Beauregard Boys - Beauregard Boys (2019)

At the beginning, there are two musics, and crossed looks. On the one hand, that of Cyril Francioli, apprentice-flayer in Lausanne, who brings back from Berlin a banjo and his Appalachian music with perfumes of blue grass. He plays with Killian Scartezzini, a brawler who wrestles in the same class at the CHUV and trades his rocking life against eight strings and a hull of almond.

On the other, an Irish jurist fiddle, Adrien Bastian, accompanied by a hair-to-scratch of stories: Gregory Theintz. The two engage in blackmail klezmer, but are serious about the Cajuns, French-speaking deranged by the "Anglos", exiled in Louisiana in 1755.

Finally, there is a legendary burrow: the Green Rabbit Theater of the Society of Belles-Lettres Lausanne, founded in 1806. And a festival of music.

After a few balls, a bowler, Matthieu Orioli, is captured at the Conservatoire. The first tests are conclusive, the rhythm is domesticated with the baba drummer-biologist Jonathan Ehinger and the neuro-bassist, Matthew Perrenoud, who was not against.

Gardens, lofts, beaches, vaults, balconies, chalets, terraces, bars: the Beauregard Boys make a name for themselves and find their place on the Swiss scene. But he was missing the street, playing in the street! And a look, that of the hunter Antony Corbière who fishes them at dobro in extremgauchis on a Saturday, Place St-Laurent, between two police officers.

No women, will you say? You do not belive it! Who would want monsters, half-raccoons, half crayfish? And, they are too young for that!