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Sarah Chang - Debut (1992)

Sarah Chang - Debut (1992)

BAND/ARTIST: Sarah Chang

  • Title: Debut
  • Year Of Release: 1992
  • Label: EMI Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 50:01
  • Total Size: 246 Mb
  • WebSite:
Tracklist:

Concert Fantasy On Carmen, Op. 25
Arranged By – Zino Francescatti
Composed By – Pablo de Sarasate
1 Allegro Moderato 3:02
2 I Moderato 1:57
3 II Lento Assai 2:35
4 III Allegro Moderato 1:59
5 IV Moderato 2:34
6 Salut D'Amour, Op. 12
Composed By – Edward Elgar
7 La Capricieuse, Op. 17
Arranged By – Jascha Heifetz
Composed By – Edward Elgar
8 Sabre Dance From Gayane
Arranged By – Jascha Heifetz
Composed By – Aram Khachaturian
9 Tempo Di Minuetto In The Style Of Pugnani
Composed By – Fritz Kreisler
10 Caprice No. 1 In E, Op. 1
Composed By – Niccolò Paganini
11 Caprice No. 15 In E Minor, Op. 1
Composed By – Niccolò Paganini
12 Nocturne No. 20 In C Sharp Minor, Op. Post.
Arranged By – Nathan MilsteinComposed By – Frédéric Chopin
13 Prelude No. 10 In C Sharp Minor, Op. 34
Arranged By – Dmitri M. Zyganow
Composed By – Dmitri Shostakovich
14 Prelude No. 15 In D, Op. 34
Arranged By – Dmitri M. Zyganow
Composed By – Dmitri Shostakovich
15 It Ain't Necessarily So From Porgy And Bess
Arranged By – Jascha Heifetz
Composed By – George Gershwin
16 Consolation No. 3 In D Flat
Arranged By – Nathan Milstein
Composed By – Franz Liszt
17 Melody In E Flat, Op. 42 / No. 3
Arranged By – Ivan Galamian
Composed By – Peter Ilyich Tchaikovsky
18 March From The Love For Three
Arranged By – Jascha Heifetz
Composed By – Sergei Prokofiev

Performers:
Violin – Sarah Chang
Piano – Sandra Rivers

This miraculous recital was Chang's debut recording, made when she was nine years old. In Sarasate's Carmen Fantasy you can hear some very minor flaws in the technique, which were gone when I heard her play it two years later. There's nothing else to indicate that this is a young violinist, not even the tone Chang draws from a quarter-size violin. While none of these pieces is very heavy in musical content, she shows a wide range of sympathies, from the singing lyricism of Chopin to a very hip-sounding "It Ain't Necessarily So" from Gershwin's Porgy and Bess. -- Leslie Gerber





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