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Kaori Muraji - Cinema - Movie Themes For Classical Guitar (2019) [Hi-Res]

Kaori Muraji - Cinema - Movie Themes For Classical Guitar (2019) [Hi-Res]

BAND/ARTIST: Kaori Muraji

  • Title: Cinema - Movie Themes For Classical Guitar
  • Year Of Release: 2019
  • Label: Decca Music Group Ltd.
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
  • Total Time: 66:07
  • Total Size: 254 MB / 1.21 GB
  • WebSite:
Tracklist:

1. Dawn (Arr. Mugi) (From "Pride and Prejudice") 03:24
2. Merry Go Round of Life (Arr. Koseki) (From "Howl's Moving Castle") 04:02
3. Hometown (Arr. Kaida) (From "Cape Nostalgia") 04:25
4. Comptine d’un autre été (Arr. Lefvert) (From "Amelie") 02:21
5. The Heart asks Pleasure first (Arr. Mugi) (From "The Piano") 03:14
6. Theme (Arr. Muraji) (From "The Last Emperor") 05:47
7. May it be (Arr. Koseki) (From "Lord of the Rings") 03:16
8. As time goes by (Arr. Watanabe) (From "Casablanca") 03:16
9. Moon River (Arr. Muraji) (From "Breakfast at Tiffany's") 03:26
10. Romance (From "Jeux interdits") 02:29
11. A Time for Us (Arr. Campbell) (From "Romeo and Juliet") 04:44
12. Love Theme (Arr. Suzuki) (From "Cinema Paradiso") 06:46
13. Main Theme (Arr. Williams) (From "Schindler's List") 03:17
14. Love Theme (Arr. Morgan & Pochin) (From "The Godfather") 03:04
15. Gabriel's Oboe (Arr. Morgan & Pochin) (From "The Mission") 02:34
16. Wild Theme (Arr. Campbell) (From "Local Hero") 03:24
17. Deborah's Theme (Arr. Tanikawa) (From "Once Upon a Time in America") 04:19
18. The Harry Lime Theme (Arr. Kreidler) (From "The Third Man") 02:22

Kaori Muraji is considered one of the most prominent classical guitarists of today, and her challenges and activities are always regarded with keen interest by the entire classical music community.

Born in Tokyo, Japan Kaori Muraji received her first lessons on the guitar from her father Noboru Muraji at the age of three.

Kaori Muraji, classical guitar


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  • User offline
  • platico
  •  wrote in 02:40
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gracias....
  • User offline
  • olga1001
  •  wrote in 12:30
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Her brother joins at 1 & 12.
Why is she hung up on apoyando (just after pluck one string, pluck neighbor lower string) though al aire (pluck only one string) becomes mainstream in classical guitar ?
She sympathizes with flamenco or has technical problem ?
Thanks