Sixtoo - Chewing On Glass & Other Miracle Cures (2004)
BAND/ARTIST: Sixtoo
- Title: Chewing On Glass & Other Miracle Cures
- Year Of Release: 2004
- Label: Ninja Tune – ZENCD86
- Genre: Downtempo, Trip Hop, Experimental
- Quality: FLAC (tracks+.cue,log)
- Total Time: 55:56
- Total Size: 336 MB
- WebSite: Album Preview
Tracklist:
1 Boxcutter Emporium Pt.1
2 Chewing On Glass
3 Sidewinders
4 Karmic Retribution
5 Funny Sticks Reprise
6 Boxcutter Emporium Pt.2
7 Boxcutter Emporium Pt.3
8 Old Days Architecture
9 Chainsaw Buffet
10 Snake Bite
11 Transient Control
12 Chainsaw Breakfast
13 Horse Drawn Carriage
14 Chainsaw Juggler
15 The Honesty of Constant Human Error
16 Storm Clouds & Silver Linings
Vocals - Damo Suzuki
17 Closing Day Sale
1 Boxcutter Emporium Pt.1
2 Chewing On Glass
3 Sidewinders
4 Karmic Retribution
5 Funny Sticks Reprise
6 Boxcutter Emporium Pt.2
7 Boxcutter Emporium Pt.3
8 Old Days Architecture
9 Chainsaw Buffet
10 Snake Bite
11 Transient Control
12 Chainsaw Breakfast
13 Horse Drawn Carriage
14 Chainsaw Juggler
15 The Honesty of Constant Human Error
16 Storm Clouds & Silver Linings
Vocals - Damo Suzuki
17 Closing Day Sale
Beautiful South! Beautiful South! I tells yer. Where is Manhattan Transfer? Have they broke up now? What a shame. Clint here drowning my sorrows with the new Sixtoo album which is absolutely unbe-motherfecking-lievable. Brought to you by the nice people at Ninja Tune this is instru-hop album of the year. Forget your DJ Shadows or your David Holmses. This is the the soundtrack to the res ..
Canadian hip-hop beathead Sixtoo belongs to a generation of producers who forsake the Classic Beats and Breaks style of track construction for an aesthetic that samples and reworks their own playing as well as that of their friends -- Pretty Purdie plus Roscoe Mitchell. Based in Halifax and later Montreal, the veteran of his own solo records as well as productions and accompanying gigs for Buck 65, 1200 Hobos, and Anticon among others, his first record for Ninja Tune isn't instrumental hip-hop but rather down-tempo funk with a cinematic flair -- a close compatriot of J Swinscoe's Cinematic Orchestra. Sixtoo's productions are dripping with atmosphere, and he possesses the fiending of a soundtracker for sounds that listeners haven't heard before but can immediately associate with a feeling -- and that feeling is usually a delicious sense of dread. "Boxcutter Emporium, Pt. 2," one of three tracks in a suite interspersed throughout the album, succeeds despite only sparsely using a few elements: a hi-hat-heavy drum kit, a bassline with only one change, and an oscillating bell sound. "Storm Clouds & Silver Linings," his feature collaboration with Can vocalist Damo Suzuki, is an inspired piece of avant funk, wherein a friend's sampled drumming and Matt Kelly's distorted guitar frames Suzuki's improvised vocalizing. These highlights, however, don't serve to frame a compelling full-length. In fact, the two collaborations with the highest profiles -- separate tracks featuring a pair of Godspeed You Black Emperor! members, cellist Norsola Johnson and bassist Thierry Amar -- are meandering and ineffective.
Canadian hip-hop beathead Sixtoo belongs to a generation of producers who forsake the Classic Beats and Breaks style of track construction for an aesthetic that samples and reworks their own playing as well as that of their friends -- Pretty Purdie plus Roscoe Mitchell. Based in Halifax and later Montreal, the veteran of his own solo records as well as productions and accompanying gigs for Buck 65, 1200 Hobos, and Anticon among others, his first record for Ninja Tune isn't instrumental hip-hop but rather down-tempo funk with a cinematic flair -- a close compatriot of J Swinscoe's Cinematic Orchestra. Sixtoo's productions are dripping with atmosphere, and he possesses the fiending of a soundtracker for sounds that listeners haven't heard before but can immediately associate with a feeling -- and that feeling is usually a delicious sense of dread. "Boxcutter Emporium, Pt. 2," one of three tracks in a suite interspersed throughout the album, succeeds despite only sparsely using a few elements: a hi-hat-heavy drum kit, a bassline with only one change, and an oscillating bell sound. "Storm Clouds & Silver Linings," his feature collaboration with Can vocalist Damo Suzuki, is an inspired piece of avant funk, wherein a friend's sampled drumming and Matt Kelly's distorted guitar frames Suzuki's improvised vocalizing. These highlights, however, don't serve to frame a compelling full-length. In fact, the two collaborations with the highest profiles -- separate tracks featuring a pair of Godspeed You Black Emperor! members, cellist Norsola Johnson and bassist Thierry Amar -- are meandering and ineffective.
Electronic | Downtempo | Trip-Hop | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads