Jethro Tull - Aqualung (2018) [Vinyl]
BAND/ARTIST: Jethro Tull
- Title: Aqualung
- Year Of Release: 2011 / 2018
- Label: Chrysalis
- Genre: Classic Rock, Prog Rock
- Quality: DSD128 (*.dsf) 5.6 MHz / 1 Bit
- Total Time: 43:30
- Total Size: 2.84 GB
- WebSite: Album Preview
Tracklist:
Aqualung
A1 Aqualung
Words By – Jennie Anderson
A2 Cross-Eyed Mary
A3 Cheap Day Return
A4 Mother Goose
A5 Wond'ring Aloud
A6 Up To Me
My God
B1 My God
B2 Hymn 43
B3 Slipstream
B4 Locomotive Breath
B5 Wind-Up
Aqualung
A1 Aqualung
Words By – Jennie Anderson
A2 Cross-Eyed Mary
A3 Cheap Day Return
A4 Mother Goose
A5 Wond'ring Aloud
A6 Up To Me
My God
B1 My God
B2 Hymn 43
B3 Slipstream
B4 Locomotive Breath
B5 Wind-Up
The leap from 1970's Benefit to the following year's Aqualung is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual, lyrical constructs. While the leap to full-blown prog rock wouldn't be taken until a year later on Thick as a Brick, the degree to which Tull upped the ante here is remarkable.
The lyrical concept -- the hypocrisy of Christianity in England -- is stronger than on most other '70s conceptual efforts, but it's ultimately the music that makes it worthy of praise. Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or on the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story. The fable imagery of "Mother Goose" and the vitriolic anti-authoritarian sentiments of "Wind Up" both serve notice of Anderson's willful iconoclasm and his disillusionment with the spiritual traditions to which he was born. Varied but cohesive, Aqualung is widely regarded as Tull's finest hour. -- Rovi Staff
The lyrical concept -- the hypocrisy of Christianity in England -- is stronger than on most other '70s conceptual efforts, but it's ultimately the music that makes it worthy of praise. Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or on the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story. The fable imagery of "Mother Goose" and the vitriolic anti-authoritarian sentiments of "Wind Up" both serve notice of Anderson's willful iconoclasm and his disillusionment with the spiritual traditions to which he was born. Varied but cohesive, Aqualung is widely regarded as Tull's finest hour. -- Rovi Staff
Year 2018 | Rock | HD & Vinyl
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