Le Poème Harmonique, Vincent Dumestre - Anthoine Boesset: Je meurs sans mourir (2004) [Hi-Res]
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BAND/ARTIST: Le Poème Harmonique, Vincent Dumestre
- Title: Anthoine Boesset: Je meurs sans mourir
- Year Of Release: 2019
- Label: Alpha
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz
- Total Time: 00:59:49
- Total Size: 277 / 896 mb
- WebSite: Album Preview
Tracklist
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01. Una musiqua
02. Départ que le devoir me fait précipiter
03. Ballet des fous & des estropiés de la cervelle: I. Entrée de L'Embabouinée
04. Ballet des fous & des estropiés de la cervelle: II. Entrée des demy-fous
05. Ballet des fous & des estropiés de la cervelle: III. Entrée des Fantasques
06. Ballet des vaillans combattans
07. Récit des Syrènes: Quel soleil
08. Récit d'Amphion et des Syrènes: Quels doux supplices
09. Récit du Dieu des Songes: Quelle merveilleuse advanture
10. Récit de Mnémosyne: Quelles beautés, Ô mortels
11. Récit du temps: Bien que je vole toutes choses & Aux voleurs, au secours, accourez tous
12. Je meurs sans mourir
13. A la fin cette bergère
14. Entrée des Laquais
15. Dove ne vai, crudele
16. Frescos ayres del prado
17. La gran chacona
18. La Pacifique
19. Ô Dieu !
20. Nos esprits libres et contents
This CD completes a trilogy devoted to the airsde cour which help redefine one's perception of French court song. The first two were devoted to Guédron and Moulinié, and this last one to Antoine Boësset, who succeeded Guédron at the French royal court on his death in 1620. In many ways it's the most diverse and complex of the three.
Some songs appear in a four-voice version with continuo accompaniment, departing from the voice-plus-lute format that once pervaded recordings of this repertory. Interspersed with the songs are instrumental entrées from ballets decour to which Boësset contributed in the 1620s. (Louis XIII was an avid dancer.) The composer didn't confine himself to French texts; the fraught relations between the Bourbons and the Spanish Habsburgs wrought a certain fascination with Iberian idioms, and an Italian text is thrown in for good measure. These complex links and political undercurrents are explained in an informative booklet-note. This diverse mixture of languages and ensemble may appear unsettling at first, but later it becomes clear how well managed is that diversity, and one begins to trace the threads in common. Dove ne vai, crudele is thoroughly Italianate, and wonderfully sung. Claire Lefilliâtre, in particular, continues to impress: the title track, Jemeurs sans mourir, combines artifice and a restrained but genuine emotional depth.
---------
01. Una musiqua
02. Départ que le devoir me fait précipiter
03. Ballet des fous & des estropiés de la cervelle: I. Entrée de L'Embabouinée
04. Ballet des fous & des estropiés de la cervelle: II. Entrée des demy-fous
05. Ballet des fous & des estropiés de la cervelle: III. Entrée des Fantasques
06. Ballet des vaillans combattans
07. Récit des Syrènes: Quel soleil
08. Récit d'Amphion et des Syrènes: Quels doux supplices
09. Récit du Dieu des Songes: Quelle merveilleuse advanture
10. Récit de Mnémosyne: Quelles beautés, Ô mortels
11. Récit du temps: Bien que je vole toutes choses & Aux voleurs, au secours, accourez tous
12. Je meurs sans mourir
13. A la fin cette bergère
14. Entrée des Laquais
15. Dove ne vai, crudele
16. Frescos ayres del prado
17. La gran chacona
18. La Pacifique
19. Ô Dieu !
20. Nos esprits libres et contents
This CD completes a trilogy devoted to the airsde cour which help redefine one's perception of French court song. The first two were devoted to Guédron and Moulinié, and this last one to Antoine Boësset, who succeeded Guédron at the French royal court on his death in 1620. In many ways it's the most diverse and complex of the three.
Some songs appear in a four-voice version with continuo accompaniment, departing from the voice-plus-lute format that once pervaded recordings of this repertory. Interspersed with the songs are instrumental entrées from ballets decour to which Boësset contributed in the 1620s. (Louis XIII was an avid dancer.) The composer didn't confine himself to French texts; the fraught relations between the Bourbons and the Spanish Habsburgs wrought a certain fascination with Iberian idioms, and an Italian text is thrown in for good measure. These complex links and political undercurrents are explained in an informative booklet-note. This diverse mixture of languages and ensemble may appear unsettling at first, but later it becomes clear how well managed is that diversity, and one begins to trace the threads in common. Dove ne vai, crudele is thoroughly Italianate, and wonderfully sung. Claire Lefilliâtre, in particular, continues to impress: the title track, Jemeurs sans mourir, combines artifice and a restrained but genuine emotional depth.
Classical | FLAC / APE | HD & Vinyl
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