Petula Clark - Downtown - The Pye Anthology (1999)
BAND/ARTIST: Petula Clark
- Title: Downtown - The Pye Anthology
- Year Of Release: 1999
- Label: Sequel Records
- Genre: Pop, Sunshine Pop
- Quality: Mp3 320 / Flac (tracks)
- Total Time: 01:07:36 + 01:18:11
- Total Size: 379/982 Mb (scans)
- WebSite: Album Preview
Tracklist:
CD 1:
01. Downtown
02. You'd Better Come Home
03. You're The One
04. Sailor
05. Romeo
06. My Friend The Sea
07. I Will Follow Him
08. I Know A Place
09. Call Me
10. Who Am I
11. Gotta Tell The World
12. The Life And Soul Of The Party
13. Every Little Bit Hurts
14. Just Say Goodbye
15. A Sign Of The Times
16. Heart
17. Where Did We Go Wrong
18. Round Every Corner
19. A Groovy Kind Of Love
20. We Can Work It Out
21. My Love
22. You Can't Keep Me From Loving You
23. Elusive Butterfly
24. There Goes My Love, There Goes My Live
25. The Show Is Over
CD 2:
01. Don't Sleep In The Subway
02. Colour My World
03. Thirty First Of June
04. This Is My Song
05. On The Path Of Glory
06. The Other Man's Grass Is Always Greener
07. Happy Heart
08. People Get Ready
09. Conversations In The Wind
10. You And I
11. If
12. Tears Of A Clown
13. Cranes Flying South
14. Look At Mine
15. Cry Like A Baby
16. Games People Play
17. Maybe I'm Amazed
18. I Don't Know How To Love Him
19. The Song Of My Life
20. Let It Be Me
21. The Windmills Of My Mind
22. Wind Of Change
23. I Believe In Love
24. What I Did For Love
25. Downtown (1999 Remix)
The most commercially successful female singer in British chart history, Petula Clark was born November 15, 1932 in Epsom, England. Trained to sing by her soprano mother, Clark embarked on a stage career at the age of seven; soon she was a fixture on British radio programs, and began hosting her own regular show Pet's Parlour -- a series spotlighting patriotic songs designed to boost the morale of wartime audiences -- at the tender age of 11.
After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal for the General in 1944. By the dawn of the 1950s she was a superstar throughout the U.K., with a resume of close to two dozen films; 1954's "The Little Shoemaker" was her first Top 20 single, while 1960's "Sailor" was her first chart-topper. Still, Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961's "Romeo," she married and relocated to France, establishing a strong fan base there on the strength of hits including "Ya-Ya Twist," "Chariot" and "Monsieur," which spotlighted a new, more sophisticated pop sound anchored by her crystalline vocals.
Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning "Downtown," the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits (most written and arranged by Tony Hatch) which also included 1965's "I Know a Place" and 1966's "I Couldn't Live Without Your Love" and the number one smash "My Love." At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with "This Is My Song," taken from the film A Countess From Hong Kong. In addition to hosting her own BBC series, she also starred in the 1968 NBC television special Petula, which triggered controversy when sponsors requested that a segment with guest Harry Belafonte be cut in deference to Southern affiliates; ultimately, the show aired in its intended form.
As the 1960s drew to a close, Clark's commercial stature slipped, although singles like "Don't Sleep on the Subway," "The Other Man's Grass Is Always Greener" and "Kiss Me Goodbye" still charted on both sides of the Atlantic. In 1968 she revived her film career by starring in Finian's Rainbow, followed a year later by Goodbye, Mr. Chips. In later years Clark focused primarily on international touring, headlining the 1981 London revival of Rodgers and Hammerstein's The Sound of Music; after starring in the 1990 musical Someone Like You, which she also co-wrote, she made her Broadway debut in Blood Brothers in 1993. Additionally, in 1988, an acid-house remix of "Downtown" reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history.
After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal for the General in 1944. By the dawn of the 1950s she was a superstar throughout the U.K., with a resume of close to two dozen films; 1954's "The Little Shoemaker" was her first Top 20 single, while 1960's "Sailor" was her first chart-topper. Still, Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961's "Romeo," she married and relocated to France, establishing a strong fan base there on the strength of hits including "Ya-Ya Twist," "Chariot" and "Monsieur," which spotlighted a new, more sophisticated pop sound anchored by her crystalline vocals.
Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning "Downtown," the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits (most written and arranged by Tony Hatch) which also included 1965's "I Know a Place" and 1966's "I Couldn't Live Without Your Love" and the number one smash "My Love." At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with "This Is My Song," taken from the film A Countess From Hong Kong. In addition to hosting her own BBC series, she also starred in the 1968 NBC television special Petula, which triggered controversy when sponsors requested that a segment with guest Harry Belafonte be cut in deference to Southern affiliates; ultimately, the show aired in its intended form.
As the 1960s drew to a close, Clark's commercial stature slipped, although singles like "Don't Sleep on the Subway," "The Other Man's Grass Is Always Greener" and "Kiss Me Goodbye" still charted on both sides of the Atlantic. In 1968 she revived her film career by starring in Finian's Rainbow, followed a year later by Goodbye, Mr. Chips. In later years Clark focused primarily on international touring, headlining the 1981 London revival of Rodgers and Hammerstein's The Sound of Music; after starring in the 1990 musical Someone Like You, which she also co-wrote, she made her Broadway debut in Blood Brothers in 1993. Additionally, in 1988, an acid-house remix of "Downtown" reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history.
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