Marcel Ponseele & Il Gardellino - Bach, Telemann, Hoffmann: Cantatas (2014)
BAND/ARTIST: Marcel Ponseele, Il Gardellino
- Title: Bach, Telemann, Hoffmann: Cantatas
- Year Of Release: 2014
- Label: Passacaille
- Genre: Classical
- Quality: FLAC (image + .cue, log, artwork)
- Total Time: 1:03:41
- Total Size: 312 MB
- WebSite: Album Preview
Tracklist:
JOHANN SEBASTIAN BACH (1685-1750)
Cantata BWV 27 Wer weiss wie nahe mir mein Ende
1 Chorus and recitative: Wer weiss wie nahe mir mein Ende 4’16
2 Recitativo: Mein Leben hat kein ander Ziel 0’50
3 Aria: Willkommen! will ich sagen 4’04
4 Recitativo: Ach, wer doch schon im Himmel wär 0’48
5 Aria: Gute Nacht, du Weltgetümmel 3’19
6 Choral: Welt, ade! Ich bin dein müde 1’01
JOHANN SEBASTIAN BACH
Cantata BWV 55 Ich armer Sündenknecht
7 Aria: Ich armer Mensch, ich Sündenknecht 5’21
8 Recitativo: Ich habe wider Gott gehandelt 1’31
9 Aria: Erbarme dich! 3’37
10 Recitativo: Erbarme dich! 1’21
11 Choral: Bin ich gleich von dir gewichen 0’59
GEORG MELCHIOR HOFFMANN (1679-1715)
Cantata Schlage doch gewünschte Stunde
12 Aria: Schlage doch gewünschte Stunde 6’08
GEORG PHILIPP TELEMANN (1681-1767)
Cantata TWV 4:17 Du aber Daniel, gehe hin
13 Sonata and chorus 4’49
14 Recitativo Mit Freuden folgt die Seele 0’57
15 Aria: Du Aufenthalt der blassen Sorgen 5’29
16 Recitativo: Mit sehnendem Verlangen 0’39
17 Aria: Brecht, ihr müden Augenlieder 4’59
18 Recitativo: Dir ist, hochsel’ger Mann 1’46
19 Adagio and chorus 6’38
JOHANN SEBASTIAN BACH
Cantata BWV 159 Sehet wir gehn hinau gen Jerusalem
20 Aria: Es is vollbracht 5’09
JOHANN SEBASTIAN BACH (1685-1750)
Cantata BWV 27 Wer weiss wie nahe mir mein Ende
1 Chorus and recitative: Wer weiss wie nahe mir mein Ende 4’16
2 Recitativo: Mein Leben hat kein ander Ziel 0’50
3 Aria: Willkommen! will ich sagen 4’04
4 Recitativo: Ach, wer doch schon im Himmel wär 0’48
5 Aria: Gute Nacht, du Weltgetümmel 3’19
6 Choral: Welt, ade! Ich bin dein müde 1’01
JOHANN SEBASTIAN BACH
Cantata BWV 55 Ich armer Sündenknecht
7 Aria: Ich armer Mensch, ich Sündenknecht 5’21
8 Recitativo: Ich habe wider Gott gehandelt 1’31
9 Aria: Erbarme dich! 3’37
10 Recitativo: Erbarme dich! 1’21
11 Choral: Bin ich gleich von dir gewichen 0’59
GEORG MELCHIOR HOFFMANN (1679-1715)
Cantata Schlage doch gewünschte Stunde
12 Aria: Schlage doch gewünschte Stunde 6’08
GEORG PHILIPP TELEMANN (1681-1767)
Cantata TWV 4:17 Du aber Daniel, gehe hin
13 Sonata and chorus 4’49
14 Recitativo Mit Freuden folgt die Seele 0’57
15 Aria: Du Aufenthalt der blassen Sorgen 5’29
16 Recitativo: Mit sehnendem Verlangen 0’39
17 Aria: Brecht, ihr müden Augenlieder 4’59
18 Recitativo: Dir ist, hochsel’ger Mann 1’46
19 Adagio and chorus 6’38
JOHANN SEBASTIAN BACH
Cantata BWV 159 Sehet wir gehn hinau gen Jerusalem
20 Aria: Es is vollbracht 5’09
Marcel Ponseele is generally considered one of the foremost Baroque oboists of his time: conductor Philippe Herreweghe has called him the finest Baroque oboist in the world. Ponseele is also a conductor of international renown. In the latter role he has led performances of mostly Baroque works with his own group, Ensemble Il Gardellino, and he has also regularly conducted the L'Harmonie des Champs-Elysses, another Baroque-performing group. Ponseele, like many talented instrumentalists from the latter half of the twentieth century, often conducts while performing as soloist in concert. He has made numerous recordings with Il Gardellino in these dual roles, particularly in the music of J.S. Bach. Ponseele's repertory extends not only to other Baroque icons, like Vivaldi, Handel, and Telemann, but to lesser known figures like Johann Gottlieb Graun, Christoph Schaffrath, Ernst Eichner, and many others. But Ponseele's repertory reaches beyond the Baroque, taking in works by Mozart, Beethoven, Reinecke, Piazzolla, and more. As an oboist Ponseele typically performs on historic instruments, playing eighteenth century models for Baroque works. He also plays Classical and Modern oboes. Ponseele's discography is extensive, both as soloist and conductor, with numerous discs issued on a range of labels, including Erato, BIS, Harmonia Mundi, and Accent.
Marcel Ponseele was born in the Belgian city of Kortrijk in 1957. He studied music at the major music conservatories in Brussels, Bruges, and Ghent. It was following these student years that he turned to the study of Baroque oboe. It paid off: Ponseele was a prizewinner in the 1981 Musica Antiqua Competition held in Bruges.
Ponseele launched his career as an ensemble player in Baroque chamber groups and orchestras, many of them world-renowned like La Petite Bande, Chapelle Royale, and the Amsterdam Baroque Orchestra. He regularly played under the major early music conductors, including Ton Koopman, Philippe Herreweghe, Sigiswald Kuijken, Marc Minkowski, and John Eliot Gardiner.
In 1988 Ponseele founded Ensemble Il Gardellino, a group named after the popular Vivaldi concerto (R90). Over the years he has become strongly identified with the group. Among its later and more critically acclaimed recordings is the 2005 CD of J.S. Bach oboe concertos, which also includes an intriguing arrangement by Ponseele of Mahler's Ruckert Lieder No. 3. Ponseele has served on the faculty of the National Conservatory of Paris for many years and, with his brother, has built oboes fashioned after eighteenth century models. -- Robert Cummings
Marcel Ponseele was born in the Belgian city of Kortrijk in 1957. He studied music at the major music conservatories in Brussels, Bruges, and Ghent. It was following these student years that he turned to the study of Baroque oboe. It paid off: Ponseele was a prizewinner in the 1981 Musica Antiqua Competition held in Bruges.
Ponseele launched his career as an ensemble player in Baroque chamber groups and orchestras, many of them world-renowned like La Petite Bande, Chapelle Royale, and the Amsterdam Baroque Orchestra. He regularly played under the major early music conductors, including Ton Koopman, Philippe Herreweghe, Sigiswald Kuijken, Marc Minkowski, and John Eliot Gardiner.
In 1988 Ponseele founded Ensemble Il Gardellino, a group named after the popular Vivaldi concerto (R90). Over the years he has become strongly identified with the group. Among its later and more critically acclaimed recordings is the 2005 CD of J.S. Bach oboe concertos, which also includes an intriguing arrangement by Ponseele of Mahler's Ruckert Lieder No. 3. Ponseele has served on the faculty of the National Conservatory of Paris for many years and, with his brother, has built oboes fashioned after eighteenth century models. -- Robert Cummings
Classical | FLAC / APE | CD-Rip
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