Anatole Fistoulari & Paris Conservatoire Orchestra & Royal Philharmonic Orchestra - Tchaikovsky: Sleeping Beauty; Symphony No. 4 (2019)
- Title: Tchaikovsky: Sleeping Beauty; Symphony No. 4
- Year Of Release: 2019
- Label: Universal Music Australia Pty. Ltd.
- Genre: Classical
- Quality: flac lossless
- Total Time: 02:33:16
- Total Size: 587 mb
- WebSite: Album Preview
Tracklist
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01. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-1. Marche (Entrance of King and Court)
02. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-2. Scène dansante (Entrance of Fairies)
03. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-3. Pas de six
04. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-4. Final (La Fée des lilas sort)
05. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-5. Scène (The Palace Garden)
06. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-6. Valse
07. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-7. Scène (The Four Princes)
08. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-8. Pas d'action
09. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-9. Final (La Fée des lilas paraît)
10. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-10. Entr'acte et scène
11. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-11. Colin-maillard (Allegro vivo)
12. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-12. Scène
13. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-13. Farandole: Scène-Danse
14. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-14. Scène (Arrival of Huntsmen)
15. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-15. Pas d'action-Variation d'Aurore-Coda
16. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-16/19. Finale
17. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-20. Panorama
18. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-21. Marche
19. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-22. Polacca (Allegro moderato)
20. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-23. Pas de quatre
21. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-24. Pas de caractère (Puss in Boots)
22. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-25. Pas de quatre: Adagio-Var. I-II-Coda
23. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-26. Pas de caractère (Red Riding Hood)-Cendrillon et le prince Fortune (Allegro-Waltz)
24. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-28. Pas de deux: Aurora and Prince Desire
25. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-30. Final: Allegro brillante-Apothéose
26. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-1. Andante sostenuto-Moderato con anima-Moderato assai, quasi Andante-Allegro vivo
27. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-2. Andantino in modo di canzone
28. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-3. Scherzo. Pizzicato ostinato-Allegro
29. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-4. Finale (Allegro con fuoco)
The Tchaikovsky ballet score recordings by the Ukrainian-born conductor Anatole Fistoulari are prized 'as being among the finest ever made' (Gramophone). As a companion issue to the abridged 'Swan Lake' and extended excerpts from 'The Nutcracker' on Eloquence (4825225), this newly remastered set offers another pair of complete Decca albums, both appearing for the first time on Decca CD: the abridged (mono) 'Sleeping Beauty' made in Paris in 1952 and the Fourth Symphony from 1971, recorded in Phase 4 stereo. It is the sense of being present at a live performance that critics have always prized in Fistoulari's ballet recordings. As an experienced conductor in the pit, who (perhaps apocryphally) led his first opera performance at the age of twelve, he had the still-rare knack of transferring the vital sense of dramatic narrative to the studio. Sleeping Beauty, the longest of Tchaikovsky's ballets, was reduced in this version to roughly the length of The Nutcracker - an hour and three-quarters - which, when LPs required side turns every 25 minutes, was deemed quite sufficient by most critics and listeners, who were still accustomed to attending similarly cut versions of the ballet live. Although Decca capitalised on Fistoulari's talents as a concerto accompanist and ballet director, the records of him as a symphonic conductor are all too rare, which makes this dynamic, spacious and detailed account of the Fourth Symphony all the more treasurable. The tension and complex form of the first movement - Tchaikovsky's single most innovative symphonic movement - is superbly handled, and he secures quiet string playing worthy of any ballet conductor in the pizzicato Scherzo. It makes a notable addition to the symphony's discography on CD and a worthy tribute to the art of an unjustly neglected maestro.
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01. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-1. Marche (Entrance of King and Court)
02. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-2. Scène dansante (Entrance of Fairies)
03. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-3. Pas de six
04. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-4. Final (La Fée des lilas sort)
05. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-5. Scène (The Palace Garden)
06. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-6. Valse
07. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-7. Scène (The Four Princes)
08. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-8. Pas d'action
09. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-9. Final (La Fée des lilas paraît)
10. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-10. Entr'acte et scène
11. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-11. Colin-maillard (Allegro vivo)
12. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-12. Scène
13. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-13. Farandole: Scène-Danse
14. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-14. Scène (Arrival of Huntsmen)
15. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-15. Pas d'action-Variation d'Aurore-Coda
16. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-16/19. Finale
17. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-20. Panorama
18. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-21. Marche
19. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-22. Polacca (Allegro moderato)
20. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-23. Pas de quatre
21. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-24. Pas de caractère (Puss in Boots)
22. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-25. Pas de quatre: Adagio-Var. I-II-Coda
23. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-26. Pas de caractère (Red Riding Hood)-Cendrillon et le prince Fortune (Allegro-Waltz)
24. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-28. Pas de deux: Aurora and Prince Desire
25. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-30. Final: Allegro brillante-Apothéose
26. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-1. Andante sostenuto-Moderato con anima-Moderato assai, quasi Andante-Allegro vivo
27. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-2. Andantino in modo di canzone
28. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-3. Scherzo. Pizzicato ostinato-Allegro
29. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-4. Finale (Allegro con fuoco)
The Tchaikovsky ballet score recordings by the Ukrainian-born conductor Anatole Fistoulari are prized 'as being among the finest ever made' (Gramophone). As a companion issue to the abridged 'Swan Lake' and extended excerpts from 'The Nutcracker' on Eloquence (4825225), this newly remastered set offers another pair of complete Decca albums, both appearing for the first time on Decca CD: the abridged (mono) 'Sleeping Beauty' made in Paris in 1952 and the Fourth Symphony from 1971, recorded in Phase 4 stereo. It is the sense of being present at a live performance that critics have always prized in Fistoulari's ballet recordings. As an experienced conductor in the pit, who (perhaps apocryphally) led his first opera performance at the age of twelve, he had the still-rare knack of transferring the vital sense of dramatic narrative to the studio. Sleeping Beauty, the longest of Tchaikovsky's ballets, was reduced in this version to roughly the length of The Nutcracker - an hour and three-quarters - which, when LPs required side turns every 25 minutes, was deemed quite sufficient by most critics and listeners, who were still accustomed to attending similarly cut versions of the ballet live. Although Decca capitalised on Fistoulari's talents as a concerto accompanist and ballet director, the records of him as a symphonic conductor are all too rare, which makes this dynamic, spacious and detailed account of the Fourth Symphony all the more treasurable. The tension and complex form of the first movement - Tchaikovsky's single most innovative symphonic movement - is superbly handled, and he secures quiet string playing worthy of any ballet conductor in the pizzicato Scherzo. It makes a notable addition to the symphony's discography on CD and a worthy tribute to the art of an unjustly neglected maestro.
Year 2019 | Classical | FLAC / APE
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