Minnesota Orchestra & Osmo Vänskä - Sibelius: Symphonies Nos. 3, 6 & 7 (2016) [Hi-Res]
![Minnesota Orchestra & Osmo Vänskä - Sibelius: Symphonies Nos. 3, 6 & 7 (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2018-12/1545838296_folder.jpg)
BAND/ARTIST: Minnesota Orchestra, Osmo Vänskä
- Title: Sibelius: Symphonies Nos. 3, 6 & 7
- Year Of Release: 2016
- Label: BIS
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 01:21:06
- Total Size: 1.2 gb
- WebSite: Album Preview
Tracklist
---------
01. Symphony No. 3 in C Major, Op. 52: I. Allegro moderato
02. Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto
03. Symphony No. 3 in C Major, Op. 52: III. Moderato-Allegro (Ma non tanto)
04. Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato
05. Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato
06. Symphony No. 6 in D Minor, Op. 104: III. Poco vivace
07. Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto
08. Symphony No. 7 in C Major, Op. 105
The long-awaited final album in the Sibelius cycle from Minnesota Ochestra and Osmo Vänskä. The first album in the Sibelius cycle from Osmo Vänskä and Minnesota Orchestra made the reviewer in Gramophone speculate about a 'benchmark cycle for the 21st century' whilst the second instalment received a Grammy for 'Best Orchestral Performance'. The long-awaited final album in the cycle, with a playing time of 82 minutes, combines the Finnish master's third symphony, completed in 1907, with his two final works in the genre, composed more or less in tandem between 1922 and 1924. Symphony No. 3 in C major is Sibelius's most classical symphony, a radical change in direction after the opulence of its predecessor. It has been claimed that the mastery of form in its first movement is comparable only to the greatest Viennese masters – and at the same time the conductor Koussevitzky, one of the composer's strongest champions, spoke of it as ‘music far in advance of its time’. Fifteen years later, and after the heroic Fifth Symphony, Sibelius again presented a symphony which surprised those admirers who expected more of the same. Sibelius gave Symphony No. 6 a refined modal flavouring, avoiding both virtuoso orchestral writing and massive climaxes, and likened it to an offering of 'pure spring water'. This he followed up immediately with what would become his symphonic swan song – the stern and majestic Seventh Symphony. A one-movement work, it was at first billed as ‘Fantasia sinfonica’ but it is indeed a true symphony, its single movement portraying elements of all four movements of symphonic practice.
---------
01. Symphony No. 3 in C Major, Op. 52: I. Allegro moderato
02. Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto
03. Symphony No. 3 in C Major, Op. 52: III. Moderato-Allegro (Ma non tanto)
04. Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato
05. Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato
06. Symphony No. 6 in D Minor, Op. 104: III. Poco vivace
07. Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto
08. Symphony No. 7 in C Major, Op. 105
The long-awaited final album in the Sibelius cycle from Minnesota Ochestra and Osmo Vänskä. The first album in the Sibelius cycle from Osmo Vänskä and Minnesota Orchestra made the reviewer in Gramophone speculate about a 'benchmark cycle for the 21st century' whilst the second instalment received a Grammy for 'Best Orchestral Performance'. The long-awaited final album in the cycle, with a playing time of 82 minutes, combines the Finnish master's third symphony, completed in 1907, with his two final works in the genre, composed more or less in tandem between 1922 and 1924. Symphony No. 3 in C major is Sibelius's most classical symphony, a radical change in direction after the opulence of its predecessor. It has been claimed that the mastery of form in its first movement is comparable only to the greatest Viennese masters – and at the same time the conductor Koussevitzky, one of the composer's strongest champions, spoke of it as ‘music far in advance of its time’. Fifteen years later, and after the heroic Fifth Symphony, Sibelius again presented a symphony which surprised those admirers who expected more of the same. Sibelius gave Symphony No. 6 a refined modal flavouring, avoiding both virtuoso orchestral writing and massive climaxes, and likened it to an offering of 'pure spring water'. This he followed up immediately with what would become his symphonic swan song – the stern and majestic Seventh Symphony. A one-movement work, it was at first billed as ‘Fantasia sinfonica’ but it is indeed a true symphony, its single movement portraying elements of all four movements of symphonic practice.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads