Fabio Macera - Pelazza: Organ Music (2019)
BAND/ARTIST: Fabio Macera
- Title: Pelazza: Organ Music
- Year Of Release: 2019
- Label: Brilliant Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 77:47 min
- Total Size: 362 MB
- WebSite: Album Preview
Tracklist:
01. Dodici suonate su varii tuoni: I. Allegro sinfonico
02. Dodici suonate su varii tuoni: II. Suonata caratteristica in D Major
03. Dodici suonate su varii tuoni: III. Suonata in C Major
04. Dodici suonate su varii tuoni: IV. Suonata in E-Flat Major
05. Dodici suonate su varii tuoni: V. Adagio in A Major
06. Dodici suonate su varii tuoni: VI. Marcia finale in F Major
07. Dodici suonate su varii tuoni: VII. Adagio per l'elevazione
08. Dodici suonate su varii tuoni: VIII. Marcia finale in G Major
09. Dodici suonate su varii tuoni: IX. Suonata in F Major
10. Dodici suonate su varii tuoni: X. Polka finale in F Major
11. Dodici suonate su varii tuoni: XI. Adagio in G Major
12. Dodici suonate su varii tuoni: XII. Suonata in C Major
13. Dalla messa in C Major, sei versetti instrumentati pel gloria: I. —
14. Dalla messa in C Major, sei versetti instrumentati pel gloria: II. —
15. Dalla messa in C Major, sei versetti instrumentati pel gloria: III. —
16. Dalla messa in C Major, sei versetti instrumentati pel gloria: IV. —
17. Dalla messa in C Major, sei versetti instrumentati pel gloria: V. —
18. Dalla messa in C Major, sei versetti instrumentati pel gloria: VI. —
19. Dalla messa in C Major, sei versetti instrumentati pel gloria: VII. Dopo l'epistola
20. Dalla messa in C Major, sei versetti instrumentati pel gloria: VIII. Suonata per l'offertorio
21. Dalla messa in C Major, sei versetti instrumentati pel gloria: IX. Pel postcommunio
22. Da dieci suonate per la benedizione del SS. sacramento, fasc. 1: I. Suonata No. 2
23. Da dieci suonate per la benedizione del SS. sacramento, fasc. 1: II. Suonata No. 9
24. Da dieci suonate per la benedizione del SS. sacramento, fasc. 2: I. Suonata No. 2
25. Dalla messa in D Major: I. Per dopo l'epistola
26. Dalla messa in D Major: II. Per l'elevazione
27. Dalla messa in D Major: III. Per dopo la messa
01. Dodici suonate su varii tuoni: I. Allegro sinfonico
02. Dodici suonate su varii tuoni: II. Suonata caratteristica in D Major
03. Dodici suonate su varii tuoni: III. Suonata in C Major
04. Dodici suonate su varii tuoni: IV. Suonata in E-Flat Major
05. Dodici suonate su varii tuoni: V. Adagio in A Major
06. Dodici suonate su varii tuoni: VI. Marcia finale in F Major
07. Dodici suonate su varii tuoni: VII. Adagio per l'elevazione
08. Dodici suonate su varii tuoni: VIII. Marcia finale in G Major
09. Dodici suonate su varii tuoni: IX. Suonata in F Major
10. Dodici suonate su varii tuoni: X. Polka finale in F Major
11. Dodici suonate su varii tuoni: XI. Adagio in G Major
12. Dodici suonate su varii tuoni: XII. Suonata in C Major
13. Dalla messa in C Major, sei versetti instrumentati pel gloria: I. —
14. Dalla messa in C Major, sei versetti instrumentati pel gloria: II. —
15. Dalla messa in C Major, sei versetti instrumentati pel gloria: III. —
16. Dalla messa in C Major, sei versetti instrumentati pel gloria: IV. —
17. Dalla messa in C Major, sei versetti instrumentati pel gloria: V. —
18. Dalla messa in C Major, sei versetti instrumentati pel gloria: VI. —
19. Dalla messa in C Major, sei versetti instrumentati pel gloria: VII. Dopo l'epistola
20. Dalla messa in C Major, sei versetti instrumentati pel gloria: VIII. Suonata per l'offertorio
21. Dalla messa in C Major, sei versetti instrumentati pel gloria: IX. Pel postcommunio
22. Da dieci suonate per la benedizione del SS. sacramento, fasc. 1: I. Suonata No. 2
23. Da dieci suonate per la benedizione del SS. sacramento, fasc. 1: II. Suonata No. 9
24. Da dieci suonate per la benedizione del SS. sacramento, fasc. 2: I. Suonata No. 2
25. Dalla messa in D Major: I. Per dopo l'epistola
26. Dalla messa in D Major: II. Per l'elevazione
27. Dalla messa in D Major: III. Per dopo la messa
Rescued, revived and presented on record for the first time, sacred and secular organ works by a friend to Verdi, Puccini and Saint-Saëns.
Almost forgotten today, the Piedmontese musician Giovanni Maria Pelazza was born in 1847 and at the age of 24 became organist at the parish church of Romano Canavese. Afforded the opportunity to exercise his performing skills and creative imagination upon a particularly impressive example of contemporary Italian organ building, installed nine years previously by the firm of Camillo Guglielmo Bianchi, Pelazza composed most of the works on this album for use during and after services in the church. He later moved to Marseilles, and then in 1898 emigrated to Buenos Aires, becoming chapel master to a church which served the local Italian community. He died there in 1936, having thoroughly reformed and improved the standard of sacred music performance in the city.
As a church and instrumental composer Pelazza was more original than most of his local contemporaries. The collection of 12 Suonate su varii tuoni demonstrates a reduction in the hitherto dominant influence of Rossini and the bel canto tradition upon non-vocal Italian music, and at the same time an awareness of the organ’s potential as a symphonic instrument. The collection opens in the grand manner with a majestic Allegro sinfonico and thereafter supplies voluntaries for use during and after the Mass, including a solemn Adagio per l'Elevazione and a fun Polka-finale. Making his debut on Brilliant Classics, Fabio Macera has also chosen extracts from Organ Masses in C and D major by Pelazza, and three further sonatas written for the feast of the Holy Sacrament. On this new recording he plays a stylistically appropriate organ built in 1821 by the Serassi firm for the Parish Church of St Bartholomew in Borzonasca, near Genoa.
Almost forgotten today, the Piedmontese musician Giovanni Maria Pelazza was born in 1847 and at the age of 24 became organist at the parish church of Romano Canavese. Afforded the opportunity to exercise his performing skills and creative imagination upon a particularly impressive example of contemporary Italian organ building, installed nine years previously by the firm of Camillo Guglielmo Bianchi, Pelazza composed most of the works on this album for use during and after services in the church. He later moved to Marseilles, and then in 1898 emigrated to Buenos Aires, becoming chapel master to a church which served the local Italian community. He died there in 1936, having thoroughly reformed and improved the standard of sacred music performance in the city.
As a church and instrumental composer Pelazza was more original than most of his local contemporaries. The collection of 12 Suonate su varii tuoni demonstrates a reduction in the hitherto dominant influence of Rossini and the bel canto tradition upon non-vocal Italian music, and at the same time an awareness of the organ’s potential as a symphonic instrument. The collection opens in the grand manner with a majestic Allegro sinfonico and thereafter supplies voluntaries for use during and after the Mass, including a solemn Adagio per l'Elevazione and a fun Polka-finale. Making his debut on Brilliant Classics, Fabio Macera has also chosen extracts from Organ Masses in C and D major by Pelazza, and three further sonatas written for the feast of the Holy Sacrament. On this new recording he plays a stylistically appropriate organ built in 1821 by the Serassi firm for the Parish Church of St Bartholomew in Borzonasca, near Genoa.
Year 2019 | Classical | FLAC / APE
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