The Attaignant Consort - Le Parler et le Silence (2013) [Hi-Res]
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BAND/ARTIST: The Attaignant Consort
- Title: Le Parler et le Silence
- Year Of Release: 2013
- Label: Ramée
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +booklet
- Total Time: 01:08:37
- Total Size: 301 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Pulchra es amica mea
02. Fantasia
03. Canzon decima
04. Fantasie
05. Canzon settimadecima
06. Fantasia seconda
07. L'enfant amour
08. Yeux qui guidez mon ame
09. Psalm 9
10. My Choice Is Made
11. La Tortorella
12. Galliard
13. Fantasia
14. Fantasia
15. Première entrée
16. Si le penser de mon ame
17. Si c'est un crime que l'aymer
18. Esprits qui soupirez
19. O destin par trop rigoureux
20. Si le parler et le silence
21. Chaconne des harlequins de Mr Lully
22. Ma bergère
23. Si c'est un crime que l'aymer
24. L'amour, le seul amour
25. Prelude
26. Chaconne
27. Fanfare
28. L'amant le plus fidelle
29. Air anglois
30. Sonata No. 1 in G Major, Op. 34: I. Adagio
31. Sonata No. 1 in G Major, Op. 34: II. Presto
32. Sonata No. 1 in G Major, Op. 34: III. Adagio
33. Sonata No. 1 in G Major, Op. 34: IV. Allegro
This recording is the sequel to The Attaignant Consort’s first album “Madame d’amours” and the third and last in a series of three recordings presenting the art of the Renaissance flute, both as solo instrument and as a consort instrument from the late fifteenth century until the middle of the seventeenth. This album places the accent on the musical transition of the seventeenth century, and shows how the consort of flutes adapted to the new styles of composition, which pushed it to the very limits of its possibilities. This recording illustrates the repertory for flute consort from its beginnings, including examples of the first instrumental fantasias, of “airs de cour” in four voices, a suite of English songs, bicinia, and finally French airs enriched with Baroque ornaments from the early eighteenth century.
---------
01. Pulchra es amica mea
02. Fantasia
03. Canzon decima
04. Fantasie
05. Canzon settimadecima
06. Fantasia seconda
07. L'enfant amour
08. Yeux qui guidez mon ame
09. Psalm 9
10. My Choice Is Made
11. La Tortorella
12. Galliard
13. Fantasia
14. Fantasia
15. Première entrée
16. Si le penser de mon ame
17. Si c'est un crime que l'aymer
18. Esprits qui soupirez
19. O destin par trop rigoureux
20. Si le parler et le silence
21. Chaconne des harlequins de Mr Lully
22. Ma bergère
23. Si c'est un crime que l'aymer
24. L'amour, le seul amour
25. Prelude
26. Chaconne
27. Fanfare
28. L'amant le plus fidelle
29. Air anglois
30. Sonata No. 1 in G Major, Op. 34: I. Adagio
31. Sonata No. 1 in G Major, Op. 34: II. Presto
32. Sonata No. 1 in G Major, Op. 34: III. Adagio
33. Sonata No. 1 in G Major, Op. 34: IV. Allegro
This recording is the sequel to The Attaignant Consort’s first album “Madame d’amours” and the third and last in a series of three recordings presenting the art of the Renaissance flute, both as solo instrument and as a consort instrument from the late fifteenth century until the middle of the seventeenth. This album places the accent on the musical transition of the seventeenth century, and shows how the consort of flutes adapted to the new styles of composition, which pushed it to the very limits of its possibilities. This recording illustrates the repertory for flute consort from its beginnings, including examples of the first instrumental fantasias, of “airs de cour” in four voices, a suite of English songs, bicinia, and finally French airs enriched with Baroque ornaments from the early eighteenth century.
Classical | FLAC / APE | HD & Vinyl
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