Bobbie Gentry - Ode To Billie Joe (1967) Vinyl
BAND/ARTIST: Bobbie Gentry
- Title: Ode To Billie Joe
- Year Of Release: 1967
- Label: Capitol Records
- Genre: Country, Delta Blues, Soul, Folk
- Quality: FLAC (tracks) 24bit-96kHz
- Total Time: 29:38
- Total Size: 626 Mb
- WebSite: Album Preview
Tracklist:
A1. Mississippi Delta (3:05)
A2. I Saw An Angel Die (2:56)
A3. Chickasaw County Child (2:45)
A4. Sunday Best (2:50)
A5. Niki Hoeky (2:45)
B1. Papa, Woncha Let Me Go To Town With You (2:30)
B2. Bugs (2:05)
B3. Hurry, Tuesday Child (4:52)
B4. Lazy Willie (2:36)
B5. Ode To Billie Joe (4:15)
A1. Mississippi Delta (3:05)
A2. I Saw An Angel Die (2:56)
A3. Chickasaw County Child (2:45)
A4. Sunday Best (2:50)
A5. Niki Hoeky (2:45)
B1. Papa, Woncha Let Me Go To Town With You (2:30)
B2. Bugs (2:05)
B3. Hurry, Tuesday Child (4:52)
B4. Lazy Willie (2:36)
B5. Ode To Billie Joe (4:15)
Gentry's debut LP, which went to number one on the pop charts, was a promising but not wholly satisfying disc, with the singer penning all but one of the songs. Inevitably, the title track dwarfed everything else by comparison, but a greater problem was that several of the other tunes recycled variations of the "Ode to Billie Joe" riff. On the other hand, "Mississippi Delta" is gloriously tough, throaty swamp rock; few other women pop singers have sounded as raw.
Other good cuts were "I Saw an Angel Die," an effective mating of Gentry's country-blues guitar riffs and low-key orchestration, and the jazz waltz-timed "Papa, Woncha Let Me Go to Town With You." Her vocals are poised and husky throughout the record, on which she was definitely on the right track -- one that she was quickly diverted from, into more MOR-oriented sounds.
Other good cuts were "I Saw an Angel Die," an effective mating of Gentry's country-blues guitar riffs and low-key orchestration, and the jazz waltz-timed "Papa, Woncha Let Me Go to Town With You." Her vocals are poised and husky throughout the record, on which she was definitely on the right track -- one that she was quickly diverted from, into more MOR-oriented sounds.
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