Jose Miguel Moreno - Las Mujeres y Cuerdas (2019)
BAND/ARTIST: Jose Miguel Moreno
- Title: Las Mujeres y Cuerdas
- Year Of Release: 2019
- Label: Glossa
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:10:40
- Total Size: 285 mb
- WebSite: Album Preview
Tracklist
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01. La semplice
02. La volubile
03. La costanza
04. La mercede
05. Andante No. 1, Op. 320
06. 6 Ariette, Op. 95: No. 4, Le dimore amor non ama
07. 6 Ariette, Op. 95: No. 3, Quando sara quel di
08. 6 Ariette, Op. 95: No. 5, Ad altro laccio
09. 3 Sonatinas, Op. 71 No. 3: I. Andantino
10. 6 Cavatine, Op. 39: No. 2, Confuso smarrito
11. Amor, perché m'accendi
12. Di tanti palpiti
13. Leçon, Op. 31: Study No. 23 in E Major "Mouvement de prière religieuse"
14. Lagrime mie d'affanno (Arr. X. Coll & M. Llado for Voice & Guitar)
15. Perduta l'anima
16. Povero cor t'inganni (Arr. X. Coll & M. Llado for Voice & Guitar)
17. Io mentitor!
18. Fantasia No. 5, Op. 16
19. Bardenklänge, Op. 13: Lied ohne Worte
20. 12 Seguidillas (Excerpts): No. 7, Si Dices Que Mis Ojos
21. 12 Seguidillas (Excerpts): No. 6, Muchacha, y la Vergüenza
22. 12 Seguidillas (Excerpts): No. 12, Mis Descuidados Ojos
23. 12 Seguidillas (Excerpts): No. 8, Los Canónigos, Madre
24. 12 Seguidillas (Excerpts): No. 11, Las Mujeres y Cuerdas
Marta Almajano and José Miguel Moreno present works by Vincente Martin y Soler, Ferdinando Carulli, Mauro Giuliani, Fernando Sor & Johann Kaspar Mertz. Spanish soprano Marta Almajano became a part of the revival of Baroque music when she was a part of Al Ayre Espanol from its foundation in 1987 until 2004. She teaches singing at the Escuela Superior de Musica de Cataluna in Barcelona. José Miguel Moreno is one of the leading specialists of historical plucked string instruments, but with a repertory that extends from the 16th century to the present day. A co-founder of Glossa, he had previously recorded with Teresa Berganza for Philips and with Hespèrion XX for Astrée. As a soloist, as an accompanist or with his ensembles La Romanesca and Orphénica Lyra (focused on the Spanish repertoire of the Renaissance and Baroque), Moreno has made some of the signal recordings that have helped establish Glossa’s reputation: his groundbreaking album, The Spanish Guitar (1536-1836), for example, has sold in excess of 30,000 copies; other recordings have explored the musical worlds of Cervantes’ Don Quijote and of the painter Diego Velázquez. Moreno has also recorded Boccherini Guitar Quintets, accompanied by his brother Emilio’s La Real Cámara.
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01. La semplice
02. La volubile
03. La costanza
04. La mercede
05. Andante No. 1, Op. 320
06. 6 Ariette, Op. 95: No. 4, Le dimore amor non ama
07. 6 Ariette, Op. 95: No. 3, Quando sara quel di
08. 6 Ariette, Op. 95: No. 5, Ad altro laccio
09. 3 Sonatinas, Op. 71 No. 3: I. Andantino
10. 6 Cavatine, Op. 39: No. 2, Confuso smarrito
11. Amor, perché m'accendi
12. Di tanti palpiti
13. Leçon, Op. 31: Study No. 23 in E Major "Mouvement de prière religieuse"
14. Lagrime mie d'affanno (Arr. X. Coll & M. Llado for Voice & Guitar)
15. Perduta l'anima
16. Povero cor t'inganni (Arr. X. Coll & M. Llado for Voice & Guitar)
17. Io mentitor!
18. Fantasia No. 5, Op. 16
19. Bardenklänge, Op. 13: Lied ohne Worte
20. 12 Seguidillas (Excerpts): No. 7, Si Dices Que Mis Ojos
21. 12 Seguidillas (Excerpts): No. 6, Muchacha, y la Vergüenza
22. 12 Seguidillas (Excerpts): No. 12, Mis Descuidados Ojos
23. 12 Seguidillas (Excerpts): No. 8, Los Canónigos, Madre
24. 12 Seguidillas (Excerpts): No. 11, Las Mujeres y Cuerdas
Marta Almajano and José Miguel Moreno present works by Vincente Martin y Soler, Ferdinando Carulli, Mauro Giuliani, Fernando Sor & Johann Kaspar Mertz. Spanish soprano Marta Almajano became a part of the revival of Baroque music when she was a part of Al Ayre Espanol from its foundation in 1987 until 2004. She teaches singing at the Escuela Superior de Musica de Cataluna in Barcelona. José Miguel Moreno is one of the leading specialists of historical plucked string instruments, but with a repertory that extends from the 16th century to the present day. A co-founder of Glossa, he had previously recorded with Teresa Berganza for Philips and with Hespèrion XX for Astrée. As a soloist, as an accompanist or with his ensembles La Romanesca and Orphénica Lyra (focused on the Spanish repertoire of the Renaissance and Baroque), Moreno has made some of the signal recordings that have helped establish Glossa’s reputation: his groundbreaking album, The Spanish Guitar (1536-1836), for example, has sold in excess of 30,000 copies; other recordings have explored the musical worlds of Cervantes’ Don Quijote and of the painter Diego Velázquez. Moreno has also recorded Boccherini Guitar Quintets, accompanied by his brother Emilio’s La Real Cámara.
Year 2019 | Classical | FLAC / APE
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