Kai Winding - Stay Around (2019)
BAND/ARTIST: Kai Winding
- Title: Stay Around
- Year Of Release: 2019
- Label: Nagel Heyer Records
- Genre: Jazz
- Quality: 320 kbps | FLAC (tracks)
- Total Time: 01:15:34
- Total Size: 180 mb | 448 mb
- WebSite: Album Preview
Tracklist:
01. Just for a Thrill
02. Hearse Ride
03. Python
04. This Could Be the Start of Something
05. Georgia on My Mind
06. Gravy Waltz
07. Warm
08. Alone Together
09. Hero
10. Going, Going, Gone
11. China Nights
12. Theme from "Picnic"
13. . Now and Forever
14. Tube Wail
15. I Concentrate on You
16. Soul Surfin'
17. Side by Side
18. Pipeline
19. Comin' Home, Baby
20. Till (Priere Sans Espoir)
21. The Gospel Truth
22. Trixie
23. Sukiyaki Song
24. Spinner
25. Blue Star (Theme from "The Medic")
26. Surf Bird
27. The Struggle
01. Just for a Thrill
02. Hearse Ride
03. Python
04. This Could Be the Start of Something
05. Georgia on My Mind
06. Gravy Waltz
07. Warm
08. Alone Together
09. Hero
10. Going, Going, Gone
11. China Nights
12. Theme from "Picnic"
13. . Now and Forever
14. Tube Wail
15. I Concentrate on You
16. Soul Surfin'
17. Side by Side
18. Pipeline
19. Comin' Home, Baby
20. Till (Priere Sans Espoir)
21. The Gospel Truth
22. Trixie
23. Sukiyaki Song
24. Spinner
25. Blue Star (Theme from "The Medic")
26. Surf Bird
27. The Struggle
One of the finest trombonists to emerge from the bebop era, Kai Winding was always to an extent overshadowed by J.J. Johnson, although they co-led one of the most popular jazz groups of the mid-'50s. Born in Denmark, Winding emigrated to the U.S. with his family when he was 12. He had short stints with the orchestras of Alvino Rey and Sonny Dunham, and played in a service band in the Coast Guard for three years. Winding's first burst of fame occurred during his year with Stan Kenton's Orchestra (1946-1947), during which his phrasing influenced and was adopted by the other trombonists, leading to a permanent change in the Kenton sound. He also participated in some early bop sessions, played with Tadd Dameron (1948-1949), and was on one of the Miles Davis' nonet's famous recording sessions. After playing with the big bands of Charlie Ventura and Benny Goodman, he formed a quintet with J.J. Johnson (1954-1956); the two trombonists (who sounded nearly identical at the time) had occasional reunions after going their separate ways. Winding led a four-trombone septet off and on through the latter half of the 1950s and into the '60s, was music director for the Playboy clubs in New York, and during 1971-1972 worked with the Giants of Jazz (an all-star group with Dizzy Gillespie, Sonny Stitt, and Thelonious Monk). Although he recorded frequently both as a leader and a sideman throughout his career, most of Winding's sessions are not currently available on CD.
Year 2019 | Jazz | Oldies | FLAC / APE | Mp3
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