Gabriella Di Laccio - Affetti barocchi: Arias & Laments in 17th Century Italy (2019) [Hi-Res]
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BAND/ARTIST: Gabriella Di Laccio
- Title: Affetti barocchi: Arias & Laments in 17th Century Italy
- Year Of Release: 2019
- Label: Drama Musica
- Genre: Classical
- Quality: flac 24bits - 44.1kHz +booklet
- Total Time: 00:48:48
- Total Size: 506 mb
- WebSite: Album Preview
Tracklist
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01. Arie a voce sola, Op. 8: Che si può fare
02. Arie musicali per cantarsi, Book 1: Così mi disprezzate, F. 7.16
03. Cantate, ariette e duetti, Op. 2: No. 14, L'Amante segreto
04. Le nuove musiche: No. 21, Odi, Euterpe
05. Curtio precipitato et altri capricii, Book 2, Op. 13: Folle è ben che si crede
06. Arie musicali per cantarsi, Book 1: Se l'aura spira
07. Scherzi musicali: Quel sguardo sdegnosetto, SV 247
08. Sì dolce è il tormento, SV 332
09. Ohimè ch'io cado, ohimè ch'inciampo, SV 316
10. Cantade libro secondo, parte prima: Usurpator tirano
11. Musiche varie, Book 2: Usurpator tiranno
The 'Italian Seicento' witnessed the birth of the opera and had a lasting effect of what came to define music, as we know it today. And it was in the repertoire of music for solo voice that composers of the early seventeenth century more easily found the freedom of declamation and emotional objectivity. In this period of musical experience, a great musical achievement was the discovery and development of ways of communicating the ‘extreme affections, ranging from violent pain to exuberant joy'.
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01. Arie a voce sola, Op. 8: Che si può fare
02. Arie musicali per cantarsi, Book 1: Così mi disprezzate, F. 7.16
03. Cantate, ariette e duetti, Op. 2: No. 14, L'Amante segreto
04. Le nuove musiche: No. 21, Odi, Euterpe
05. Curtio precipitato et altri capricii, Book 2, Op. 13: Folle è ben che si crede
06. Arie musicali per cantarsi, Book 1: Se l'aura spira
07. Scherzi musicali: Quel sguardo sdegnosetto, SV 247
08. Sì dolce è il tormento, SV 332
09. Ohimè ch'io cado, ohimè ch'inciampo, SV 316
10. Cantade libro secondo, parte prima: Usurpator tirano
11. Musiche varie, Book 2: Usurpator tiranno
The 'Italian Seicento' witnessed the birth of the opera and had a lasting effect of what came to define music, as we know it today. And it was in the repertoire of music for solo voice that composers of the early seventeenth century more easily found the freedom of declamation and emotional objectivity. In this period of musical experience, a great musical achievement was the discovery and development of ways of communicating the ‘extreme affections, ranging from violent pain to exuberant joy'.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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