Christophe Coin & Markus Hunninger - Berteau: Sonatas & Airs for Violoncello (2014) [Hi-Res]
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BAND/ARTIST: Christophe Coin & Markus Hunninger
- Title: Berteau: Sonatas & Airs for Violoncello
- Year Of Release: 2014
- Label: Glossa
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +booklet
- Total Time: 01:04:22
- Total Size: 345 mb / 1.2 gb
- WebSite: Album Preview
Tracklist
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01. Cello Sonata in E-Flat Major, Op. 1, No. 5: I. Grave
02. Cello Sonata in E-Flat Major, Op. 1, No. 5: II. Moderato
03. Cello Sonata in E-Flat Major, Op. 1, No. 5: III. Aria. Amoroso
04. Cello Sonata in E-Flat Major, Op. 1, No. 5: IV. Air. Gratieux
05. Cello Sonata in D Major, Op. 1, No. 1: I. Spirituoso
06. Cello Sonata in D Major, Op. 1, No. 1: II. Vivace
07. Cello Sonata in D Major, Op. 1, No. 1: III. Grave
08. Cello Sonata in D Major, Op. 1, No. 1: IV. Allegro assai
09. Sixième ecercice in G Major: Allegro
10. Cello Sonata in G Major, Op. 1, No. 3: I. Allegro
11. Cello Sonata in G Major, Op. 1, No. 3: II. Grave
12. Cello Sonata in G Major, Op. 1, No. 3: III. Allegro
13. Cello Sonata in G Major, Op. 1, No. 3: IV. Rondo. Amoroso
14. Cello Sonata in E Minor, Op. 1, No. 6: I. Allegretto
15. Cello Sonata in E Minor, Op. 1, No. 6: II. Siciliana
16. Cello Sonata in E Minor, Op. 1, No. 6: III. Gratioso
17. Cello Sonata No. 7 in A Minor, Op. 2: Vivace
18. Amoroso
19. Air Gratieux (1)
20. Menuet Gratieux
21. Air Gay
22. Air Gratieux (2)
23. Cello Sonata in F Major, Op. 1 , No. 4: I. Cantabile
24. Cello Sonata in F Major, Op. 1 , No. 4: II. Allegro ma non troppo
25. Cello Sonata in F Major, Op. 1 , No. 4: III. Andantino. Pianissimo
26. Cello Sonata in F Major, Op. 1 , No. 4: IV. Tempo di Minuetto
27. Cello Sonata in F Major, Op. 1 , No. 4: V. Amoroso
28. Cello Sonata in F Major, Op. 1 , No. 4: VI. Tempo di Minuetto da capo
29. Cello Sonata in F Major, Op. 1 , No. 4: VI. Air Gay
Whatever composer, period or style Christophe Coin turns his attention to, it is certain to be full of interest and musicality. Such is the case with a new recording from the Schola Cantorum Basiliensis – where Coin teaches – whose focus is one of the founding fathers of modern cello playing, the Frenchman active in the middle of the 18th century, Martin Berteau. Known both for training many of the important cellists from later in that century and for introducing technical innovations which extended the instrument’s range and expressiveness, Berteau’s composing voice has been very little known (some of his compositions also being confused with those by others).
An ideal candidate, therefore, for a thorough-going reappraisal from a musician as talented as Christophe Coin (who, like the composer, played the viola da gamba before turning to the cello), with the help of two of his own former cello students in Petr Skalka and Felix Knecht. Cello Sonatas and Airs make up this programme – including one sonata in which all three cellists take part. The three of them play on instruments from the epoch, whilst Markus Hünninger provides harpsichord accompaniment.
In the accompanying booklet essay for this new release (issued by Glossa as part of its ongoing relationship with the SCB), Thomas Drescher traces the lifespan of Martin Berteau, an overlooked compositional figure who leads us back to the roots of an important instrument of our musical culture.
---------
01. Cello Sonata in E-Flat Major, Op. 1, No. 5: I. Grave
02. Cello Sonata in E-Flat Major, Op. 1, No. 5: II. Moderato
03. Cello Sonata in E-Flat Major, Op. 1, No. 5: III. Aria. Amoroso
04. Cello Sonata in E-Flat Major, Op. 1, No. 5: IV. Air. Gratieux
05. Cello Sonata in D Major, Op. 1, No. 1: I. Spirituoso
06. Cello Sonata in D Major, Op. 1, No. 1: II. Vivace
07. Cello Sonata in D Major, Op. 1, No. 1: III. Grave
08. Cello Sonata in D Major, Op. 1, No. 1: IV. Allegro assai
09. Sixième ecercice in G Major: Allegro
10. Cello Sonata in G Major, Op. 1, No. 3: I. Allegro
11. Cello Sonata in G Major, Op. 1, No. 3: II. Grave
12. Cello Sonata in G Major, Op. 1, No. 3: III. Allegro
13. Cello Sonata in G Major, Op. 1, No. 3: IV. Rondo. Amoroso
14. Cello Sonata in E Minor, Op. 1, No. 6: I. Allegretto
15. Cello Sonata in E Minor, Op. 1, No. 6: II. Siciliana
16. Cello Sonata in E Minor, Op. 1, No. 6: III. Gratioso
17. Cello Sonata No. 7 in A Minor, Op. 2: Vivace
18. Amoroso
19. Air Gratieux (1)
20. Menuet Gratieux
21. Air Gay
22. Air Gratieux (2)
23. Cello Sonata in F Major, Op. 1 , No. 4: I. Cantabile
24. Cello Sonata in F Major, Op. 1 , No. 4: II. Allegro ma non troppo
25. Cello Sonata in F Major, Op. 1 , No. 4: III. Andantino. Pianissimo
26. Cello Sonata in F Major, Op. 1 , No. 4: IV. Tempo di Minuetto
27. Cello Sonata in F Major, Op. 1 , No. 4: V. Amoroso
28. Cello Sonata in F Major, Op. 1 , No. 4: VI. Tempo di Minuetto da capo
29. Cello Sonata in F Major, Op. 1 , No. 4: VI. Air Gay
Whatever composer, period or style Christophe Coin turns his attention to, it is certain to be full of interest and musicality. Such is the case with a new recording from the Schola Cantorum Basiliensis – where Coin teaches – whose focus is one of the founding fathers of modern cello playing, the Frenchman active in the middle of the 18th century, Martin Berteau. Known both for training many of the important cellists from later in that century and for introducing technical innovations which extended the instrument’s range and expressiveness, Berteau’s composing voice has been very little known (some of his compositions also being confused with those by others).
An ideal candidate, therefore, for a thorough-going reappraisal from a musician as talented as Christophe Coin (who, like the composer, played the viola da gamba before turning to the cello), with the help of two of his own former cello students in Petr Skalka and Felix Knecht. Cello Sonatas and Airs make up this programme – including one sonata in which all three cellists take part. The three of them play on instruments from the epoch, whilst Markus Hünninger provides harpsichord accompaniment.
In the accompanying booklet essay for this new release (issued by Glossa as part of its ongoing relationship with the SCB), Thomas Drescher traces the lifespan of Martin Berteau, an overlooked compositional figure who leads us back to the roots of an important instrument of our musical culture.
Classical | FLAC / APE | HD & Vinyl
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