Münchner Rundfunkorchester & Ulf Schimmer - Violoncellokonzerte: d’Albert, Bruch, Dohnányi (2016) [Hi-Res]
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BAND/ARTIST: Münchner Rundfunkorchester, Ulf Schimmer
- Title: Violoncellokonzerte: d’Albert, Bruch, Dohnányi
- Year Of Release: 2016
- Label: FARAO Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +booklet
- Total Time: 01:05:06
- Total Size: 226 mb / 1.4 gb
- WebSite: Album Preview
Tracklist
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01. Cello Concerto in C Major, Op. 20: I. Allegro moderato-Animato-Allegro-Molto tranquillo
02. Cello Concerto in C Major, Op. 20: II. Andante con moto
03. Cello Concerto in C Major, Op. 20: III. Allegro vivace-Allegro molto
04. Kol nidrei, Op. 47
05. Konzertstuck, Op. 12: I. Allegro non troppo
06. Konzertstuck, Op. 12: II. Adagio
07. Konzertstuck, Op. 12: III. Tempo I: Mia molto piu tranquillo
08. Canzone, Op. 55
David Pia has known ever since his childhood what constitutes a great musical tradition, as his grandfather was the legendary conductor, organist and director of the Munich Bach Choir, Karl Richter. This is why, when selecting pieces for his first album as cello soloist with orchestra, he has not fallen back on the popular concertos by Haydn, Schumann, Saint-Saëns, Dvorák, Prokofieff or Shostakovich, but instead chosen masterpieces from the autumnal years of the fading Romantic era that were once highly regarded and have now been rediscovered. The result is thus neither another mainstream product, nor a contribution to the cabinet of curiosities.
D'Albert's highly virtuosic concerto of 1899 stands out for its instrumental elegance, en- chanting melodies and subtle harmony. Dohnányi's Concert Piece of 1904, on the other hand, captivates the listener with its poignant passion, climaxes and contrasts, and a tendency towards symphonic monumentality. Bruch's Canzone envelops the listener in the innocent beauty and warmth that are so typical of the composer. Kol Nidrei, a elegiac piece based on Hebrew melodies, is among Bruch's most famous works.
David Pia aspires to take his listeners to a place “where time stands still or at least the feeling of time is transformed – to an inner world where all feel a sense of closeness to themselves, and where I most like to be myself.”
Critics describe his playing as inspired, profoundly concentrated, exceptionally sensitive and graceful, and informed by well-shaped, singing phrasing, while displaying an exciting spontaneity.
---------
01. Cello Concerto in C Major, Op. 20: I. Allegro moderato-Animato-Allegro-Molto tranquillo
02. Cello Concerto in C Major, Op. 20: II. Andante con moto
03. Cello Concerto in C Major, Op. 20: III. Allegro vivace-Allegro molto
04. Kol nidrei, Op. 47
05. Konzertstuck, Op. 12: I. Allegro non troppo
06. Konzertstuck, Op. 12: II. Adagio
07. Konzertstuck, Op. 12: III. Tempo I: Mia molto piu tranquillo
08. Canzone, Op. 55
David Pia has known ever since his childhood what constitutes a great musical tradition, as his grandfather was the legendary conductor, organist and director of the Munich Bach Choir, Karl Richter. This is why, when selecting pieces for his first album as cello soloist with orchestra, he has not fallen back on the popular concertos by Haydn, Schumann, Saint-Saëns, Dvorák, Prokofieff or Shostakovich, but instead chosen masterpieces from the autumnal years of the fading Romantic era that were once highly regarded and have now been rediscovered. The result is thus neither another mainstream product, nor a contribution to the cabinet of curiosities.
D'Albert's highly virtuosic concerto of 1899 stands out for its instrumental elegance, en- chanting melodies and subtle harmony. Dohnányi's Concert Piece of 1904, on the other hand, captivates the listener with its poignant passion, climaxes and contrasts, and a tendency towards symphonic monumentality. Bruch's Canzone envelops the listener in the innocent beauty and warmth that are so typical of the composer. Kol Nidrei, a elegiac piece based on Hebrew melodies, is among Bruch's most famous works.
David Pia aspires to take his listeners to a place “where time stands still or at least the feeling of time is transformed – to an inner world where all feel a sense of closeness to themselves, and where I most like to be myself.”
Critics describe his playing as inspired, profoundly concentrated, exceptionally sensitive and graceful, and informed by well-shaped, singing phrasing, while displaying an exciting spontaneity.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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