Marc Regnier - Zambra!: Guitars from Spain (2018)
BAND/ARTIST: Marc Regnier
- Title: Zambra!: Guitars from Spain
- Year Of Release: 2018
- Label: Sheva Collection
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 00:51:49
- Total Size: 282 mb
- WebSite: Album Preview
Tracklist
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01. Keyboard Sonata in F Minor, Kk. 19 (Arr. for Guitar)
02. Keyboard Sonata in B Minor, Kk. 87 (Arr. for Guitar)
03. 3 Diferencias por Otra Parte
04. Soneto I
05. 6 Pavans: No. 1 in A Minor
06. 6 Pavans: No. 2 in B Minor
07. 6 Pavans: No. 3 in C Major
08. 6 Pavans: No. 4 in D Major
09. 6 Pavans: No. 5 in D Major
10. 6 Pavans: No. 6 in D Major
11. Zarabanda Lejana
12. 12 Piezas Características, Op. 92: No. 7, Zambra Granadina
13. Love, the Magician: The Fisherman's Story (Arr. for Guitar)
14. Prelude y Danza
15. 6 Short Pieces, Op. 5: No. 5, Andante largo
16. Homenaje "Le tombeau de Claude Debussy" (Version for Guitar)
17. 10 Canciones Populares Catalanas: La Nit de Nadal
18. La Matilde y El Emilio
19. Humorada
20. 10 Canciones Populares Catalanas: No. 4, Cançó del Lladre
Since its outset at the turn of the 19th century, the six-string guitar has been an inseparable part of Spain’s musical life. Although Italy and France were also prolific centers of performers, composers and builders during the early decades of the century, Spain later became the instrument's iconic country. Guitarists started accompanying flamenco singers, making the guitar an intrinsic part of the art form and positioning it as Spain’s national instrument. Many concert guitarists -most notably Julián Arcas- included it in their performances and compositions. Both flamenco and classical guitars increased their volume, quality of sound, and overall possibilities with the designs by luthier Antonio de Torres, whose construction standards have remained unchanged to this day. A long list of referents would ensue in later generations, including Francisco Tárrega, Miguel Llobet, Emilio Pujol and Andrés Segovia. Moreover, both Spanish and foreign composers evoked the sound of the guitar and the forms associated with it as an immediate reference to the Mediterranean country.
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01. Keyboard Sonata in F Minor, Kk. 19 (Arr. for Guitar)
02. Keyboard Sonata in B Minor, Kk. 87 (Arr. for Guitar)
03. 3 Diferencias por Otra Parte
04. Soneto I
05. 6 Pavans: No. 1 in A Minor
06. 6 Pavans: No. 2 in B Minor
07. 6 Pavans: No. 3 in C Major
08. 6 Pavans: No. 4 in D Major
09. 6 Pavans: No. 5 in D Major
10. 6 Pavans: No. 6 in D Major
11. Zarabanda Lejana
12. 12 Piezas Características, Op. 92: No. 7, Zambra Granadina
13. Love, the Magician: The Fisherman's Story (Arr. for Guitar)
14. Prelude y Danza
15. 6 Short Pieces, Op. 5: No. 5, Andante largo
16. Homenaje "Le tombeau de Claude Debussy" (Version for Guitar)
17. 10 Canciones Populares Catalanas: La Nit de Nadal
18. La Matilde y El Emilio
19. Humorada
20. 10 Canciones Populares Catalanas: No. 4, Cançó del Lladre
Since its outset at the turn of the 19th century, the six-string guitar has been an inseparable part of Spain’s musical life. Although Italy and France were also prolific centers of performers, composers and builders during the early decades of the century, Spain later became the instrument's iconic country. Guitarists started accompanying flamenco singers, making the guitar an intrinsic part of the art form and positioning it as Spain’s national instrument. Many concert guitarists -most notably Julián Arcas- included it in their performances and compositions. Both flamenco and classical guitars increased their volume, quality of sound, and overall possibilities with the designs by luthier Antonio de Torres, whose construction standards have remained unchanged to this day. A long list of referents would ensue in later generations, including Francisco Tárrega, Miguel Llobet, Emilio Pujol and Andrés Segovia. Moreover, both Spanish and foreign composers evoked the sound of the guitar and the forms associated with it as an immediate reference to the Mediterranean country.
Year 2018 | Classical | Instrumental | FLAC / APE
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