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Ensemble Les Meslanges - Les Messes retrouvées de Jehan Titelouze (2019)
BAND/ARTIST: Ensemble Les Meslanges
- Title: Les Messes retrouvées de Jehan Titelouze
- Year Of Release: 2019
- Label: Paraty
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 68:26 min
- Total Size: 345 MB
- WebSite: Album Preview
Tracklist:
01. Missa Sex Vocum Cantate: I. Kyrie
02. Missa Sex Vocum Cantate: II. Gloria
03. Missa Sex Vocum Cantate: III. Credo
04. Missa Sex Vocum Cantate: IV. Sanctus
05. Missa Sex Vocum Cantate: V. Agnus Dei
06. Pange Lingua: Intonation. Orgue "Pange lingua"
07. Pange Lingua: Plain-chant "Nobis datus, nobis natus"
08. Pange Lingua: Orgue "In supremae nocte coenae"
09. Pange Lingua: Plain-chant "Verbum caro, panem verum"
10. Pange Lingua: Orgue "Tantum ergo Sacramentum"
11. Pange Lingua: Plain-chant "Genitori, genitoque... Amen"
12. Missa Quatuor Vocum in Ecclesia: I. Kyrie [1626]
13. Missa Quatuor Vocum in Ecclesia: II. Gloria [1626]
14. Missa Quatuor Vocum in Ecclesia: III. Credo [1626]
15. Missa Quatuor Vocum in Ecclesia: IV. Sanctus [1626]
16. Missa Quatuor Vocum in Ecclesia: V. Agnus Dei [1626]
17. Magnificat Secundi Toni: Intonation. Orgue "Magnificat anima mea dominum"
18. Magnificat Secundi Toni: Verset chanté "Et exultavit spiritus meus"
19. Magnificat Secundi Toni: Orgue "Quia respexit humilitatem"
20. Magnificat Secundi Toni: Verset chanté "Quia fecit mihi magna
21. Magnificat Secundi Toni: Orgue "Et misericordia ejus"
22. Magnificat Secundi Toni: Verset chanté "Fecit potentiam"
23. Magnificat Secundi Toni: Orgue "Deposuit potentes
24. Magnificat Secundi Toni: Verset chanté "Esurientes implevit bonis"
25. Magnificat Secundi Toni: Orgue "Suscepit Israël"
26. Magnificat Secundi Toni: Verset chanté "Sicut locutus est"
27. Magnificat Secundi Toni: Orgue "Gloria Patri et Filio"
28. Magnificat Secundi Toni: Verset chanté "Sicut erat in Principio…"
01. Missa Sex Vocum Cantate: I. Kyrie
02. Missa Sex Vocum Cantate: II. Gloria
03. Missa Sex Vocum Cantate: III. Credo
04. Missa Sex Vocum Cantate: IV. Sanctus
05. Missa Sex Vocum Cantate: V. Agnus Dei
06. Pange Lingua: Intonation. Orgue "Pange lingua"
07. Pange Lingua: Plain-chant "Nobis datus, nobis natus"
08. Pange Lingua: Orgue "In supremae nocte coenae"
09. Pange Lingua: Plain-chant "Verbum caro, panem verum"
10. Pange Lingua: Orgue "Tantum ergo Sacramentum"
11. Pange Lingua: Plain-chant "Genitori, genitoque... Amen"
12. Missa Quatuor Vocum in Ecclesia: I. Kyrie [1626]
13. Missa Quatuor Vocum in Ecclesia: II. Gloria [1626]
14. Missa Quatuor Vocum in Ecclesia: III. Credo [1626]
15. Missa Quatuor Vocum in Ecclesia: IV. Sanctus [1626]
16. Missa Quatuor Vocum in Ecclesia: V. Agnus Dei [1626]
17. Magnificat Secundi Toni: Intonation. Orgue "Magnificat anima mea dominum"
18. Magnificat Secundi Toni: Verset chanté "Et exultavit spiritus meus"
19. Magnificat Secundi Toni: Orgue "Quia respexit humilitatem"
20. Magnificat Secundi Toni: Verset chanté "Quia fecit mihi magna
21. Magnificat Secundi Toni: Orgue "Et misericordia ejus"
22. Magnificat Secundi Toni: Verset chanté "Fecit potentiam"
23. Magnificat Secundi Toni: Orgue "Deposuit potentes
24. Magnificat Secundi Toni: Verset chanté "Esurientes implevit bonis"
25. Magnificat Secundi Toni: Orgue "Suscepit Israël"
26. Magnificat Secundi Toni: Verset chanté "Sicut locutus est"
27. Magnificat Secundi Toni: Orgue "Gloria Patri et Filio"
28. Magnificat Secundi Toni: Verset chanté "Sicut erat in Principio…"
Titelouze's two organ books are a sum comparable to those of his contemporaries who publish in the same decade. Thus alongside Scheidt (Hamburg, 1624), Correa de Arauxo (Alcalá, 1626), Frescobaldi (Rome, 1624-1628), the organist of the Rouen cathedral participates in an exceptional flowering. In Titelouze, the polyphonic writing is at its peak and constitutes in a way a synthesis of the Franco-Flemish counterpoint. But he is also aware of the expressive discoveries of baroque art. In fact, he writes in his preface the Hymns of 1623 "As the painter uses shades in his painting to better reflect the rays of the day and the light, so we show dissonances parmy consonances [...] to do even better notice their sweetness. The text is a concern of organist Titelouze. Indeed, the verses conceived to be alternating with the plainchant constitute a translation into music of the meaning of the text, as he writes in his preface to the Magnificat: "I forced most of the Fugues to speak. words, it is reasonable that the organ that sounds an alternative verse expresses it as much as possible ". To read these lines, we could only regret the loss of his vocal music. Indeed, it was known from several documents such as those consulted at the Departmental Archives of Seine-Maritime that Titelouze had composed for voice and instruments. At Puy de Sainte-Cécile in 1631, a very famous competition held every November 22, Titelouze had four "theaters", that is to say stands, erected in the nave of the cathedral, "in order to make the music more armorious and the more intelligible voices and instruments "(sic), which is not without reminding us of the Italian polychoral compositions! In addition, the catalogs of the Ballard House mention the existence of these masses. Their diffusion is certain since the Dutchman Constantijn Huygens, diplomat and musician, correspondent of Marin Mersenne, asks them to a compatriot in 1627, a year after their publication: "[...] Sir, I ask you to send me the masses of Titelouze ". Finally, in the evening of his life, in a letter to Father Mersenne of January 7, 1633, his passion for composition is intact: "For what you want to see of me, I do not list the Theory; I leave you the pen which does not yield to any other. And for something of the practice, I have some pieces that will be able to see the day, if Sr Balard wants. [...] it's something out of the ordinary ". However, no trace except his organ music had reached us and we had resigned ourselves ... We choose to record for the first time these masses in two volumes that follow the same plan: two masses, one to four and the other to six voices, alongside a hymn of the Magnificat and a hymn for organ with alternation of plainsong or "figurative music".
Year 2019 | Classical | FLAC / APE
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