The Secret Sisters - Put Your Needle Down (2014) [Hi-Res]
![The Secret Sisters - Put Your Needle Down (2014) [Hi-Res]](https://www.dibpic.com/uploads/posts/2019-01/1547660218_folder.jpg)
BAND/ARTIST: The Secret Sisters
- Title: Put Your Needle Down
- Year Of Release: 2014
- Label: Republic Records
- Genre: Country, Folk, Female Vocal
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 00:43:47
- Total Size: 1 gb
- WebSite: Album Preview
Tracklist
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01. Rattle My Bones
02. Luka
03. Dirty Lie
04. The Pocket Knife
05. Let There Be Lonely
06. Black and Blue
07. Lonely Island
08. I Cannot Find a Way
09. If I Don't
10. Good Luck, Good Night, Goodbye
11. Bad Habit
12. River Jordan
Country/folk duo The Secret Sisters long-awaited second album, „Put Your Needle Down“ offers twelve songs – mostly written or co-written by Laura and Lydia, seamlessly blend an exciting and decidedly Southern patchwork of country, blues, Americana, folk, rock and gospel.
„Put Your Needle Down“ also features “Dirty Lie,” an old Bob Dylan song they brought to life. Dylan started writing “Dirty Lie” back in the ’80s; bootleg copies exist of the tune in it’s unfinished form. When Dylan’s office heard that the Secret Sisters were recording a new album, his representative sent several demos to Laura and Lydia for their consideration. They chose “Dirty Lie,” and Dylan gave the Sisters the nod to finish the song and record it.
“Bob Dylan is one of those legends that doesn’t even seem real,” Laura Rogers tells American Songwriter. “He’s so important to music history that he becomes completely mythical, at least to the two of us. I remember the day that T Bone came into the studio to ask us if we’d like to finish a Dylan song. He sat down with us, and told us how Dylan’s camp had sent over some incomplete song demos for us to choose from. To hear songs in that state is always a fragile, intimate moment. Each demo was magical — Bob was humming along in places where he didn’t have lyrics, almost making it up as he went along. It was a surreal moment, and one we felt humbled by and undeserving of.”
“We chose a saucy song of his to work on, one with a somewhat jazzy feel. All the credit must go to Bob. The skeleton of the song was brilliant, all it needed was a handful of lyrics. We took it to our hotel that night, and finished the song within a couple of hours. The next day we tracked it, and it’s actually the first song we’ve ever written, recorded and released in which we never once sang harmony. The feel of the song is also very different from our normal sound, but somehow, in all of his brilliance, Bob created something that spoke to us, and the song truly feels as though it was meant to be on this record. We owe him so much gratitude and respect, and are humbled that he gave us such a gift.”
---------
01. Rattle My Bones
02. Luka
03. Dirty Lie
04. The Pocket Knife
05. Let There Be Lonely
06. Black and Blue
07. Lonely Island
08. I Cannot Find a Way
09. If I Don't
10. Good Luck, Good Night, Goodbye
11. Bad Habit
12. River Jordan
Country/folk duo The Secret Sisters long-awaited second album, „Put Your Needle Down“ offers twelve songs – mostly written or co-written by Laura and Lydia, seamlessly blend an exciting and decidedly Southern patchwork of country, blues, Americana, folk, rock and gospel.
„Put Your Needle Down“ also features “Dirty Lie,” an old Bob Dylan song they brought to life. Dylan started writing “Dirty Lie” back in the ’80s; bootleg copies exist of the tune in it’s unfinished form. When Dylan’s office heard that the Secret Sisters were recording a new album, his representative sent several demos to Laura and Lydia for their consideration. They chose “Dirty Lie,” and Dylan gave the Sisters the nod to finish the song and record it.
“Bob Dylan is one of those legends that doesn’t even seem real,” Laura Rogers tells American Songwriter. “He’s so important to music history that he becomes completely mythical, at least to the two of us. I remember the day that T Bone came into the studio to ask us if we’d like to finish a Dylan song. He sat down with us, and told us how Dylan’s camp had sent over some incomplete song demos for us to choose from. To hear songs in that state is always a fragile, intimate moment. Each demo was magical — Bob was humming along in places where he didn’t have lyrics, almost making it up as he went along. It was a surreal moment, and one we felt humbled by and undeserving of.”
“We chose a saucy song of his to work on, one with a somewhat jazzy feel. All the credit must go to Bob. The skeleton of the song was brilliant, all it needed was a handful of lyrics. We took it to our hotel that night, and finished the song within a couple of hours. The next day we tracked it, and it’s actually the first song we’ve ever written, recorded and released in which we never once sang harmony. The feel of the song is also very different from our normal sound, but somehow, in all of his brilliance, Bob created something that spoke to us, and the song truly feels as though it was meant to be on this record. We owe him so much gratitude and respect, and are humbled that he gave us such a gift.”
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