Imogen Cooper - Imogen Cooper plays Schumann (2015) [Hi-Res]
BAND/ARTIST: Imogen Cooper
- Title: Imogen Cooper plays Schumann
- Year Of Release: 2015
- Label: Chandos
- Genre: Classical
- Quality: FLAC (tracks) 24/96
- Total Time: 01:15:51
- Total Size: 1.13 GB
- WebSite: Album Preview
Tracklist:
01. Schumann: Novelletten (8), Op. 21 - 8 Novelletten, Op. 21: No. 8. Sehr lebhaft 12:02
02-19. Schumann: Davidsbündlertänze, Op. 6 36:08
20. 8 Novelletten, Op. 21: No. 2. Ausserst rasch und mit Bravour 6:40
21-26. Schumann: Abegg Variations, Op. 1 8:52
27-33. Schumann: Variations on an Original Theme, Anhang F39 11:52
01. Schumann: Novelletten (8), Op. 21 - 8 Novelletten, Op. 21: No. 8. Sehr lebhaft 12:02
02-19. Schumann: Davidsbündlertänze, Op. 6 36:08
20. 8 Novelletten, Op. 21: No. 2. Ausserst rasch und mit Bravour 6:40
21-26. Schumann: Abegg Variations, Op. 1 8:52
27-33. Schumann: Variations on an Original Theme, Anhang F39 11:52
This third recording by Imogen Cooper on Chandos features some of 'obert Schumann's most characteristic and complex works for solo piano. Cooper is one of those artists who are reaching a glorious maturity in middle age; she seems to follow in the steps of her teacher Alfred Brendel, her prodigious virtuosity coexisting with lyrical and emotional wisdom.
This album includes the Davidsbündlertänze which she describes as a 'work of stirring beauty and humour that make it one of the great romantic masterpieces for the piano'.
It also illustrates the journey between two sets of variations: Schumann's first published and last composed piano pieces. While the 'Abegg' is 'virtuosic, extroverted, challenging to play, and charming', the Geistervariationen are 'introverted and sparse, with a deep but elusive emotion'.
Finally, in the two Novelletten Imogen Cooper reveals what she calls the 'hidden narrative filaments to be discovered' in Schumann's music; this requires 'a skill which is very necessary in the interpretation of scores that frequently appear disjointed and illogical'.
This album includes the Davidsbündlertänze which she describes as a 'work of stirring beauty and humour that make it one of the great romantic masterpieces for the piano'.
It also illustrates the journey between two sets of variations: Schumann's first published and last composed piano pieces. While the 'Abegg' is 'virtuosic, extroverted, challenging to play, and charming', the Geistervariationen are 'introverted and sparse, with a deep but elusive emotion'.
Finally, in the two Novelletten Imogen Cooper reveals what she calls the 'hidden narrative filaments to be discovered' in Schumann's music; this requires 'a skill which is very necessary in the interpretation of scores that frequently appear disjointed and illogical'.
Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads