Carmen-Marie-Lucie Guilbert - Complete Debussy Recordings 1928-1930 (2019)
BAND/ARTIST: Carmen-Marie-Lucie Guilbert
- Title: Complete Debussy Recordings 1928-1930
- Year Of Release: 2019
- Label: APR Recordings
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 149:32 min
- Total Size: 621 MB
- WebSite: Album Preview
Tracklist:
01. Estampes, L. 100: No. 3, Jardins sous la pluie
02. Rêverie, L. 68
03. 2 Arabesques, L. 66: No. 1 in E Major
04. 2 Arabesques, L. 66: No. 2 in G Major
05. Images, Book 1, L. 110: No. 1, Reflets dans l'eau
06. Estampes, L. 100: No. 2, La soirée dans Grenade
07. Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie
08. Ballade, L. 70
09. Pour le piano, L. 95: I. Prélude
10. Pour le piano, L. 95: II. Sarabande
11. Pour le piano, L. 95: III. Toccata
12. Préludes, Book 1, L. 117: No. 1, Danseuses de Delphes
13. Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin
14. Préludes, Book 1, L. 117: No. 9, La sérénade interrompue
15. Préludes, Book 1, L. 117: No. 12, Minstrels
16. Mazurka, L. 67
17. La plus que lente, L. 121
18. Préludes, Book 2, L. 123: No. 3, La puerta del vino
19. Préludes, Book 2, L. 123: No. 6, Général Lavine - Eccentric
20. Préludes, Book 2, L. 123: No. 8, Ondine
21. Préludes, Book 2, L. 123: No. 9, Hommage à S. Pickwick Esq. P.P.M.P.C
22. Masques, L. 105
23. Estampes, L. 100: No. 1, Pagodes
24. Valse romantique, L. 71
25. Suite bergamasque, L. 75: I. Prélude
26. Suite bergamasque, L. 75: II. Menuet
27. Suite bergamasque, L. 75: III. Clair de lune
28. Préludes, Book 1, L. 117: No. 12, Minstrels
29. Préludes, Book 2, L. 123: No. 5, Bruyères
30. Pour le piano, L. 95: II. Sarabande
31. Pour le piano, L. 95: III. Toccata
32. Impromptu No. 2 in F Minor, Op. 31
33. Barcarolle No. 6 in E-Flat Major, Op. 70
34. Nocturne in A-Flat Major, Op. 33 No. 3
35. Nocturne No. 6 in D-Flat Major, Op. 63
36. Theme & Variations in C-Sharp Minor, Op. 73
37. Miroirs, M. 43: No. 4, Alborada del gracioso
01. Estampes, L. 100: No. 3, Jardins sous la pluie
02. Rêverie, L. 68
03. 2 Arabesques, L. 66: No. 1 in E Major
04. 2 Arabesques, L. 66: No. 2 in G Major
05. Images, Book 1, L. 110: No. 1, Reflets dans l'eau
06. Estampes, L. 100: No. 2, La soirée dans Grenade
07. Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie
08. Ballade, L. 70
09. Pour le piano, L. 95: I. Prélude
10. Pour le piano, L. 95: II. Sarabande
11. Pour le piano, L. 95: III. Toccata
12. Préludes, Book 1, L. 117: No. 1, Danseuses de Delphes
13. Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin
14. Préludes, Book 1, L. 117: No. 9, La sérénade interrompue
15. Préludes, Book 1, L. 117: No. 12, Minstrels
16. Mazurka, L. 67
17. La plus que lente, L. 121
18. Préludes, Book 2, L. 123: No. 3, La puerta del vino
19. Préludes, Book 2, L. 123: No. 6, Général Lavine - Eccentric
20. Préludes, Book 2, L. 123: No. 8, Ondine
21. Préludes, Book 2, L. 123: No. 9, Hommage à S. Pickwick Esq. P.P.M.P.C
22. Masques, L. 105
23. Estampes, L. 100: No. 1, Pagodes
24. Valse romantique, L. 71
25. Suite bergamasque, L. 75: I. Prélude
26. Suite bergamasque, L. 75: II. Menuet
27. Suite bergamasque, L. 75: III. Clair de lune
28. Préludes, Book 1, L. 117: No. 12, Minstrels
29. Préludes, Book 2, L. 123: No. 5, Bruyères
30. Pour le piano, L. 95: II. Sarabande
31. Pour le piano, L. 95: III. Toccata
32. Impromptu No. 2 in F Minor, Op. 31
33. Barcarolle No. 6 in E-Flat Major, Op. 70
34. Nocturne in A-Flat Major, Op. 33 No. 3
35. Nocturne No. 6 in D-Flat Major, Op. 63
36. Theme & Variations in C-Sharp Minor, Op. 73
37. Miroirs, M. 43: No. 4, Alborada del gracioso
This release launches an important new APR series devoted to the French Piano School. For around 150 years France has nurtured a distinctive style of pianism centered on the teaching of the Paris Conservatoire. The heyday of the school was probably the first fifty years of the 20th century and this series of recordings aims to explore in depth the often-forgotten recordings made at this time. Marius-François Gaillard was the first pianist to perform the complete piano works of Debussy in concert, which he did first in 1920, and again in 1922. He subsequently made the recordings featured here, and these were by far the largest body of Debussy piano recordings until the 1930s. As such they give us the closest view of Debussy playing to the composers own time and reveal a clarity and objectivity which exemplifies the traditions of French pianism but is somewhat different from the impressionist style of Gieseking which was to follow and become the accepted model. Gaillard later pursued a career as a composer and his early recordings were forgotten. To commemorate the 100th anniversary year of Debussys death, this is their first reissue. Carmen Guilbert also had a short active career, but as a pupil of Marguerite Long her playing, particularly of Fauré, is important. These are her complete classical recordings.
Year 2019 | Classical | FLAC / APE
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