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The Sound and the Fury - Pierre de la Rue: Masses (2019) [Hi-Res]

The Sound and the Fury - Pierre de la Rue: Masses (2019) [Hi-Res]
  • Title: Pierre de la Rue: Masses
  • Year Of Release: 2019
  • Label: Fra Bernardo
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +booklet
  • Total Time: 02:07:23
  • Total Size: 683 mb / 2.4 gb
  • WebSite:
Tracklist
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CD1
01. Missa pascale à 5: I. Kyrie
02. Missa pascale à 5: II. Gloria
03. Missa pascale à 5: III. Credo
04. Missa pascale à 5: IV. Sanctus
05. Missa pascale à 5: V. Agnus Dei
06. Missa Ista est speciosa à 5: I. Kyrie
07. Missa Ista est speciosa à 5: II. Gloria
08. Missa Ista est speciosa à 5: III. Credo
09. Missa Ista est speciosa à 5: IV. Sanctus
10. Missa Ista est speciosa à 5: V. Agnus Dei

CD2
01. Missa L'homme armé à 4: I. Kyrie
02. Missa L'homme armé à 4: II. Gloria
03. Missa L'homme armé à 4: III. Credo
04. Missa L'homme armé à 4: IV. Sanctus
05. Missa L'homme armé à 4: V. Agnus Dei
06. Missa pro fidelibus defunctis: I. Introitus
07. Missa pro fidelibus defunctis: II. Kyrie
08. Missa pro fidelibus defunctis: III. Tractus
09. Missa pro fidelibus defunctis: IV. Offertorium
10. Missa pro fidelibus defunctis: V. Sanctus
11. Missa pro fidelibus defunctis: VI. Agnus Dei
12. Missa pro fidelibus defunctis: VII. Communio

For the upcoming 500th anniversary of the death of the great Franco-Flemish composer Pierre de la Rue (around 1460-1518), the vocal ensemble The Sound and the Fury, which specializes in early music, has recorded a selection of the composer’s artistic masses for the label FRA BERNARDO, which impressively reflect the high standard at the court of the music-loving and music-savvy Margaret of Austria. The Pierre de la Rue masses on this recording have one thing in common: they are all based on monadic models, thus in keeping with the most traditional of cyclic mass composition models, the cantus firmus mass. Yet in their individual construction they could not be more different. Two of these masses employ just one single cantus firmus. The one based on the secular melody L’Homme Arme is the earliest of them all. L’Homme Arme was the most common secular cantus firmus of all and composers who wrote a mass based on it were aware of competing with their contemporaries. La Rue’s work is no exception and displays an exuberant, almost unashamed virtuosity which only a young and extremely self-confident composer is capable of producing.




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  • isparodi
  •  wrote in 14:03
    • Like
    • 1
Thank you so much, dear fantastik!