas, No. 8 in B-Flat Major "The Crowning with Thorns": I. Adagio
19. Rosary Sonatas, No. 8 in B-Flat Major "The Crowning with Thorns": II. Gigue & Doubles
20. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": I. Sonata
21. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": II. Courante-Double
22. Rosary Sonatas, No. 9 in A Minor "The Carrying of the Cross": III. Finale
23. Rosary Sonatas, No. 10 in G Minor "The Crucifixion": I. Praeludium
24. Rosary Sonatas, No. 10 in G Minor "The Crucifixion": II. Aria & Variations
CD2
01. Rosary Sonatas, No. 11 in G Major "The Resurrection": I. Sonata
02. Rosary Sonatas, No. 11 in G Major "The Resurrection": II. Surrexit Christus hodie
03. Rosary Sonatas, No. 11 in G Major "The Resurrection": III. Adagio
04. Rosary Sonatas, No. 12 in C Major "The Ascension": I. Intrada
05. Rosary Sonatas, No. 12 in C Major "The Ascension": II. Aria tubicinum
06. Rosary Sonatas, No. 12 in C Major "The Ascension": III. Allemande
07. Rosary Sonatas, No. 12 in C Major "The Ascension": IV. Courante-Double
08. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": I. Sonata
09. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": II. Gavotte
10. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": III. Gigue
11. Rosary Sonatas, No. 13 in D Minor "The Descent of the Holy Ghost": IV. Sarabande
12. Rosary Sonatas, No. 14 in D Major "The Assumption of the Virgin": I. —
13. Rosary Sonatas, No. 14 in D Major "The Assumption of the Virgin": II. Aria-Gigue
14. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": I. —
15. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": II. Aria
16. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": III. Canzon
17. Rosary Sonatas, No. 15 in C Major "The Coronation of the Virgin": IV. Sarabanda
18. Rosary Sonatas, No. 16: Passacaglia in G Minor "The Guardian Angel"
19. Violin Sonata in D Major
Biber’s ‘Rosary Sonatas’ for violin and basso continuo stand alone in the violin literature and in music history, offering a unique combination of programmatic material and the use of scordatura. The cycle consists of fifteen sonatas for violin and basso continuo, and a closing Passacaglia for solo violin, composed c.1687. Through the copper engravings inserted at the head of each sonata in the manuscript depicting key moments in the lives of Christ and the Virgin Mary, the music has become associated with the Catholic Mysteries of the Rosary. Through the use of fifteen different tunings of the violin – one for each of the fifteen sonatas before the return to standard tuning in the closing Passacaglia – Biber achieves a variety of timbres that, when combined with his highly imaginative treatment of the violin, makes for absorbing listening. Appearing for the first time on BIS, the Greek-American violinist Ariadne Daskalakis has made a number of previous recordings, on baroque as well as modern violin. She is here supported by her fellow members in Ensemble Vintage Köln, a Cologne-based group of musicians specialized in baroque music. As a coupling to Biber's Rosary Sonatas – with a duration of almost 120 minutes – the ensemble has chosen to include the only extant violin sonata by George Muffat, Biber's colleague in the service of the Prince-Archbishop of Salzburg.
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