VA - Chairs, Speakers, Sparse Light (2019)
BAND/ARTIST: VA
- Title: Chairs, Speakers, Sparse Light
- Year Of Release: 2019
- Label: Prasens Editionen – PE 015
- Genre: Ambient, Experimental
- Quality: lossless (tracks)
- Total Time: 49:41
- Total Size: 222 mb
- WebSite: Album Preview
Tracklist
1. Lawrence English – The Bells That Spoke (05:46)
2. Nika Son – A-Mop Sparrow (07:05)
3. Franziska Lingg – Momentum 2 (14:24)
4. Koen Holtkamp – Flint (For Flynt) (08:47)
5. Hagar Masoud – Cell 115 (08:18)
6. Shayu & Sfairiko – Pontia Helice (05:21)
Chairs, Speakers, sparse Light is based on the idea that sound can be an artistic material. In the context of exhibition spaces, sound thus should not be downgraded as a byproduct of an installation or be pushed into fringe events such as concerts. Therefore, the question at hand is not if, but rather how sound can be presented in an exhibition space.
To examine this question Swiss artist @martina-lussi and @zweikommasieben editor Remo Bitzi have commissioned seven international artists to compose a sound piece: Australian composer, media artist, curator and @room40 -boss @lawrence-english, Golden-Pudel-affiliate @nikacis, Swiss sound artist and former professor Franziska Lingg, @thrilljockey -signed artist and musician Koen Holtkamp, Cairo-based artist @hagar-masoud (of Egyptian Female Experimental Music Session, among others), Swiss talents @1shayu + Sfairiko, and French artist, composer, poet and label owner (Shelter Press) Félicia Atkinson.
From field recordings at the intersection between "the living and the lived in," as English describes his own piece, over to a haunting and gargling composition by Nika Son, to a grime-y excursion by Shayu + Sfairiko, the commissioned pieces represent a wide range of "sound art."
The seven pieces originally were presented during an evening at Lucerne’s sic! Raum für Kunst in May 2018, where the setting in the space was reduced to the max—to chairs, speakers, sparse light. In December 2018, Präsens Editionen presented six of the seven original pieces on a website designed by Amsterdam-based graphic designer and programmer Luca Napoli; check cssl.space/. Now the pieces are available digitally, too.
1. Lawrence English – The Bells That Spoke (05:46)
2. Nika Son – A-Mop Sparrow (07:05)
3. Franziska Lingg – Momentum 2 (14:24)
4. Koen Holtkamp – Flint (For Flynt) (08:47)
5. Hagar Masoud – Cell 115 (08:18)
6. Shayu & Sfairiko – Pontia Helice (05:21)
Chairs, Speakers, sparse Light is based on the idea that sound can be an artistic material. In the context of exhibition spaces, sound thus should not be downgraded as a byproduct of an installation or be pushed into fringe events such as concerts. Therefore, the question at hand is not if, but rather how sound can be presented in an exhibition space.
To examine this question Swiss artist @martina-lussi and @zweikommasieben editor Remo Bitzi have commissioned seven international artists to compose a sound piece: Australian composer, media artist, curator and @room40 -boss @lawrence-english, Golden-Pudel-affiliate @nikacis, Swiss sound artist and former professor Franziska Lingg, @thrilljockey -signed artist and musician Koen Holtkamp, Cairo-based artist @hagar-masoud (of Egyptian Female Experimental Music Session, among others), Swiss talents @1shayu + Sfairiko, and French artist, composer, poet and label owner (Shelter Press) Félicia Atkinson.
From field recordings at the intersection between "the living and the lived in," as English describes his own piece, over to a haunting and gargling composition by Nika Son, to a grime-y excursion by Shayu + Sfairiko, the commissioned pieces represent a wide range of "sound art."
The seven pieces originally were presented during an evening at Lucerne’s sic! Raum für Kunst in May 2018, where the setting in the space was reduced to the max—to chairs, speakers, sparse light. In December 2018, Präsens Editionen presented six of the seven original pieces on a website designed by Amsterdam-based graphic designer and programmer Luca Napoli; check cssl.space/. Now the pieces are available digitally, too.
Year 2019 | Electronic | Ambient | FLAC / APE
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