Tyler Bates, John Swihart - Far Cry New Dawn (Original Game Soundtrack) (2019) [Hi-Res]
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BAND/ARTIST: Tyler Bates, John Swihart
- Title: Far Cry New Dawn (Original Game Soundtrack)
- Year Of Release: 2019
- Label: Ubisoft Music
- Genre: Soundtrack
- Quality: MP3 320 kbps; 16-bit/44.1kHz FLAC; 24-bit/48.00 kHz FLAC
- Total Time: 1:00:12
- Total Size: 140; 349; 684 MB
- WebSite: Album Preview
About Tyler Bates
Best known for his post-millennial science fiction and horror film work, Tyler Bates is a composer whose work also includes television series and video game soundtracks, as well as guitar and production duties for Marilyn Manson. Born in Los Angeles, California, he grew up in Chicago and was introduced to a wide range of music by his mother. He began composing music as a teenager and eventually moved from Chicago to Los Angeles in 1993 to pursue a career as a film music composer.
During the early to mid-'90s, Bates scored a number of B-movies. In the meantime, he was part of the alternative rock band Pet, along with vocalist Lisa Papineau. Pet's 1996 eponymous album debut was executive produced by Tori Amos and released on her Atlantic Records vanity label Igloo. The band was featured on the soundtrack albums The Crow: City of Angels (1996) and The Last Time I Committed Suicide (1997). Bates left Pet in 1997 and began concentrating on film, composing full-time following the success of The Last Time I Committed Suicide, which he scored.
He had steady work thereafter, including the films Get Carter (2000), City of Ghosts (2002), and Dawn of the Dead (2004). Bates subsequently worked with rocker-turned-director Rob Zombie on several of his films, including The Devil's Rejects (2005), Halloween (2007), and Halloween II (2009). Besides horror film work, he carved out a niche for himself in the science fiction field, composing music for the films Slither (2006), The Day the Earth Stood Still (2008), and Watchmen (2009). Outside the realm of film, he worked on the celebrated television series Californication and composed music for video games as well.
In 2015, Bates also joined Marilyn Manson's touring band as guitarist after producing and co-writing their 2014 LP The Pale Emperor. "Cupid Carries a Gun" from the album was used as the opening title music of the supernatural TV drama Salem, which Bates also scored. Other highlights from this period included the Jason Momoa reboot of Conan the Barbarian (2011), the Guardians of the Galaxy saga (2014 and 2017), and the John Wick series (2014 and 2017), both of which were co-written with Joel Richard. Later, he collaborated with Wick's co-director David Leitch on both the soundtrack to his 2017 film, Atomic Blonde (which featured covers and originals of '80s hits, as well as a Bates/Manson collaboration on the Ministry cover "Stigmata"), and 2018's Deadpool 2. ~ Jason Birchmeier
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About John Swihart
Unique sounds and surprising instrument choices put John Swihart on a path to creating unpredictable contemporary scores. His distinctive style can be heard in over 40 films, including Napoleon Dynamite, Youth In Revolt, New In Town, Employee Of The Month, The Great New Wonderful, The Brothers Solomon and Daltry Calhoun.
John Swihart was raised in Bloomington, Indiana, the son of a physicist based at Indiana University. He spent a portion of his formative years in Europe and Asia, where his father would sabbatical. John had some musical training at a very young age but was not deeply absorbed by music until he was about eight. It was then that he found the saxophone, which he played exclusively before switching to guitar as a teenager. In high school John was a big fan of such bands as The Residents, The Dead Kennedys, Gang of Four and Captain Beefheart, as well as Miles Davis, Gershwin, Stravinsky and Ravel.
Although Indiana University has a stellar music school, John heeded the advise of Jazz department head, David Baker, who said, “80% of your education is your environment” and decided to leave Indiana. The decision to explore another city was made easier by his admittance to the renowned Berklee College of Music, in Boston. Boston was a great town for original music, and being a musician at the prestigious Berklee, was an eye-opener in many ways. At Berklee, John was struck by the level of commitment of his classmates to immerse themselves in musical experimentation. This made for an amazing culture of learning in the tight-knit Berklee dorm, where there were always people playing and inspiring each other. Artists like the "minimalist" Steve Reich and Brian Eno became big influences on John's musical development at that time.
Swihart was always trying to find a way to do something other than what was expected of him, or painfully trying to reinvent the wheel… After years as a musical drifter (ie: house painter, bike messenger) and performing in numerous bands, John decided it was time to put a studio together. The corporate communications and advertising work came, but the Emerson student films that John worked on made it clear that this would be the least restrictive and most creatively rewarding experience. Around that time John had an opportunity to audition for the Boston production of Blue Man Group. After a humiliating audition on an instrument John had never seen before, much to his surprise, he was hired to play Zither in the show. Of course, this wasn’t your traditional Bavarian Zither. The Blue Man Group experience was phenomenal, fun and creatively motivating. Working with some of the best musicians he’s ever met, he played Chapman Stick, Bass, Guitar and Zither in the Boston and New York shows. After a short time, the Las Vegas show was set to open and John was recruited.
When John finally made it to Los Angeles, he scored a few Independent films before his breakout project Napoleon Dynamite premiered at the Sundance Film Festival in 2004.
John continues to push himself, and the collaborators he works with, to create unpredictable musical experiences that become the difference between watching a film and being immersed in it.
Tracklist:
01. Tyler Bates, John Swihart - New Dawn (Main Theme)
02. Tyler Bates, John Swihart - 17 Years Later
03. Tyler Bates, John Swihart - Breakout
04. Tyler Bates, John Swihart - Hope County
05. Tyler Bates, John Swihart - No Future
06. Tyler Bates, John Swihart - Problem Makers
07. Tyler Bates, John Swihart - Highwaymen Anthem
08. Tyler Bates, John Swihart - Escalation
09. Tyler Bates, John Swihart - Scavengers
10. Tyler Bates, John Swihart - The Chosen
11. Tyler Bates, John Swihart - Enforcer
12. Tyler Bates, John Swihart - The Prophecy
13. Tyler Bates, John Swihart - Under Siege
14. Tyler Bates, John Swihart - The Father
15. Tyler Bates, John Swihart - New Frontier
16. Tyler Bates, John Swihart - Deep Cover
17. Tyler Bates, John Swihart - Breach
18. Tyler Bates, John Swihart - Rest in Peace
19. Tyler Bates, John Swihart - Saw Launcher
20. Tyler Bates, John Swihart - Superbloom
21. Tyler Bates, John Swihart - Problem Solver
22. Tyler Bates, John Swihart - Family Reunion
23. Tyler Bates, John Swihart - Hope County Remix
Best known for his post-millennial science fiction and horror film work, Tyler Bates is a composer whose work also includes television series and video game soundtracks, as well as guitar and production duties for Marilyn Manson. Born in Los Angeles, California, he grew up in Chicago and was introduced to a wide range of music by his mother. He began composing music as a teenager and eventually moved from Chicago to Los Angeles in 1993 to pursue a career as a film music composer.
During the early to mid-'90s, Bates scored a number of B-movies. In the meantime, he was part of the alternative rock band Pet, along with vocalist Lisa Papineau. Pet's 1996 eponymous album debut was executive produced by Tori Amos and released on her Atlantic Records vanity label Igloo. The band was featured on the soundtrack albums The Crow: City of Angels (1996) and The Last Time I Committed Suicide (1997). Bates left Pet in 1997 and began concentrating on film, composing full-time following the success of The Last Time I Committed Suicide, which he scored.
He had steady work thereafter, including the films Get Carter (2000), City of Ghosts (2002), and Dawn of the Dead (2004). Bates subsequently worked with rocker-turned-director Rob Zombie on several of his films, including The Devil's Rejects (2005), Halloween (2007), and Halloween II (2009). Besides horror film work, he carved out a niche for himself in the science fiction field, composing music for the films Slither (2006), The Day the Earth Stood Still (2008), and Watchmen (2009). Outside the realm of film, he worked on the celebrated television series Californication and composed music for video games as well.
In 2015, Bates also joined Marilyn Manson's touring band as guitarist after producing and co-writing their 2014 LP The Pale Emperor. "Cupid Carries a Gun" from the album was used as the opening title music of the supernatural TV drama Salem, which Bates also scored. Other highlights from this period included the Jason Momoa reboot of Conan the Barbarian (2011), the Guardians of the Galaxy saga (2014 and 2017), and the John Wick series (2014 and 2017), both of which were co-written with Joel Richard. Later, he collaborated with Wick's co-director David Leitch on both the soundtrack to his 2017 film, Atomic Blonde (which featured covers and originals of '80s hits, as well as a Bates/Manson collaboration on the Ministry cover "Stigmata"), and 2018's Deadpool 2. ~ Jason Birchmeier
--------
About John Swihart
Unique sounds and surprising instrument choices put John Swihart on a path to creating unpredictable contemporary scores. His distinctive style can be heard in over 40 films, including Napoleon Dynamite, Youth In Revolt, New In Town, Employee Of The Month, The Great New Wonderful, The Brothers Solomon and Daltry Calhoun.
John Swihart was raised in Bloomington, Indiana, the son of a physicist based at Indiana University. He spent a portion of his formative years in Europe and Asia, where his father would sabbatical. John had some musical training at a very young age but was not deeply absorbed by music until he was about eight. It was then that he found the saxophone, which he played exclusively before switching to guitar as a teenager. In high school John was a big fan of such bands as The Residents, The Dead Kennedys, Gang of Four and Captain Beefheart, as well as Miles Davis, Gershwin, Stravinsky and Ravel.
Although Indiana University has a stellar music school, John heeded the advise of Jazz department head, David Baker, who said, “80% of your education is your environment” and decided to leave Indiana. The decision to explore another city was made easier by his admittance to the renowned Berklee College of Music, in Boston. Boston was a great town for original music, and being a musician at the prestigious Berklee, was an eye-opener in many ways. At Berklee, John was struck by the level of commitment of his classmates to immerse themselves in musical experimentation. This made for an amazing culture of learning in the tight-knit Berklee dorm, where there were always people playing and inspiring each other. Artists like the "minimalist" Steve Reich and Brian Eno became big influences on John's musical development at that time.
Swihart was always trying to find a way to do something other than what was expected of him, or painfully trying to reinvent the wheel… After years as a musical drifter (ie: house painter, bike messenger) and performing in numerous bands, John decided it was time to put a studio together. The corporate communications and advertising work came, but the Emerson student films that John worked on made it clear that this would be the least restrictive and most creatively rewarding experience. Around that time John had an opportunity to audition for the Boston production of Blue Man Group. After a humiliating audition on an instrument John had never seen before, much to his surprise, he was hired to play Zither in the show. Of course, this wasn’t your traditional Bavarian Zither. The Blue Man Group experience was phenomenal, fun and creatively motivating. Working with some of the best musicians he’s ever met, he played Chapman Stick, Bass, Guitar and Zither in the Boston and New York shows. After a short time, the Las Vegas show was set to open and John was recruited.
When John finally made it to Los Angeles, he scored a few Independent films before his breakout project Napoleon Dynamite premiered at the Sundance Film Festival in 2004.
John continues to push himself, and the collaborators he works with, to create unpredictable musical experiences that become the difference between watching a film and being immersed in it.
Tracklist:
01. Tyler Bates, John Swihart - New Dawn (Main Theme)
02. Tyler Bates, John Swihart - 17 Years Later
03. Tyler Bates, John Swihart - Breakout
04. Tyler Bates, John Swihart - Hope County
05. Tyler Bates, John Swihart - No Future
06. Tyler Bates, John Swihart - Problem Makers
07. Tyler Bates, John Swihart - Highwaymen Anthem
08. Tyler Bates, John Swihart - Escalation
09. Tyler Bates, John Swihart - Scavengers
10. Tyler Bates, John Swihart - The Chosen
11. Tyler Bates, John Swihart - Enforcer
12. Tyler Bates, John Swihart - The Prophecy
13. Tyler Bates, John Swihart - Under Siege
14. Tyler Bates, John Swihart - The Father
15. Tyler Bates, John Swihart - New Frontier
16. Tyler Bates, John Swihart - Deep Cover
17. Tyler Bates, John Swihart - Breach
18. Tyler Bates, John Swihart - Rest in Peace
19. Tyler Bates, John Swihart - Saw Launcher
20. Tyler Bates, John Swihart - Superbloom
21. Tyler Bates, John Swihart - Problem Solver
22. Tyler Bates, John Swihart - Family Reunion
23. Tyler Bates, John Swihart - Hope County Remix
Year 2019 | Soundtracks | FLAC / APE | Mp3 | HD & Vinyl
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