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Mauro Monguzzi - Vivaldi: 6 Sonate, Op. 14 (2019)

Mauro Monguzzi - Vivaldi: 6 Sonate, Op. 14 (2019)

BAND/ARTIST: Mauro Monguzzi

  • Title: Vivaldi: 6 Sonate, Op. 14
  • Year Of Release: 2019
  • Label: Bongiovanni
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 52:26 min
  • Total Size: 213 MB
  • WebSite:
Tracklist:

01. Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47 (Arr. for Bassoon & Basso Continuo): I. Largo
02. Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47 (Arr. for Bassoon & Basso Continuo): II. Allegro
03. Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47 (Arr. for Bassoon & Basso Continuo): III. Largo
04. Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47 (Arr. for Bassoon & Basso Continuo): IV. Allegro
05. Cello Sonata in F Major, Op. 14 No. 2, RV 41 (Arr. for Bassoon & Piano): I. Largo
06. Cello Sonata in F Major, Op. 14 No. 2, RV 41 (Arr. for Bassoon & Piano): II. Allegro
07. Cello Sonata in F Major, Op. 14 No. 2, RV 41 (Arr. for Bassoon & Piano): III. Largo
08. Cello Sonata in F Major, Op. 14 No. 2, RV 41 (Arr. for Bassoon & Piano): IV. Allegro
09. Cello Sonata in A Minor, Op. 14 No. 3, RV 43 (Arr. for Bassoon & Piano): I. Largo
10. Cello Sonata in A Minor, Op. 14 No. 3, RV 43 (Arr. for Bassoon & Piano): II. Allegro
11. Cello Sonata in A Minor, Op. 14 No. 3, RV 43 (Arr. for Bassoon & Piano): III. Largo
12. Cello Sonata in A Minor, Op. 14 No. 3, RV 43 (Arr. for Bassoon & Piano): IV. Allegro
13. Cello Sonata in B-Flat Major, Op. 14 No. 4, RV 45 (Arr. for Bassoon & Piano): I. Largo
14. Cello Sonata in B-Flat Major, Op. 14 No. 4, RV 45 (Arr. for Bassoon & Piano): II. Allegro
15. Cello Sonata in B-Flat Major, Op. 14 No. 4, RV 45 (Arr. for Bassoon & Piano): III. Largo
16. Cello Sonata in B-Flat Major, Op. 14 No. 4, RV 45 (Arr. for Bassoon & Piano): IV. Allegro
17. Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Bassoon & Piano): I. Largo
18. Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Bassoon & Piano): II. Allegro
19. Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Bassoon & Piano): III. Largo
20. Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Bassoon & Piano): IV. Allegro
21. Cello Sonata in B-Flat Major, Op. 14 No. 6, RV 46 (Arr. for Bassoon & Piano): I. Largo
22. Cello Sonata in B-Flat Major, Op. 14 No. 6, RV 46 (Arr. for Bassoon & Piano): II. Allegro
23. Cello Sonata in B-Flat Major, Op. 14 No. 6, RV 46 (Arr. for Bassoon & Piano): III. Largo
24. Cello Sonata in B-Flat Major, Op. 14 No. 6, RV 46 (Arr. for Bassoon & Piano): IV. Allegro
25. 12 Études for Bassoon (Excerpts): No. 3, —
26. 12 Études for Bassoon (Excerpts): No. 5, —
27. 12 Études for Bassoon (Excerpts): No. 8, —

Nobody could challenge the fact that Vivaldi loved the Bassoon: his 39 concerts are the proof of it. There is no doubt that the mellow and warm resonance of the Bassoon, its technical elasticity, and its potential expressiveness come together harmoniously in these musical jewels. Was it due to the fashion of the time or the need to satisfy a patron that these were written and printed for the string instrument? It is difficult to say. However, we should never forget that authors such as Galliard, Boismortier, Corrette, etc. published their Sonatas with the captions: for cello and bassoon, for bassoon and cello, and for cello, viola, and bassoon. They would not limit their execution to one single instrument: the composition itself would leave the option open. The compositions of Geminani, Boccherini, Breval, and others would not allow this possibility: the constant use of chords and the range would impose the string instrument. In these six Sonatas by Vivaldi too, we find the use of some chords and bichords, but these seem to be added to justify the caption Sonatas for Cello rather than for a real musical necessity. Bassoonist Mauro Monguzzi beautifully performs these works alongside pianist Walter Mammarella Giordano.


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