Efdemin - New Atlantis (2019)
BAND/ARTIST: Efdemin
- Title: New Atlantis
- Year Of Release: 2019
- Label: Ostgut Ton – OSTGUTCD45DIGITAL
- Genre: Techno
- Quality: lossless (tracks)
- Total Time: 49:57
- Total Size: 258 mb
- WebSite: Album Preview
Tracklist
1. Oh, Lovely Appearance of Death (05:13)
2. Good Winds (06:13)
3. New Atlantis (14:15)
4. At The Stranger's House (03:13)
5. A Land Unknown (07:48)
6. Temple (01:44)
7. Black Sun (04:12)
8. The Sound House (07:19)
‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.
Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion.
Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.
1. Oh, Lovely Appearance of Death (05:13)
2. Good Winds (06:13)
3. New Atlantis (14:15)
4. At The Stranger's House (03:13)
5. A Land Unknown (07:48)
6. Temple (01:44)
7. Black Sun (04:12)
8. The Sound House (07:19)
‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.
Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion.
Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.
Year 2019 | Electronic | Techno | FLAC / APE
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